During your valuable holiday time you will want to experience the heart of India. Footprint’s Dream Trip India - The North: Forts, Palaces, the Himalaya will ensure you discover the very best this spirited destination has to offer as well as take you to some fantastic out-of-the-way places hand-picked by the authors. From exploring spectacular forts to taking in the wonder of the iconic Taj Mahal, this new guide is packed full of ideas, suggestions and expert advice and will help you design your own dream trip. • Packed with detailed information on where to go and what to do • A hand-picked selection of the very best places to stay and to eat • Full-colour trip-planning section featuring detailed itineraries and maps • Off-the-beaten track suggestions from the author • Compact, pocket-sized format so you can carry it with you • Written by a local expert offering you insider information Footprint’s carefully tailored information ensures that you get the most out of your dream trip.

In this exuberant celebration of the world's museums, great and small, revered writers like Ann Patchett, Julian Barnes, Ali Smith, and more tell us about their favorite museums, including the Lower East Side Tenement Museum in New York, the Mus'e Rodin in Paris, and the Prado in Madrid. These essays, collected from the pages of The Economist's Intelligent Life magazine, reveal the special hold that some museums have over us all. Acclaimed novelist William Boyd visits the Leopold Museum in Vienna -- a shrine to his favorite artist, Egon Schiele, whom Boyd first discovered on a postcard as a University student. In front of her favorite Rodins, Allison Pearson recalls a traumatic episode she suffered at the hands of a schoolteacher following a trip to the Mus'e in Paris. Neil Gaiman admires the fantastic world depicted in British outsider artist Richard Dadd's "The Fairy Feller's Master-Stroke," a tiny painting that also decorated the foldout cover of a Queen album, housed in the Victorian room of Tate Britain's Pre-Raphaelite collection. Ann Patchett fondly revisits Harvard University's Museum of Natural History -- which she discovered at 19, while in the throes of summer romance with a biology student named Jack. Treasure Palaces is a treasure trove of wonders, a tribute to the diversity and power of the museums, the safe-keepers of our world's most extraordinary artifacts, and an intimate look into the deeply personal reveries we fall into when before great art.

The story of the Stuart dynasty is a breathless soap opera played out in just a hundred years in an array of buildings that span Europe from Scotland, via Denmark, Holland and Spain to England.

Castles and palaces around the world are structures of grandeur, might and beauty. From the flamboyance of Germany's fairy tale-Neuschwanstein Castle to the gothic, Dracula-inspiring Bran Castle, perched high in the craggy peaks of Romania's Carpathian Mountains; Tokyo's Imperial Palace, previously home to samurai warriors to Ireland's Blarney Castle, where 'the gift of the gab' will be granted to any who kiss its stone, the world's castles and palaces are steeped in history and stories to tell. Travel writer and journalist Gilly Pickup shares these stories, providing a tour of 50 of the world's greatest castles and palaces, filled with humour, interesting facts and tips on how best to visit them.

The Late Assyrian Empire (c. 900 - 612 BCE) was the first state to rule over the major centres of the Middle East, and the Late Assyrian court inhabited some of the most monumental palaces of its time. The Architecture of Late Assyrian Royal Palaces is the first volume to provide an in-depth analysis of Late Assyrian palatial architecture, offering a general introduction to all key royal palaces in the major centres of the empire: Assur, Kaluhu, Dur-Sharruken, and Nineveh. Where previous research has often focused on the duality between public and private realms, this volume redefines the cultural principles governing these palaces and proposes a new historical framework, analysing the spatial organization of the palace community which placed the king front and centre. It brings together the architecture of such palaces as currently understood within the broader framework of textual and art-historical sources, and argues that architectural changes were guided by a need to accommodate ever larger groups as the empire grew in size.