Style-Architecture and Building-Art is Hermann Muthesius’s classic criticism of nineteenth century architecture. Now published for the first time in English, this pivotal text represents the first serious effort by Muthesius to define the elements of early modernist architecture according to notions of realism and simplicity. Although Muthesius is known best in Anglo-American architectural literature for his studies of the English house, his scholarship constituted a wide-ranging modernist polemic emanating from the German realist movement of the late 1890s. Notions that were introduced in Style-Architecture and Building-Art became common in later modernist historiography: disdain for the nineteenth century’s artistic eclecticism and lack of originality; appreciation of the material and industrial aspects of building technology, and, above all, a simpler approach to design. Muthesius' critique of stylistic architecture is not only linked to the development of the Deutsche Werkbund movement, but also can be viewed more broadly as a cornerstone of the modern movement. In his introduction, Standford Anderson situates Muthesius and his work in turn-of-the-century architectural discourse and analyzes his vision of a new form of architecture. Anderson also discusses the rationale underlying the call for cultural renewal, the role of English architectural models in Muthesius’s thought, critical differences between the first and second editions of Style-Architecture and Building-Art, the influence of the Jugendstil and Art Nouveau movements on Muthesius and, in turn, the influence of Muthesius on the Deutsche Werkbund movement.

As the digital economy changes the rules of the game for enterprises, the role of software and IT architects is also transforming. Rather than focus on technical decisions alone, architects and senior technologists need to combine organizational and technical knowledge to effect change in their company’s structure and processes. To accomplish that, they need to connect the IT engine room to the penthouse, where the business strategy is defined. In this guide, author Gregor Hohpe shares real-world advice and hard-learned lessons from actual IT transformations. His anecdotes help architects, senior developers, and other IT professionals prepare for a more complex but rewarding role in the enterprise. This book is ideal for: Software architects and senior developers looking to shape the company’s technology direction or assist in an organizational transformation Enterprise architects and senior technologists searching for practical advice on how to navigate technical and organizational topics CTOs and senior technical architects who are devising an IT strategy that impacts the way the organization works IT managers who want to learn what’s worked and what hasn’t in large-scale transformation

Architecture has always been the faithful mirror of society's most important transformations. By the same token, modern architecture, which has broken away from established trends and has a wealth of technology at its disposal, affirms new values that cater to the psychological and spiritual progress of humanity. This innovative work's timeline starts with the end of World War II and the ensuing rift in international architecture and urban planning. Through highly informative images, the book conveys the new representative languages of the postwar era, with its need for reconstruction and its quest for a new monumentality, and examines the new trends that emerged up to the beginning of the 21st century. Photography has been used as an extraordinary medium to explore this new world of architecture, with its ethereal and sometimes colossal forms that are utterly rational and surprisingly well balanced. Essays written by experts, accompanied by high-quality photographs that perfectly capture the multifaceted spirit of modern architecture, illustrate the complex tapestry of the international movements of the 20th century, from technological expressiveness to a new modernity, investigating meg-astructures, advanced technology, postmodernism, minimalism and deconstructionism. Sprawling museums and hyperfunctional airports, enormous shopping centers and futuristic libraries, sports arenas and immense university complexes are presented - along with their brilliant creators - on this surprising journey through forms, materials, colors, ideas and symbols. The outcome is an uncommon portrait of our world and the way architecture interprets it. AUTHOR: Matteo Agnoletto, born in Modena in 1972, worked at the architectural firms of Renzo Piano and Jean Nouvel and is the cofounder of ACZ Studio di Architettura. In addition to teaching at the university level, Agnoletto writes articles for newspapers and magazines, and has been the editor in chief of Parametro from 2003 to 2008. Francesco Boccia, born in Milan in 1967, works as a freelance architect and also contributes to numerous trade periodicals. His publications include La ricostruzione virtuale del Teatro alla Scala (1996). Silvio Cassara, born in Modica in 1947, is an architect. He teaches at Italian and foreign universities, and writes for architectural journals, including Parametro. Cassara has recently organized exhibitions presenting several New York architects. His publications include Richard Meier: Recent Works (2004). Alessandra Di Marco, born in Milan 1972 is the archivist responsible for maps and photographs at CEDAT (Centro di Documentazione dell'Architettura e del Territorio) at the Polytechnic Institute of Milan. Guya Elisabetta Rosso, who was born in Vercelli in 1975, has collaborated with Piedmontese architectural firms and with the Polytechnic Institute of Milan on the development of the Territorial Coordination Plan for the Province of Mantua (2000). Marco Tagliatori, born in Turin in 1968, is a freelance architect specializing in interior design. He has also worked with the Polytechnic Institute of Turin. In 1997 he curated an exhibition on Norwegian Functionalism at Castello del Valentino in Turin. ILLUSTRATIONS: Colour

The industrialization of the nineteenth-century European city facilitated developing conceptions of the model city, and allowed for large scale urban transformations. The urban discourse in the latter half of the nineteenth century was consequently dominated by a dialectic exchange between the ideal and the practical, a debate played out in the formation of the modern metropolis. Manifestoes and Transformations is the first work to deal with urban utopias and their relationship with actual urban interventions. Bringing together a carefully chosen, wide-ranging team of experts, the book provides a broad, contextual exploration of the ideas and urban practices which are the foundations of our conception of the contemporary city. As such, it is a valuable resource for students interested in the formation of the modernist city.

Increasingly, architects are hired to design new work for existing structures. Whether for reasons of preservation, sustainability, or cost-effectiveness, the movement to reuse buildings presents a variety of design challenges and opportunities. Old Buildings, New Designs is an Architecture Brief devoted to working within a given architectural fabric from the technical issues that arise from aging construction to the controversy generated by the various project stakeholders to the unique aesthetic possibilities created through the juxtaposition of old and new.