The collection of essays compiled in this book is the conference proceedings from the first Cross-Atlantic Creativity Congress (CACC), which was held on April 4, 2022, in Salzburg, Austria. With participants ranging from international scholars, business executives, artists, cultural managers, educators, policymakers, and more, the purpose of the CACC was to spark interest in how creativity can be learned, studied, measured, and predicted regarding the future of innovation capabilities and society's resilience. As the first of its kind, this event strove to make creativity more tangible through widespread conversations and synergies about understanding and disseminating creativity from a scientific point of view.

Papers presented at a conference.

As a narrative critical study of the Lukan Infancy Narrative, this is a work which puts new questions to an old and (some would claim) over interpreted text. The work traces through the Infancy narrative two trajectories - one theological, the other epistemological. At the point of theology, Luke focuses upon God and the strange shape of the divine visitation; at the point of epistemology, Luke focuses upon the human being and what is needed to recognise the divine visitation, given its strangeness. The study then shows how the two trajectories converge in the Infancy Narrative's last episode, the Finding of the Child in the Temple. Though often accorded scant attention, this is an episode which, Coleridge argues, is the true climax of the Infancy Narrative, since it is only then that Jesus is born in the narrative as the protagonist he will prove consistently to be and only then that the Lukan Narrative itself is born. It is this rather than any physical birth which most absorbs Luke in the first two chapters of the Gospel. Though a study of the Infancy narrative, this is a work with far-reaching implications for the whole of Luke-Acts

Many learning options are possible in education, from traditional to blended/hybrid to fully online. Of the three delivery formats, the blended mode, which involves the fusion of online and traditional face-to-face instruction and learning activities, is considered to have the greatest potential to provide the best learning environment. As blended learning continues to evolve and expand, it is important that information regarding what constitutes the ideal combination of online and traditional pedagogical strategies in blended education and at all levels is illuminated and shared. Emerging Techniques and Applications for Blended Learning in K-20 Classrooms is an academic publication that focuses on pedagogical strategies and technologies that have been successfully employed by educators in blended instruction. In addition, the student outcomes from the use of these techniques are presented. Covering a wide range of topics such as gamification, civic education, and critical thinking, this book is essential for academicians, administrators, educators, instructors, researchers, instructional designers, curriculum developers, principals, early childhood educators, higher education faculty, and students.

Recent methodological debates have shown that practice theory can either be developed by combining and slightly extending established theoretical concepts of inter-subjectivity, social normativity, collective behavior, interaction between agents and environment, habits, learning, collective intentionality, and human agency; or by following a strategy that promotes the quest for completely autonomous concepts. In the latter case, one defends a thesis of irreducibility. Toward a Hermeneutic Theory of Social Practices advocates this thesis by approaching the interrelational dynamic of social practices in terms of existential analytic. Indeed, this insightful volume outlines a methodology of the double hermeneutics that allows the study of the entanglement of agential plans, beliefs, and intentions with configured practices; while also demonstrating how interrelated social practices with which agency is entangled articulate cultural forms of life. Suggesting a framework for studying the cultural forms of life within the scope of practice theory, this book will appeal to postgraduate students and postdoctoral researchers interested in fields such as Social Theory, Philosophy of Social Science, and Research Methods for Social and Behavioral Sciences.

Modern plays are strikingly diverse and, as a result, any attempt to locate an underlying unity between them encounters difficulties: to focus on what they have in common is often to overlook what is of primary importance in particular plays; to focus on their differences is to note the novelty of the plays without increasing their accessibility. In this study, first published in 1985, Austin E. Quigley takes as his paradigm case the relationship between the world of the stage and the world of the audience, and explores various modes of communication between domains. He asks how changes in the structure of the drama relate to changes in the structure of the theatre, and changes in the role of the audience. Detailed interpretations of plays by Pinero, Ibsen, Strindberg, Brecht, Ionesco, Beckett and Pinter question principles about the modern theatre and establish links between drama structure and theatre structure, theme, and performance space.

The content of the book reconsiders the relation between visibility and transcendence. The focus is especially on the contribution to this issue from the theological tradition in protestant Europe between the 16th and the 21st Centuries. In the book a thematically broad field is covered embracing more than five centuries and a plurality of methods drawn from theology, philosophy, and the history and theory of art.The book is divided into five sub-themes: In the first and more fundamental part, 'The phenomenology of in-visibility', questions underlying the other four themes are sought defined or narrowed down. Here the modes of appearing/revealing or hiding of phenomena are reflected. In the second section of the book dealing with 'Language as a mode of revealing and hiding' the specific role of verbal expressions understood in a very broad sense is at the core: What is the fundamental understanding and use of language, when speaking of the ineffable? The third section about 'Human existence between visibility and invisibility' focuses on theological anthropology: its features and norms. The ambiguity of anthropological categories such as faith, rationality, imagination, memory and emotion play a prominent role in this context.Thefourth section concerning 'The manifestation of a 'beyond' in the arts' investigates transcendence in the arts. What are the theological discourses behind the religious uses of the different artistic media (i.e. images, music, liturgical inventory, architecture)? Finally in the fifth section concerning 'Visible community and invisible transcendence' one finds contributions working with the idea of 'vicarious representation'.