Considering the growing interest in South African Literature at the moment, this study looks at both the Anglophone literature of South Africa and the lusophone literature of Angola and Mozambique. Stefan Helgesson suggests that the prevalence of ‘colonial’ languages such as English and Portuguese in ‘anticolonial’ or ‘postcolonial’ African Literature is primarily an effect of the print network. Helgesson aims to demystify the authority of English and Portuguese by stressing the materiality of the print medium and emphasising the strong transnational and transcontinental vectors of southern African literature after the Second World War.

Includes statistics.

In addition to being a poet, fiction writer, playwright, and essayist, Langston Hughes was also a globe-trotting cosmopolitan, travel writer, translator, avid international networker, and—perhaps above all—pan-Africanist. In Cultural Entanglements, Shane Graham examines Hughes’s associations with a number of black writers from the Caribbean and Africa, exploring the implications of recognizing these multiple facets of the African American literary icon and of taking a truly transnational approach to his life, work, and influence. Graham isolates and maps Hughes’s cluster of black Atlantic relations and interprets their significance. Moving chronologically through Hughes’s career from the 1920s to the 1960s, he spotlights Jamaican poet and novelist Claude McKay, Haitian novelist and poet Jacques Roumain, French Negritude author Aimé Césaire of Martinique, South African writers Es’kia Mphahlele and Peter Abrahams, and Caribbean American novelist Paule Marshall. Taken collectively, these writers’ intellectual relationships with Hughes and with one another reveal a complex conversation—and sometimes a heated debate—happening globally throughout the twentieth century over what Africa signified and what it meant to be black in the modern world. Graham makes a truly original contribution not only to the study of Langston Hughes and African and Caribbean literatures but also to contemporary debates about cosmopolitanism, the black Atlantic, and transnational cultures.

National borders and transnational forces have been central in defining the meaning of race in the Americas. Race and Transnationalism in the Americas examines the ways that race and its categorization have functioned as organizing frameworks for cultural, political, and social inclusion—and exclusion—in the Americas. Because racial categories are invariably generated through reference to the “other,” the national community has been a point of departure for understanding race as a concept. Yet this book argues that transnational forces have fundamentally shaped visions of racial difference and ideas of race and national belonging throughout the Americas, from the late nineteenth century to the present. Examining immigration exclusion, indigenous efforts toward decolonization, government efforts to colonize, sport, drugs, music, populism, and film, the authors examine the power and limits of the transnational flow of ideas, people, and capital. Spanning North America, Central America, South America, and the Caribbean, the volume seeks to engage in broad debates about race, citizenship, and national belonging in the Americas.

This book provides unique "insider" critical insights into the ever-growing field of Postcolonial Studies, from one of the field's original architects.

Despite the fact that nationalism and its national projects have in recent years been severely criticised by postcolonial theorists for being fundamentalist and essentialist; by feminists for being patriarchal and exclusive; by global financial institutions for being antagonistic to development and globalisation; by Pan-Africanists for being anticontinental unity; and by those Africans born after decolonisation for being irrelevant; Sabelo J. Ndlovu-Gatsheni and Finex Ndhlovu's book convincingly argues that nationalism has defied its death and displayed remarkable resilience and resonance. Since the end of the Cold War, what has been poignant has been the enduring contest, tensions and contradictions between the growth of various forms of transnationalism on the one hand and a resurgence of territorial as well as other narrow and xenophobic forms of nationalism on the other. In this important book, Ndlovu-Gatsheni and Ndhlovu provide new critical reflections on nationalism and its national projects in southern Africa covering South Africa, Zimbabwe and the Democratic Republic of Congo (DRC, a member of SADC). The national question is interrogated from different disciplinary vantage points to reveal how it impinges on contemporary challenges of nation-building, development, devolution of power, language questions, and citizenship on the one hand and ethnicity, nativism and xenophobia on the other.