Will Evans's writings should find a special niche in the small but significant body of literature from and about traders to the Navajos. Evans was the proprietor of the Shiprock Trading Company. Probably more than most of his fellow traders, he had a strong interest in Navajo culture. The effort he made to record and share what he learned certainly was unusual. He published in the Farmington and New Mexico newspapers and other periodicals, compiling many of his pieces into a book manuscript. His subjects were Navajos he knew and traded with, their stories of historic events such as the Long Walk, and descriptions of their culture as he, an outsider without academic training, understood it. Evans's writings were colored by his fondness for, uncommon access to, and friendships with Navajos, and by who he was: a trader, folk artist, and Mormon. He accurately portrayed the operations of a trading post and knew both the material and artistic value of Navajo crafts. His art was mainly inspired by Navajo sandpainting. He appropriated and, no doubt, sometimes misappropriated that sacred art to paint surfaces and objects of all kinds. As a Mormon, he had particular views of who the Navajos were and what they believed and was representative of a large class of often-overlooked traders. Much of the Navajo trade in the Four Corners region and farther west was operated by Mormons. They had a significant historical role as intermediaries, or brokers, between Native and European American peoples in this part of the West. Well connected at the center of that world, Evans was a good spokesperson.

In 1886 Walter McClintock went to northwestern Montana as a member of a U.S. Forest Service expedition. He was adopted as a son by Chief Mad Dog, the high priest of the Sun Dance, and spent the next four years living on the Blackfoot Reservation. The Old North Trail, originally published in 1910, is a record of his experiences among the Blackfeet.

During a raging Arctic blizzard, Granite helps Susan and the rest of the dogs brave the storm and win the Iditarod.

Nine romantic adventures take readers along for a ride on the Oregon Trail where daily challenges force travelers to evaluate the things that are most precious to them—including love. Enjoy the trip through a fascinating part of history through the eyes of remarkably strong characters who stop at famous landmarks along the way. Watch as their faith is strengthened and as love is born despite unique circumstances. Discover where the journey ends for each of nine couples.

In Ride the Dark Trail, Louis L’Amour tells the story of Logan Sackett, a cynical drifter who changes his ways to help a widow keep her land. Logan Sackett is wild and rootless, riding west in search of easy living. Then he meets Emily Talon, a fiery old widow who is even wilder than he is. Tall and lean, Em is determined to defend herself against the jealous locals who are trying to take her home. Logan doesn’t want to get involved—until he finds out that Em was born a Sackett. Em is bucking overwhelming odds, but Logan won’t let her stand alone. For even the rebellious drifter knows that part of being a Sackett is backing up your family when they need you.

For nearly fifty years, Fort Bridger played a role in all major events of the 19th century Rocky Mountain frontier and westering experience. Founded in 1842 by mountain man Jim Bridger, this southwestern Wyoming post was one of the most important outfitting points for travelers on the Oregon Trail, riders of the Pony Express, the Overland Stage, and the Union Pacific Railroad. Trappers, buffalo hunters, Forty-niners, soldiers and outlaws would pass through what is now the Fort Bridger State Historic Site. This post, or fort, is used as a basis for an illustrated account of the Rocky Mountain West. The book explores reasons why American Indian behavior varied between helpfulness and aggression toward mountain men and emigrants. Also detailed are weapons of the frontier, Fort Bridger's role in the 1857 Mormon War, the 1867 Wind River Mountains gold rush, and the Great Diamond Hoax of 1872. Several appendices are presented, including a discussion of gender in the westering movement and a selected chronology of frontier history. Interesting and highly detailed excerpts are taken from such primary sources as a trapper's journal and an 1850 account of buffalo butchering.