Turn on the radio anytime, anywhere in the world, and sooner or later you will hear 'Africa'. Along with just a handful of songs by other artists, Toto’s worldwide hit is one of the most ubiquitous musical works of our time, written by a group of musicians who grew up together in Los Angeles’ San Fernando Valley. Together they helped define the sound of the late 70s and 80s, appearing on numerous hit records by Michael Jackson, Boz Scaggs and Steely Dan. But it was together, as Toto, that they found their true form, fashioning a fine blend of funk, hard rock, pop and progressive rock. 'Hold the Line', 'Rosanna' and 'Pamela' are just a few of their other iconic hits. However, from the early days, Toto were a target for the music press, who disdained their slick chops and polished sound – all at odds with the post-punk and new wave aesthetics prevalent at the time. Yet Toto have always persevered, driven by their love for the music, and their fans’ love for them. Lately, Toto has been riding a renewed wave of popularity – fuelled by hard touring – not to mention a belated restitution from the rock media. This book discusses each of their albums in detail, track by track, from their smash-hit debut to 2015's magnificent Toto XIV. Jacob Holm-Lupo is a musician and journalist from Norway. He has written extensively about progressive rock, hard rock and AOR, including the book Blue Öyster Cult on track for Sonicbond, published in 2019. With his own bands White Willow and The Opium Cartel he has released ten albums, and he runs a recording and mixing studio. He is also active on the Classic Album Sunday circuit where he has, among other things, covered Toto IV and The Seventh One. He lives on an island with his wife, two children, a rabbit and a dog.

The outrageous and often hilarious autobiography of legendary session musician and lead guitarist and singer of Toto. "...one of the most entertaining rock memoirs of recent years..." - Houston Press No one explodes one of the longest-held misconceptions of music history better than Steve Lukather and his band Toto. The dominant sound of the late ‘70s and ‘80s was not punk, but a slick, polished amalgam of rock and R&B first staked out on Boz Scaggs’ Silk Degrees. That album was shaped in large part by the founding members of Toto, who were emerging as the most in-demand elite session crew in LA, and further developed on the band’s self-titled multi-platinum debut. A string of massive hits followed for Toto while Lukather and bandmates David Paich, Jeff Porcaro, and Steve Porcaro also served as creative linchpins on some of the most successful and influential records of the era, including Michael Jackson’s Thriller. In this incisive memoir, Lukather tells the complete Toto story. He also lifts the lid on what went on behind the closed studio doors, shedding light on the unique creative processes of some of the most legendary names in music: from Quincy Jones, Michael Jackson, Paul McCartney, Stevie Nicks, and Elton John to Miles Davis, Joni Mitchell, Bruce Springsteen, Don Henley, Roger Waters, and Aretha Franklin. Lukather’s extraordinary tale also encompasses the dark side of stardom and the American Dream. Frank, engaging, and often hilarious, The Gospel According to Luke is no ordinary rock memoir. It is the real thing.

A companion book to the History Channel series, "The History of Mankind" covers the worldwide history of human beings.

"Akashvani" (English) is a programme journal of ALL INDIA RADIO, it was formerly known as The Indian Listener. It used to serve the listener as a bradshaw of broadcasting ,and give listener the useful information in an interesting manner about programmes, who writes them, take part in them and produce them along with photographs of performing artists. It also contains the information of major changes in the policy and service of the organisation. The Indian Listener (fortnightly programme journal of AIR in English) published by The Indian State Broadcasting Service, Bombay, started on 22 December, 1935 and was the successor to the Indian Radio Times in English, which was published beginning in July 16 of 1927. From 22 August ,1937 onwards, it used to published by All India Radio, New Delhi. From 1950,it was turned into a weekly journal. Later, The Indian listener became "Akashvani" (English ) w.e.f. January 5, 1958. It was made fortnightly journal again w.e.f July 1,1983. NAME OF THE JOURNAL: AKASHVANI LANGUAGE OF THE JOURNAL: English DATE, MONTH & YEAR OF PUBLICATION: 19 OCTOBER, 1975 PERIODICITY OF THE JOURNAL: Weekly NUMBER OF PAGES: 56 VOLUME NUMBER: Vol. XL. No. 42 BROADCAST PROGRAMME SCHEDULE PUBLISHED (PAGE NOS): 14-54 ARTICLE: 1.Our Industry After Independence 2. Democracy in Europe 3. Sigmund Freud 4. Marconi and the Wireless Century AUTHOR: 1. Sharu. S. Rangnekar 2. Prof. K. P. Mishra 3. Dr. Srindhar Sharma 4. Dr. V. C. Kulandaiswamy KEYWORDS : 1. Giant Strides, Achievements,Self Reliance. Innovation 2. Enduring Ideas,Broad Indicators, Fecilitating Conditions,Standard of Democracy 3. DYNAMIC Unconsciousness, Royal Road, New Insight, Enlightened view Point,Life and Personality of Fraud 4. Intuition and Urge,Talking Wireless, Gateway to Television.Radar.Infinite Vista Prasar Bharati Archives has the copyright in all matters published in this “AKASHVANI” and other AIR journals. For reproduction previous permission is essential.

This classic book is a must-have for anyone involved in radio production, covering everything from operational techniques and producing different programme formats, to conducting interviews and writing for radio. The fifth edition features new and updated information on: * digital production, such as the computer editing process, digital recording and DAB * the internet and internet-only radio stations * automatic playout systems * ethics * storytelling, showing simple ways of creating different acoustics for drama * station management * scheduling * remote reporting This edition is further enhanced by a supporting CD-Rom, packed with examples, exercises and resources.

Drooling fanatic, n. 1. One who drools in the presence of beloved rock stars. 2. Any of a genus of rock-and-roll wannabes/geeks who walk around with songs constantly ringing in their ears, own more than 3,000 albums, and fall in love with at least one record per week. With a life that’s spanned the phonographic era and the digital age, Steve Almond lives to Rawk. Like you, he’s secretly longed to live the life of a rock star, complete with insane talent, famous friends, and hotel rooms to be trashed. Also like you, he’s content (sort of) to live the life of a rabid fan, one who has converted his unrequited desires into a (sort of) noble obsession. Rock and Roll Will Save Your Life traces Almond’s passion from his earliest (and most wretched) rock criticism to his eventual discovery of a music-crazed soul mate and their subsequent production of two little superfans. Along the way, Almond reflects on the delusional power of songs, the awkward mating habits of drooling fanatics, and why Depression Songs actually make us feel so much better. The book also includes: • sometimes drunken interviews with America’s finest songwriters • a recap of the author’s terrifying visit to Graceland while stoned • a vigorous and credibility-shattering endorsement of Styx’s Paradise Theater • recommendations you will often choose to ignore • a reluctant exegesis of the Toto song “Africa” • obnoxious lists sure to piss off rock critics But wait, there’s more. Readers will also be able to listen to a special free mix designed by the author, available online at www.stevenalmond.com, for the express purpose of eliciting your drool. For those about to rock—we salute you!