Translations from the Natural World, Les Murray's new collection of poems, is, like all his work, rich in inventiveness, perception, and a rare delight in the mimetic powers of language. Its centerpiece is Presence, a sequence of forty "translations from the natural world" about a variety of natural settings and their amazing denizens. Lyre birds, honeycombs, sea lions, cuttlefish, and possums all act as spurs to Murray's protean talents for description and imitation. As Lachlan MacKinnon wrote in The Times Literary Supplement, "These poems, a grand tour of the given, are a great hymn to the particularities in which God's creative generosity is expressed, and they will be widely enjoyed and admired. Their technical and linguistic largesse confirms . . . that Les Murray is one of the very finest poets in whom the English language is now at work".

The first text to critically discuss Edmund Husserl’s concept of the "life-world," The Natural World as a Philosophical Problem reflects Jan Patocka's youthful conversations with the founder of phenomenology and two of his closest disciples, Eugen Fink and Ludwig Landgrebe. Now available in English for the first time, this translation includes an introduction by Landgrebe and two self-critical afterwords added by Patocka in the 1970s. Unique in its extremely broad range of references, the work addresses the views of Russell, Wittgenstein, and Carnap alongside Husserl and Heidegger, in a spirit that considerably broadens the understanding of phenomenology in relation to other twentieth-century trends in philosophy. Even eighty years after first appearing, it is of great value as a general introduction to philosophy, and it is essential reading for students of the history of phenomenology as well as for those desiring a full understanding of Patocka’s contribution to contemporary thought.

Ravens, cuttlefish, sunflowers and a shell-back tick are among those non-verbal members of our natural world which find distinctive voices in this new collection of poems by Les Murray. Few poets could achieve such variety of approach to express character and feelings and to give us their vision of the universe. 1993.

Critics have routinely excluded African American literature from ecocritical inquiry despite the fact that the literary tradition has, from its inception, proved to be steeped in environmental concerns that address elements of the natural world and relate nature to the transatlantic slave trade, plantation labor, and nationhood. Toni Morrison’s work is no exception. Toni Morrison and the Natural World: An Ecology of Color is the first full-length ecocritical investigation of the Nobel Laureate’s novels and brings to the fore an unequaled engagement between race and nature. Morrison’s ecological consciousness holds that human geographies are enmeshed with nonhuman nature. It follows, then, that ecology, the branch of biology that studies how people relate to each other and their environment, is an apt framework for this book. The interrelationships and interactions between individuals and community, and between organisms and the biosphere, are central to this analysis. They highlight that the human and nonhuman are part of a larger ecosystem of interfacings and transformations. Toni Morrison and the Natural World is organized by color, examining soil (brown) in The Bluest Eye and Paradise; plant life (green) in Song of Solomon, Beloved, and Home; bodies of water (blue) in Tar Baby and Love; and fire (orange) in Sula and God Help the Child. By providing a racially inflected reading of nature, Toni Morrison and the Natural World makes an important contribution to the field of environmental studies and provides a landmark for Morrison scholarship.

Echoes of a Natural World presents a continuum of discomforting reactions to a world perpetually out of whack. Nature, so oft considered the epitome of "order" and "tranquility" in the human mind, is herein explored at its most aberrant, absurd, and nightmarish. Through eleven weird tales, Echoes of a Natural World raises questions about Nature's influence on the mind and the mind's unnatural influence on Nature.Contributions include new translations of fin de siècle Decadent masters; sensual accounts of amphibian horrors and secret caverns below country inns. These sparkling 19th century pieces sit against contemporary American fiction that delivers haunting scenarios and darkly comic ontological routines. Behold accounts of whispering mold and Midwestern strip-mall desolation; occult hypnosis and regenerated limbs; void-bound train rides with a hallucinatory hustler king; ghost boars in German battlefields; spiraling anxiety that only peach trees and country cottages could produce. Parse through questionable documents that detail the aftershocks of a once idyllic world no longer salvageable. This kaleidoscopic collection wades in those nebulous waters where the inner world and outer landscape mesh. For as we barrel into a reality where technology has seemingly penetrated even the most remote corners of the earth, one must ask: Is it even possible to have a genuine interaction with Nature anymore? Has it ever been? Or have these longings always been the romantic delusions of a species obsessed with itself? Echoes of a Natural World defies easy categorization and easy answers.

"Explores how the Renaissance artist Hans Holbein the Younger came to develop his mature artistic styles through the key historical contexts framing his work: the controversies of the Reformation and Renaissance debates about rhetoric"--Provided by publisher.