Travel, Humanitarianism, and Becoming American in Africa uses observations of American travelers to southern Africa to ask: why is Africa so important to Americans? These travel stories show how encounters with Africans lead to a problematic desire to save Africa. Kathryn Mathers argues that this is then seen as a way to resolve the tensions between aspirations for a globally responsible America and the current reality of its geopolitical role. This book draws fascinating new conclusions about the connections and disconnections on which contemporary American identity is formed.

This book interrogates the white savior industrial complex by exploring how America continues to present an imagined Africa as a space for its salvation in the 21st century. Through close readings of multiple mediated sites where Americans imagine Africa, White Saviorism and Popular Culture examines how an era of new media technologies is reshaping encounters between Africans and westerners in the 21st century, especially as Africans living and experiencing the consequences of western imaginings are also mobilizing the same mediated spaces. Kathryn Mathers emphasizes that the articulation of different forms of humanitarian engagement between America and Africa marks the necessity to interrogate the white savior industrial complex and the ways Africa is being asked to fulfill American needs as life in the United States becomes increasingly intolerable for Black Americans. Drawing on case studies from Savior Barbie (@barbiesavior) to Black Panther and Black is King, Mathers posits that global imperialism not only still reigns, but that it also disguises white supremacy by outsourcing Black American emancipation onto an imagined Africa. This is crucial reading for courses on the cultural politics of representation, particularly in relation to race, social media and popular culture, as well as anyone interested in issues of representation in the global humanitarianism industry.

Zusammenfassung: In this innovative volume, experts from international relations, anthropology, sociology, global public health, postcolonial African literature, and gender studies, take up Ngūgī wa Thiong'o's challenge to see how Africa gives to the west instead of the reverse. Humanitarian assumptions are challenged by unpacking critical legacies from colonial and missionary genealogies to today's global networks of nongovernmental organizations (NGOs). Who Gives to Whom: Reframing Africa in the Humanitarian Imaginary is a decolonial gesture that builds onNgūgī's work as well as that of pan-Africanist and intersectional feminist scholars. Contributions range from assessing the impact of historical legacies of colonialism on gender, religious/secular attempts at "saving" Africans to (South) African unrealized project to reconfigure foreign policy frameworks shaped by apartheid. Case studies of "silver bullet" solutions focus on the incorporation of women in peacebuilding, microfinance, and e-waste disposal, to argue that humanitarian interventions continue to mask ongoing forms of despoiling African well-being while shortchanging intersectional African forms of agency. Cilas Kemedjio is Professor of Francophone African and Caribbean literary and cultural studies at the University of Rochester, USA. Cecelia Lynch is Professor of Political Science at the University of California, Irvine, USA

The Routledge Handbook of Humanitarian Communication is an authoritative and comprehensive guide to research in the academic sub-field of humanitarian communication. It is broadly focused on communication that presents human vulnerability as a cause for public concern and encompasses communication with respect to humanitarian aid and development as well as human rights and "humanitarian" wars. Recent years have seen the expansion of critical scholarship on humanitarian communication across a range of academic fields, sharing recognition of the centrality of media and communications to our understanding of humanitarianism as an agent of transnational power, global governance and cosmopolitan solidarity. The Handbook brings into dialogue these diverse fields, their theoretical frameworks and methodological approaches as well as the public debates that lie at the heart of the contemporary politics of humanitarianism. It consolidates existing knowledge and maps out this emerging field as an important site of interdisciplinary knowledge production on media, communication and humanitarianism. As such, the Handbook is not simply a collection of texts sharing a similar theme. It is a coherent intellectual contribution which systematizes current critical scholarship in terms of Domains, Methods and Issues and sets an agenda of emerging and evolving research priorities in the field. Consisting of 26 chapters written by international scholars, who have contributed to laying the foundation of the field, this volume provides an essential guide to the key ideas, issues, concepts and debates of humanitarian communication.

New Media and International Development is the first in-depth examination of microfinance’s enduring popularity with Northern publics. Through a case study of Kiva.org, the world’s first person-to-person microlending website, and other microfinance organizations, the book argues that international development efforts have an affective dimension. This is fostered through narrative and visual representations, through the performance of development rituals and through bonds of fellowship between Northern donors and Southern recipients. These practices constitute people in the global North as everyday humanitarians and mobilize their affective investments, which are financial, social and emotional investments in distant others to alleviate their poverty. This book draws on ethnographic material from the US, India and Indonesia and the anthropological and development studies literature on humanitarianism, affect and the public faces of development. It opens up novel avenues of research into the formation of new development subjects in the global North. This book will appeal to researchers and students of international development, anthropology, media studies and related fields, as well as practitioners and professionals in the field of international development

Africa has long gripped the American imagination. From the Edenic wilderness of Edgar Rice Burroughs’s Tarzan novels to the ‘black Zion’ of Garvey’s Back-to-Africa movement, all manner of Americans - whether white or black, male or female - have come to see Africa as an idealized stage on which they can fashion new, more authentic selves. In this remarkable, panoramic work, David Peterson del Mar explores the ways in which American fantasies of Africa have evolved over time, as well as the role of Africans themselves in subverting American attitudes to their continent. Spanning seven decades, from the post-war period to the present day, and encompassing sources ranging from literature, film and music to accounts by missionaries, aid workers and travel writers, African, American is a fascinating deconstruction of ‘Africa’ as it exists in the American mindset.

Faced with the scale of global challenges such as poverty and inequality, one question is where to start. Humanitarian efforts can only ever have limited reach. Among all of human suffering, whom should we support? And what shapes our choices? Such questions are at the core of this book. Through an ethnographic account of moralities, it traces how everyday humanitarian practitioners challenge entrenched values of what matters, upending the notion that the large-scale is inherently important, and even questioning what ‘large’ means in the first place. Instead, these practitioners typically aim to create a difference in the life of a particular person, situating their limited actions within pervasive poverty.