TRAVELING BACKWARD is a highly original philosophic romp beyond the youth of old age with a quixotic ‘journalist turned mom turned academic turned peasant.’ It’s a kind of light-hearted guide to the wisdom of the ages—from Socrates to existentialism and beyond—gleaned during a struggle to recover the images that fi rst touched her heart and to answer two questions: Who am I really? Where does the world come from? It’s a colorful, occasionally poignant, journey that could help you look at life through the reverent eyes of a child again. GLIMPSES OF ‘TRAVELING BACKWARD’ : “You two remind me of Peter Pan. Trouble is, I’m not sure which one of you is Peter Pan. Well, I was taken aback. But my mate took action. Muttering something negative about fairy stories, he headed for the door and disappeared down the hall. I started to follow him but changed my mind. Instead, I headed for the public library to reread Peter Pan. Had I missed something?” (Elayne Wareing Fitzpatrick) “Human life – indeed all life – is poetry. It’s we who live it, unconsciously, day by day. . . Yet in its inviolable wholeness it lives us, it composes us. . . We are works of art, but we are not the artist. . . Dare everything, need nothing.” (Lou Andreas—Salome) “I relate to [Andreas—Salome’s] passionate struggle for truth, to her ultimate reverence for all life, and to her desire to enjoy intellectual friendships with a variety of men, free of sexual overtones.” (Fitzpatrick) “I was discovering that, deep down, I didn’t really ‘take’ to popular culture, crowds, and bustling cities, regardless of my curiosity, regardless of my journalist’s delight in writing about all of it.” (Fitzpatrick) “If you can’t change the world, change worlds.” (St. Francis of Assisi) “If I were ever to choose a place away from my country, it would surely be a Greek island, outside Athens. . . In Greece, I feel completely at home. Maybe that’s because, as the poet Shelley said, ‘We’re all Greeks. Our laws, our literature, our religion, our arts have their roots in Greece.” (Fitzpatrick) “Back straight and head held high, he would place his left arm on my right shoulder, snap his fingers and lead me in the graceful, deliberate movements of the Zorba dance, accompanied by a recording of Mozart’s 40th played on the bouzouki. This against a backdrop of tinkling goat bells and singing monks gathered in a distant church.” (Fitzpatrick) “Many of the highs and lows in my life. . . have resulted from conflict born of the struggle between my own strong loving, nesting needs and my equally strong needs for freedom to think, to adventure, to discover, to express myself.” (Fitzpatrick) “All parts of this one organic whole – this one God – are different expressions of the same energy, and they are all in communication with each other, influencing each other, therefore parts of one organic whole.” (Robinson Jeffers) “How did matter happen that makes the stars and cool planets and living beings? And how did the space happen that contains the stars and planets?. . . Much is still very hypothetical. Much is still unknown. Much, we will never know. . . Life is struggle, pain and suffering. But it is also extraordinarily glorious creativity.” (Dr. Kai Woehler) “Like Socrates, I’ve experienced an inner voice that usually let’s me know when I’m about to go off-track, and I’ve come to believe, with Kant, in a moral law within.” (Fitzpatrick) “Nature’ – wonderful and awe-inspiring as it is – can’t participate in a verbal dialogue, can’t exchange and explore ideas with the human mind. We can relate to the animals, the birds, the insects, the fish, and the flora with our most primitive instincts and feel joy, spiritual ecstasy in so recognizing our kinship. Yet nothing in Nature can compare with the human need for a warm

Step into the Riveting Tapestry of Time Prepare to be transported on an epic odyssey across the vast continuum of time. This breathtaking narrative takes you on a mesmerizing exploration that plunges deep into the mysteries of our past, confronts the realities of the present, and dares to envision the potential futures that lie ahead. In this extraordinary journey, you will walk through the enigmatic landscapes of ancient civilizations long forgotten, feel the pulsating rhythms of our modern world, and navigate the uncharted territories of what may come. Each page unfurls a new layer of the expansive tapestry that threads together the past, present, and future. Through the vivid eyes of diverse characters entangled in the fabric of time, you will come to understand the profound impact of choices. Witness historical events as they unfold and grapple with the tantalizing mysteries that the future holds. Time travel paradoxes and ethical dilemmas intertwine, compelling you to contemplate the intricacies of existence across different eras.

Actors on Guard is the most comprehensive and detailed book on the art of theatrical swordplay available today. It provides the reader with the historical, theoretical and practical basis for learning, practicing and presenting theatrical sword fights. Focusing specifically on the Elizabethan rapier and dagger (the most popular weapons used in stage fights), Actors on Guard provides actors, directors, teachers, stage managers and technicians the skills and knowledge essential to presenting safe and effective fights, both for stage and screen.