Presents an analysis of what justice is, the transcendental theory of justice and its drawbacks, and a persuasive argument for a comparative perspective on justice that can guide us in the choice between alternatives.

Moving from the scientific revolution to the nineteenth-century rise of legal codes, Berkowitz tells the story of how lawyers and philosophers invented legal science to preserve law's claim to moral authority. The "gift" of science, however, proved bittersweet. Instead of strengthening the bond between law and justice, the subordination of law to science transformed law from an ethical order into a tool for social and economic ends.

Integrative Theology is designed to help graduate students in a pluralistic world utilize a standard method of fruitful research. Each chapter on a major doctrine: (1) states a classic issue of ultimate concern, (2) surveys alternative past and present answers and (3) tests those proposals by their congruence with information on the subject progressively revealed from Genesis to Revelation. Then the chapter (4) formulates a doctrinal conclusion that consistently fits the many lines of biblical data, (5) defends that conviction respectfully, and finally (6) explores the conclusion’s relevance to a person’s spiritual birth, growth and service to others, all for the glory of God. Why the title Integrative Theology? In each chapter, steps 2-6 integrate the disciplines of historical, biblical, systematic, apologetic and practical theology.

The first and only volume to collect the essays of the seminal curriculum theorist, Dwayne E. Huebner, edited and introduced by William F. Pinar.

The Text and the World is a study of an exceptionally interesting primary source - the Henryków Book - and of the local and regional world which that source reflected and helped shape. The source is a history of the Cistercian monastery in Henryków, about forty kilometers to the south of Wroclaw, in the duchy of Silesia, produced in the monastery in two sections-one completed soon after 1268, the other soon after 1310-and redacted into a single codex in the second or third decade of the fourteenth century. The earlier part of the Book is the work of Peter, the third abbot of the monastery, while the continuation was written by an anonymous monk at the same community, possibly a later abbot by the same name. The Henryków Book offers an exceptionally rich introduction to a number of subjects currently of major interest to medieval historians. It is interesting as a literary work, as an instance of forensic rhetoric, and as a type of legal argument; as an instance of biography and (implicit) autobiography. It draws on and is an example of the relationship between memory and writing, and acts as a record of lordship, power, economy, the law, social groups, communities, and institutions, in the local and regional world of the time. The Text and the World explores each of these major subjects, contextualized with the Henryków Book's contemporary diplomatic evidence.

What is unique and essential about theater? What separates it from other arts? Do we need "theater" in some fundamental way? The art of theater, as Paul Woodruff says in this elegant and unique book, is as necessary - and as powerful - as language itself. Defining theater broadly, including sporting events and social rituals, he treats traditional theater as only one possibility in an art that - at its most powerful - can change lives and (as some peoples believe) bring a divine presence to earth. The Necessity of Theater analyzes the unique power of theater by separating it into the twin arts of watching and being watched, practiced together in harmony by watchers and the watched. Whereas performers practice the art of being watched - making their actions worth watching, and paying attention to action, choice, plot, character, mimesis, and the sacredness of performance space - audiences practice the art of watching: paying close attention. A good audience is emotionally engaged as spectators; their engagement takes a form of empathy that can lead to a special kind of human wisdom. As Plato implied, theater cannot teach us transcendent truths, but it can teach us about ourselves. Characteristically thoughtful, probing, and original, Paul Woodruff makes the case for theater as a unique form of expression connected to our most human instincts. The Necessity of Theater should appeal to anyone seriously interested or involved in theater or performance more broadly.