»Transatlantic Caribbean« widens the scope of research on the Caribbean by focusing on its transatlantic interrelations with North America, Latin America, Europe and Africa and by investigating long-term exchanges of people, practices and ideas. Based on innovative approaches and rich empirical research from anthropology, history and literary studies the contributions discuss border crossings, south-south relations and diasporas in the areas of popular culture, religion, historical memory as well as national and transnational social and political movements. These perspectives enrich the theoretical debates on transatlantic dialogues and the Black Atlantic and emphasize the Caribbean's central place in the world.

"Revisiting the Transatlantic Triangle is a comprehensive study of the decisive 5-year period between 1962 and 1967 which witnessed the unfolding of an intense decolonization dialogue between Britain and its far-flung Eastern Caribbean possessions at the height of the Cold War. The process of decolonization of the so-called Little Eight: Antigua-Barbuda, St Kitts-Nevis-Anguilla, Montserrat, Dominica, St Lucia, St Vincent, Grenada and Barbados, is often overlooked in the annals of postcolonial Caribbean history. The missing revolutionary element in this decolonizing narrative downplays the significance and complexity of the transatlantic dialogue leading to Britain s withdrawal from this colonial melting pot; disengagement negotiations that were decisively shaped by the wider geopolitical imperatives of an uneasy Anglo-American relationship. In this work, Raphael Cox Alomar tests the conceptual boundaries of the very meaning of decolonization as a socio-political phenomenon. Decolonization in this area of Britain s colonial world was characterized by the gradual transfer of instalments of sovereignty, rather than by the immediate devolution of full political authority. In the Eastern Caribbean, the decolonization process quickly became a multifaceted triangular dialogue entangling the Little Eight, London and Washington. Revisiting the Transatlantic Triangle is an authoritative and insightful interpretation and presentation of the decolonization process in the Eastern Caribbean. "

Eric Walrond (1898–1966) was a writer, journalist, caustic critic, and fixture of 1920s Harlem. His short story collection, Tropic Death, was one of the first efforts by a black author to depict Caribbean lives and voices in American fiction. Restoring Walrond to his proper place as a luminary of the Harlem Renaissance, this biography situates Tropic Death within the author's broader corpus and positions the work as a catalyst and driving force behind the New Negro literary movement in America. James Davis follows Walrond from the West Indies to Panama, New York, France, and finally England. He recounts his relationships with New Negro authors such as Countée Cullen, Charles S. Johnson, Zora Neale Hurston, Alain Locke, and Gwendolyn Bennett, as well as the white novelist Carl Van Vechten. He also recovers Walrond's involvement with Marcus Garvey's journal Negro World and the National Urban League journal Opportunity and examines the writer's work for mainstream venues, including Vanity Fair. In 1929, Walrond severed ties with Harlem, but he did not disappear. He contributed to the burgeoning anticolonial movement and print culture centered in England and fueled by C. L. R. James, George Padmore, and other Caribbean expatriates. His history of Panama, shelved by his publisher during the Great Depression, was the first to be written by a West Indian author. Unearthing documents in England, Panama, and the United States, and incorporating interviews, criticism of Walrond's fiction and journalism, and a sophisticated account of transnational black cultural formations, Davis builds an eloquent and absorbing narrative of an overlooked figure and his creation of modern American and world literature.

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Presents a tour around the main themes of Dutch Caribbean history and its contemporary legacies. Drawing on expertise in Caribbean and Latin American studies, this work posits an analysis of the Dutch Caribbean in a comparative framework. It is aimed at historians, anthropologists and political scientists alike.

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Despite their prominent place in twentieth-century literature in English, novelists and poets from Ireland and the anglophone Caribbean have long been separated by literary histories in which they are either representing a local, nationalist tradition or functioning within an international movement such as modernism or postcolonialism. Redressing this either/or framework, Michael Malouf recognizes an integral history shared by these two poetic and political traditions, arising from their common transatlantic history in relation to the British empire and their common spaces of migration in New York and London. In examining these cross-cultural exchanges, he reconsiders our conception of transatlantic space and offers a revised conception of solidarity that is much more diverse than previously assumed. Offering a new narrative of cultural influence and performance, this work specifically demonstrates the formative role of Irish nationalist discourse--expressed in the works of Eamon de Valera, George Bernard Shaw, and James Joyce--in the transnational political and aesthetic self-fashioning of three influential Caribbean figures: Marcus Garvey, Claude McKay, and Derek Walcott. It provides both an innovative historical and literary methodology for reading cross-cultural relations between two postcolonial cultures and a literary and political history that can account for the recent diversity of the field of anglophone world literature.