From the ancient Book of the Dead to Dante's Divine Comedy, the living have attempted to describe the world of the dead. Tours of Hell focuses on one form of that attempt: the tours of hell found in Jewish and Christian apocalypses of late antiquity and the early Middle Ages. Himmelfarb examines seventeen texts, preserved in five languages and spanning a thousand years of human history. These include Hebrew texts and Christian texts in Greek, Latin, Ethiopic, and Coptic, such as the Apocalypse of Peter and the Apocalypse of Paul family. Muslim texts, medieval visions, and other related literatures are also discussed. Himmelfarb details the common elements of the tour tradition, including such features as a hero or heroine figure, a heavenly revealer, and descriptions of the punishments awaiting those who arrive in hell. She convincingly refutes the accepted nineteenth-century critical view of the earliest of these tours, the Apocalypse of Peter, as a Christian form of an "Orphic-Pythagorean" descent to Hades. She place the work instead on the family tree of the tour apocalypse, a genre she traces back to the third century B.C.E. Book of the Watchers (1 Enoch 1-36). Linking the Apocalypse of Peter with later Jewish tours of hell, Himmelfarb reveals significant sin-and-punishment combinations that seem to point to a common source, which she theorizes to be a lost Jewish Tour work of the late Second Temple period. Rich and fascinating texts seldom before brought to light are treated in detail in this pioneering study. A comprehensive work on the apocalyptic tradition, Tours of Hell will be of great interest to scholars and students of religion, history, ancient and medieval literature, and Dante studies.

An “irresistibly readable” pair of novellas skewering Americans abroad—by the New York Times–bestselling author and National Book Award finalist(The New York Times Book Review). “In a style that is bold, witty, richly detailed, and suffused with a wry subtlety,” Francine Prose offers penetrating portraits of Americans in Europe who have brought all their baggage—ego, ambition, sexual desire—with them (Elle). Guided Tours of Hell When the insecure (and rightfully so) playwright Landau travels from New York to Prague to read at the first annual Kafka conference, he’s certain this is his chance to prove himself—and his work. But he quickly finds himself upstaged by Jiri Krakauer, a charismatic Holocaust survivor whose claim to fame is a long-ago death-camp love affair with Kafka’s sister. On a group tour to the camp-turned-tourist-attraction, Landau sets out to prove that Krakauer is lying—with unexpected results. Three Pigs in Five Days Ambitious young journalist Nina has been stranded in Paris by her editor and sometimes boyfriend, Leo. When he finally shows up, playfully suggesting a romantic tour of the catacombs, prisons, and shadows of the City of Light, the bloom begins to come off the rose for the infatuated Nina—who must ask herself how much of herself she is willing to sacrifice for love.

Take a trip through the realms of hell with a man whose temporary visitor’s pass gave him a horrifying—and enlightening—preview of its torments. This true account of Sam Bercholz’s near-death experience has more in common with Dante’s Inferno than it does with any of the popular feel-good stories of what happens when we die. In the aftermath of heart surgery, Sam, a longtime Buddhist practitioner and teacher, is surprised to find himself in the lowest realms of karmic rebirth, where he is sent to gain insight into human suffering. Under the guidance of a luminous being, Sam’s encounters with a series of hell-beings trapped in repetitious rounds of misery and delusion reveal to him how an individual’s own habits of fiery hatred and icy disdain, of grasping desire and nihilistic ennui, are the source of horrific agonies that pound consciousness for seemingly endless cycles of time. Comforted by the compassion of a winged goddess and sustained by the kindness of his Buddhist teachers, Sam eventually emerges from his ordeal with renewed faith that even the worst hell contains the seed of wakefulness. His story is offered, along with the modernist illustrations of a master of Tibetan sacred arts, in order to share what can be learned about awakening from our own self-created hells and helping others to find relief and liberation from theirs.

"A collection of texts on Buddhist Hell, including, The Great Story, Middle-Length Discourses, Friendly Epistle, Sutra on the Eighteen Hells, Sutra Spoken by the Buddha, Avalokiteswara's Descent into the Hell, Mu-Lien Rescues His Mother, T'ai Tsung in Hell, Essentials of Pure Land Rebirth, The Precious Record, Miao-Shen Visits Hell, and others, plus notes, glossary, links to web resources"--Provided by publisher.

As you read this, hundreds of bands are on tour, criss-crossing the country. Some are travelling in tour buses, playing huge venues to thousands of people. Others are in beat-up Ford Econoline vans, playing in tiny clubs to no one. They all have stories about their tours. Some are funny...some are nightmares. This is a compilation of some of those stories.

It is difficult to underestimate the significance of the story of the Rich Man and Lazarus in Luke 16:19-31 within the biblical tradition. Although hell occupies a prominent position in popular Christianrhetoric today, it plays a relatively minor role in the Christian canon. The most important biblical texts that explicitly describe the fate of the dead are in the Synoptic Gospels. Yet among these passages, only the Lukan tradition is intent on explicitly describing the abode of the dead; it is the only biblical tour of hell. Hauge examines the story of the Rich Man and Lazarus in Luke 16:19-31, uniquely the only 'parable' that is set within a supernatural context. The parables characteristically feature concrete realities of first-century Mediterranean life, but the majority of Luke 16:19-31 is narrated from the perspective of the tormented dead. This volume demonstrates that the distinctive features of the story of the Rich Man and Lazarus are the result of a strategic imitation, creative transformation, and Christian transvaluation of the descent of Odysseus into the house of hades in Odyssey Book 11, the literary model par excellence of postmortem revelation in antiquity.