This book is a masterful account of the social science enterprise by one of its most accomplished practitioners. Moving from the origins of systematic knowledge in ancient Greece to the present day, Donald Levine offers a richly detailed, ingeniously organized introduction to the cornerstone works of Western social thought.

From millenarists to Antichrist hunters, from the Sibyls to the Hussites, Visions of the End is a monumental compendium spanning the literature of the Christian apocalyptic tradition from the period A.D. 400 to 1500, masterfully selected and complete with a comprehensive introduction and new preface.

The people who call themselves Den Dha¾, a group of the Athapaskan-speaking natives of northwestern Canada known as the Slave or Slavey Indians, now number about one thousand and occupy three reserves in northwestern Alberta. Because their settlements were until recently widely dispersed and isolated, they have maintained their language and traditions more successfully than most other Indian groups. This collection of their stories, recorded in the Dene language with literal interlinear English glosses and in a free English translation, represents a major contribution to the documentation of the Dene language, ethnography, and folklore. The stories center on two animal people, Wolf, who often helps people in Dene myth and whom traditional members of the tribe still so respect that they do not trap wolves for fur; and Wolverine, a trickster and cultural transformer much like Coyote in the Navajo tradition or Raven in Northwest Coast traditions. "Wolverine" is also the name of the leader of the messianic Tea Dance that took hold among the Dene people early in the twentieth century. His visions and the accounts of his life, which are included here along with the traditional tales, show how the old myths have been transfigured but continue to pervade the Dene world-view.

While visiting the United States, C. G. Jung visited the Taos Pueblo in New Mexico, where he spent several hours with Ochwiay Biano, Mountain Lake, an elder at the Pueblo. This encounter impacted Jung psychologically, emotionally, and intellectually, and had a sustained influence on his theories and understanding of the psyche. Dakota Sioux intellectual and political leader, Vine Deloria Jr., began a close study of the writings of C. G. Jung over two decades ago, but had long been struck by certain affinities and disjunctures between Jungian and Sioux Indian thought. He also noticed that many Jungians were often drawn to Native American traditions. This book, the result of Deloria's investigation of these affinities, is written as a measured comparison between the psychology of C. G. Jung and the philosophical and cultural traditions of the Sioux people. Deloria constructs a fascinating dialogue between the two systems that touches on cosmology, the family, relations with animals, visions, voices, and individuation.

Since its founding by Jacques Waardenburg in 1971, Religion and Reason has been a leading forum for contributions on theories, theoretical issues and agendas related to the phenomenon and the study of religion. Topics include (among others) category formation, comparison, ethnophilosophy, hermeneutics, methodology, myth, phenomenology, philosophy of science, scientific atheism, structuralism, and theories of religion. From time to time the series publishes volumes that map the state of the art and the history of the discipline.

This collection opens with an inquiry into the assumptions and methods of the historical study of culture, comparing the new cultural history with the old. Thirteen essays follow, each defining a problem within a particular culture. In the first section, Biography and Autobiography, three scholars explore historically changing types of self-conception, each reflecting larger cultural meanings; essays included examine Italian Renaissance biographers and the autobiographies of Benjamin Franklin and Mohandas Gandhi. A second group of contributors explore problems raised by the writing of history itself, especially as it relates to a notion of culture. Here examples are drawn from the writings of Thucydides, Jacob Burckhardt, and the art historians Alois Riegl and Josef Strzygowski. In the third section, Politics, Nationalism, and Culture, the essays explore relationships between cultural creativity and national identity, with case studies focusing on the Holy Roman Emperor Maximilian I, the place of Castile within the national history of Spain, and the impact of World War I on work of Thomas Mann. The final section, Cultural Translation, raises the complex questions of cultural influence and the transmission of traditions over time through studies of Philo of Alexandria's interpretation of the Hebrew Bible, Erasmus' use of Socrates, Jean Bodin's conception of Roman law, and adaptations of the Hebrew Bible for American children.

Sampling virtually all of the old-time styles within the musical traditions still extant in north Georgia, Folk Visions and Voices is a collection of eighty-two songs and instrumentals, enhanced by photographs, illustrations, biographical sketches of performers, and examples of their narratives, sermons, tales, and reminiscences.