Two friends, one a budding writer home from Europe, the other an ambitious racketeer, meet in the only nightclub, the Tram 83, in a war-torn city-state in secession, surrounded by profit-seekers of all languages and nationalities. Tram 83 plunges the reader into the modern African gold rush as cynical as it is comic and colorfully exotic, using jazz rhythms to weave a tale of human relationships in a world that has become a global village. Fiston Mwanza Mujila (b. 1981, Lubumbashi, Democratic Republic of Congo) is a poet, dramatist, and scholar. Tram 83 is his award-winning and raved-about debut novel that caused a literary sensation when published in France in August 2014.

In a city in secession, land tourists of all nationalities seek their fortune by exploiting the mineral wealth of the country. They mine during the day in and, as soon as night falls, they abandon themselves in Tram 83, the city's only nightclub. Lucien, a writer, fleeing censorship, finds refuge there with his friend, Requiem, a thief. Tram 83 plunges the reader into the atmosphere of a gold rush as cynical as it is comic and colourfully exotic. It's an observation of human relationships in a world that has become a global village.

WINNER OF THE 2015 PEN TRANSLATES WINNER OF THE 2015 ETISALAT PRIZE FOR LITERATURE LONGLISTED FOR THE 2016 MAN BOOKER INTERNATIONAL PRIZE A pulsating novel of urban abandonment in the Congo. In an unnamed African city in secession, profit-seekers of all languages and nationalities mix. They have only one desire: to make a fortune by exploiting the mineral wealth of the land. Two friends — Lucien, a writer with literary ambitions, home from abroad, and his childhood friend Requiem, who dreams of taking over the seedy underworld of their hometown — gather in the most notorious nightclub in town: the Tram 83. Around them gravitate gangsters and young girls, soldiers and stowaways, profit-seeking tourists and federal agents of a nonexistent State. Tram 83 plunges the reader into a modern African gold rush as cynical as it is comic and colourfully exotic. A daring feat of narrative imagination and linguistic creativity, Tram 83 uses the rhythms of jazz to weave a tale of human relationships in a world that has become a global village. PRAISE FOR FISTON MWANZA MUJILA ‘One of the most exciting discoveries of the rentrée … There is some Hieronymus Bosch in this frenetic, flamboyant, closed-door city slicker. An insolent, globe-trotting Hieronymus Bosch, one who would have read Gabriel García Márquez and Chimamanda Ngozi Adichie.’ Le Monde ‘This ambitious fugue from Congolese writer Fiston Mwanza Mujila delves into an African nation riven by civil war, disease, poverty, and endemic corruption … It’s bustling, strange experimental fiction in which the chaos of daily life leaks like blood from the iron fist of violence and profit.’ The Sydney Morning Herald

A moving lyric meditation on the Congo River that explores the identity, chaos, and wonder of the Democratic Republic of Congo as well as race and the detritus of colonialism. With The River in the Belly, award-winning Congolese author Fiston Mwanza Mujila seeks no less than to reinitiate the Congo River in the imaginary of European languages. Through his invention of the “solitude”—a short poetic form lending itself to searing observation and troubled humor, prone to unexpected tonal shifts and lyrical u-turns—the collection celebrates, caresses, and chastises Central Africa’s great river, the world’s second largest by discharge volume. Drawing inspiration from sources as diverse as Soviet history, Congolese popular music, international jazz, and everyday life in European exile, Mwanza Mujila has fashioned a work that can speak to the extraordinary hopes and tragedies of post-independence Democratic Republic of the Congo while also mining the generative yet embattled subject position of the African diasporic writer in Europe longing for home. Fans of Tram 83 will discover in River the same incandescent, improvisatory verbal energy that so dazzled them in Mwanza Mujila’s English-language debut.

Three subtly connected stories converge in this chimerical debut, showcasing a powerful new Brazilian voice Three subtly connected stories converge in this chimerical debut, each burrowing into a turning point in a person’s life: a young woman gives a melancholy account of her obsession with climbing Mount Everest; a Peruvian-Brazilian vanishes into the forest after staying in a musty, semi-abandoned inn in the haunted depths of the Brazilian countryside; a young playwright embarks on the production of a play about the city of Sevastopol and a Russian painter portraying Crimean War soldiers. Inspired by Tolstoy’s The Sevastopol Sketches, Emilio Fraia masterfully weaves together these stories of yearning and loss, obsession and madness, failure and the desire to persist, in a restrained manner reminiscent of Anton Chekhov, Roberto Bolano, and Rachel Cusk.

Award-winning English-language debut by Morocco's most prominent contemporary author, a linked story collection exploring what it means to be foreign.

In this striking novel about an unforgettable childhood, four Nigerian brothers encounter a madman whose mystic prophecy of violence threatens the core of their close-knit family Told by nine-year-old Benjamin, the youngest of four brothers, The Fishermen is the Cain and Abel-esque story of a childhood in Nigeria, in the small town of Akure. When their father has to travel to a distant city for work, the brothers take advantage of his absence to skip school and go fishing. At the forbidden nearby river, they meet a madman who persuades the oldest of the boys that he is destined to be killed by one of his siblings. What happens next is an almost mythic event whose impact-both tragic and redemptive-will transcend the lives and imaginations of the book's characters and readers. Dazzling and viscerally powerful, The Fisherman is an essential novel about Africa, seen through the prism of one family's destiny.