"This study reports on data recovery excavations at archaeological site 38DR141, Tranquil Hill Plantation in Dorchester County, South Carolina. Investigations include excavation and mechanical stripping at the main house, the slave settlement, a domestic slave settlement to the east, and in the large gardens to the south"--Provided by publisher.

A compelling study into the history and lasting influence of enslaved Native people in early South Carolina. In 1708, the governor of South Carolina responded to a request from London to describe the population of the colony. This response included an often-overlooked segment of the population: Native Americans, who made up one-fourth of all enslaved people in the colony. Yet it was not long before these descriptions of enslaved Native people all but disappeared from the archive. In Enslaved Native Americans and the Making of Colonial South Carolina, D. Andrew Johnson argues that Native people were crucial to the development of South Carolina's economy and culture. By meticulously scouring documentary sources and creating a database of over 15,000 mentions of enslaved people, Johnson uses a uniquely interdisciplinary approach to reconsider the history of South Carolina and center the enslaved Native people who were forced to live and work on its plantations. Johnson also employs spatial analysis and examines archaeological evidence to study Native slavery in a plantation context. Although much of their impact is absent from the historical record, Native people's influence persisted: in the specific technologies they brought to the plantations where they were enslaved; in the development of Creole culture; and in the wealth and power of the founders and early leaders of the colony. This book is an important corrective to our understanding of the colonization and development of South Carolina. By focusing on the Native minority of the enslaved population, Johnson recasts the colonial history of America, uncovering the importance of enslaved Native people to the colonial project and the complex historical connections between race and slavery.

A centerpiece of Colonial Williamsburg's folk art collection since the 1930's, The Old Plantation has long intrigued art enthusiasts, historians, and the general public. This eighteenth-century watercolor, which has been widely reproduced in textbooks and scholarly publications, has been a valuable tool for those studying slave life, music, dance, and society, as well as those interested in the genesis of folk art in America. Though extensively analyzed and interpreted, The Old Plantation has remained a mystery. Until Now... This fascinating publication unlocks one of the great mysteries of American decorative arts, revealing not only the career of the painter, but the lives of the unnamed slaves in the images as well.

Fifteen years after its hardcover debut, the FSG Classics reissue of the celebrated work of narrative nonfiction that won the National Book Award and changed the American conversation about race, with a new preface by the author The Ball family hails from South Carolina—Charleston and thereabouts. Their plantations were among the oldest and longest-standing plantations in the South. Between 1698 and 1865, close to four thousand black people were born into slavery under the Balls or were bought by them. In Slaves in the Family, Edward Ball recounts his efforts to track down and meet the descendants of his family's slaves. Part historical narrative, part oral history, part personal story of investigation and catharsis, Slaves in the Family is, in the words of Pat Conroy, "a work of breathtaking generosity and courage, a magnificent study of the complexity and strangeness and beauty of the word ‘family.'"