As a consequence, national identity is not a fixed entity but must be understood in terms of specific cultural practices, the multiple narratives and symbolic forms through which we make sense of our lives. The author argues that this requires a rethinking of key concepts of tradition and modernity, race, gender, and class as they bear on an understanding of contemporary Ireland.

The central premise of Collision Culture is that Ireland's experience of economic boom has resulted in the collision of incompatible ways of life. These cultural collisions in Irish life today occur between the local and global, between traditional and modern, between Catholic and secular, and between rural and urban. They have become apparent in a variety of changes - changes in patterns of rates of suicide, in patterns of consumption, in representations of Irish celebrities, in patterns of home ownership, in the rise of tribunals, and in a variety of other points of public discourse and Irish culture. The authors argue that the above categories clearly are not starkly divided, but rather are analytic reference points that are useful in trying to understand the conflicts behind various social problems in Ireland. By investigating cultures of everyday life - driving, housing, music, religion, consumerism, fashion, and sexuality, among others - the book shows how recent social transformations are manifest at the everyday level.

This collection of essays investigates the role writing played in transforming early modern Irish culture. This radical new assessment of culture and conflict in sixteenth- and seventeenth-century Ireland covers a wide range of topics, including ethnography, translation practices, and political philosophy.

Ireland and Cultural Theory is a unique and timely collection offering the first major assessment of how theoretical readings of 'Ireland' and Irish culture have begun to question the grounds of debate in Irish studies. Contributions engage with the concept of the 'authentic' in Irish culture through analyses of film, television and literature, emigration, and institutional critical practice. This lively and challenging volume will be of interest to lecturers and students in the field of cultural studies, Irish studies and critical theory.

A ground-breaking history of the twentieth century in Ireland, written on the most ambitious scale by a brilliant young historian. It is significant that it begins in 1900 and ends in 2000 - most accounts have begun in 1912 or 1922 and largely ignored the end of the century. Politics and political parties are examined in detail but high politics does not dominate the book, which rather sets out to answer the question: 'What was it like to grow up and live in 20th-century Ireland'? It deals with the North in a comprehensive way, focusing on the social and cultural aspects, not just the obvious political and religious divisions.

From the Famine to political hunger strikes, from telling tales in the pub to Beckett's tortured utterances, the performance of Irish identity has always been deeply connected to the oral. Exploring how colonial modernity transformed the spaces that sustained Ireland's oral culture, this book explains why Irish culture has been both so creative and so resistant to modernization. David Lloyd brings together manifestations of oral culture in the nineteenth and twentieth centuries, showing how the survival of orality was central both to resistance against colonial rule and to Ireland's modern definition as a postcolonial culture. Specific to Ireland as these histories are, they resonate with postcolonial cultures globally. This study is an important and provocative new interpretation of Irish national culture and how it came into being.

Based on original research with Irish women both at home and in England, this book explores how questions of mobility and stasis are recast along gender, class, racial and generational lines.