Reies López Tijerina, one of the Four Horsemen of the Chicano Movement, led the land grant struggle by Hispanos in the 1960s to recover the lands granted to their ancestors by Spain and Mexico and then guaranteed by the Treaty of Guadalupe Hidalgo. In his struggle, Tijerina became the target of local and state law enforcement officials in New Mexico and the FBI nationwide. José Angel Gutiérrez meticulously examines thousands of pages of FBI documents, interview transcripts, newspaper reports, and other written accounts on Tijerina and the Alianza Federal de Pueblos Libres, the organization of land grant claimants led by Tijerina in New Mexico. The primary source materials that document the U.S. government’s attempts to destroy Tijerina, his family, and his followers complement the secondary literature on Tijerina and his efforts as the premier leader of the land grant recovery movement. Threaded through the volume are glimpses into the special personal relationship between Tijerina and the author.

Drawing on dramatic accounts by European colonials, and on detailed studies by folklorists and anthropologists, this work explores intriguing age-old Asian beliefs and claims that man-eating tigers and "little tigers," or leopards alike, were in various ways supernatural. It is a serious work based on extensive research, written in a lively style. Fundamental to the book is the evocation of a long-vanished world. When a man-eater struck in colonial times, people typically said it was a demon sent by a deity, or even the deity itself in animal form, punishing transgressors and being guided by its victims' angry spirits. Colonials typically dismissed this as superstitious nonsense but given traditional ideas about the close links between people, tigers and the spirit world, it is quite understandable. Other man-eaters were said to be shapeshifting black magicians. The result is a rich fund of tales from India and the Malay world in particular, and while some people undoubtedly believed them, others took advantage of man-eaters to persecute minorities as the supposed true culprits. The book explores the prejudices behind these witch-hunts, and also considers Asian weretiger and wereleopard lore in a wider context, finding common features with the more familiar werewolves of medieval Europe in particular.

In Tracking King Kong Cynthia Erb charts the cultural significance of the character of King Kong, from the early 1930s, when Merian C. Cooper and Ernest B. Schoedsack's classic film King Kong was first released, to Peter Jackson's 2005 remake. Although King Kong has received much academic attention over the past twenty-five years, the bulk of these analyses deal with the film's human characters rather than Kong himself. In this revised edition of an influential study, Erb argues that King Kong is a particular kind of cultural outsider who represents a cross-penetration of American notions of exoticism and monstrosity. Tracking King Kong considers problems such as race and gender in the King Kong tradition, as well as historical, international, and contemporary audience and fan responses to this classic film and its popular protagonist. Erb begins her examination of King Kong in the 1930s, when the original film was produced and released, extending through the 1970s, when the film and its hero reached the height of their cultural visibility in a remake by Dino De Laurentiis, and concluding with a look at Peter Jackson's version in 2005. The book includes a detailed production history of the original 1933 film based on primary historical and archival sources; a genre study examining Kong's relations to horror, jungle adventure, and travel documentary genres; an analysis of Kong's influence on the Japanese film Godzilla; and a look at sequels, remakes, and spinoffs related to King Kong, such as Mighty Joe Young. Erb also analyzes Jackson's remake of King Kong, to determine how and why Jackson revised the main character, casting him as a melancholy hero. The revised edition of Tracking King Kong updates a groundbreaking study of King Kong as the iconic character enters the twenty-first century. Scholars of film and television studies as well as general readers interested in film and popular culture will appreciate this significant volume.

A Gallery Book. Gallery Books has a great book for every reader.

A multi-chapter book that examines the FBI files on two well known persons of Mexican origin, Luisa Moreno and Ernesto Galarza; four Chicanos, Ambassador Raymond Telles and his wife Delfina Navarro, Francisco "Pancho" Medrano, Freddy Fender; two organizations, the Texas Farm Workers Union and teh American G.I. Forum; and, one event, the Zoot Suit police riots in Los Angeles, California during the 1940s.

A multi-chapter book, first of its kind, that identifies, describes, and analyzes FBI documents revealing the hidden history of surveillance of Mexicans and Chicanos in the United States of America.

Refusing to cast gangs in solely criminal terms, Robert J. Durán, a former gang member turned scholar, recasts such groups as an adaptation to the racial oppression of colonization in the American Southwest. Developing a paradigm rooted in ethnographic research and almost two decades of direct experience with gangs, Durán completes the first-ever study to follow so many marginalized groups so intensely for so long, revealing their core characteristics, behavior, and activities within two unlikely American cities. Durán spent five years in Denver, Colorado, and Ogden, Utah, conducting 145 interviews with gang members, law enforcement officers, prosecutors, and other relevant individuals. From his research, he constructs a comparative outline of the emergence and criminalization of Latino youth groups, the ideals and worlds they create, and the reasons for their persistence. He also underscores the failures of violent gang suppression tactics, which have only further entrenched these groups within the barrio. Encouraging cultural activists and current and former gang members to pursue grassroots empowerment, Durán proposes new solutions to racial oppression that challenge and truly alter the conditions of gang life.