A group of workmen unwittingly disturb an ancient Indian burial ground and unleash the Ancient One, a creature with a taste for evil that can only be stopped by one person

Terror and Taboo is about the mythology of terrorism; it is an exploration of the ways we talk about terrorism. It offers incontestable evidence to support the idea that we give power to terrorism by the way we write and talk about it. According to Zulaika and Douglass, we make terrorism worse by the way we represent it in the media and in everyday conversation. Through their examination of terrorism, they propose to remove the taboos surrounding terrorism. Terror and Taboo is full of examples to ground the authors premise, ranging from specific examples, such as tendency to talk more about where Timothy McVeigh shopped for weapons than about the international traffic in arms by legitimate nations, to more theoretical interpretations that will be familiar to readers of cultural studies books.

In Recreational Terror, Isabel Cristina Pinedo analyzes how the contemporary horror film produces recreational terror as a pleasurable encounter with violence and danger for female spectators. She challenges the conventional wisdom that violent horror films can only degrade women and incite violence, and contends instead that the contemporary horror film speaks to the cultural need to express rage and terror in the midst of social upheaval.

It's 1885 and a drunk and rage-filled Nigel Pickford breaks up a phony medium's séance. A strange twist of fate soon finds him part of a team investigating the afterlife. The Eidola Project is an intrepid group of explorers dedicated to bringing the light of science to that which has been feared, misunderstood, and often manipulated by charlatans. They are a psychology professor, his assistant, an African-American physicist, a sideshow medium, and now a derelict, each possessing unique strengths and weaknesses. Called to the brooding Hutchinson Estate to investigate rumored hauntings, they encounter deadly supernatural forces and a young woman driven to the brink of madness. Will any of them survive?

Five Millennia of Prescriptions for Spiritual Healing

"Something is on the prowl in the forests and foothills outside the small Wyoming town of Potter's Field, something that mutilates but does not feed, that kills indiscriminately and without reason, at night, by moonlight. As the body count mounts, police chief Nathan Slaughter and the town's medical examiner try to find out who or what is doing the killing....Morrell embeds compelling human drama in a taut, hell-for-leather plot consisting of equal parts police procedural, medical detective story, biological horror story, disaster novel and Gothic thriller. Beneath its multi-genre surface, The Totem engages broader sociological issues....A thriller of rare ambition and achievement, as thought-provoking as it is exciting and scary." Washington Post Book World

The Theater of Trauma is a groundbreaking rereading of the relations between psychology and drama in the age of Eugene O'Neill, Susan Glaspell, and their many brilliant contemporaries. American modernist Theater of Trauma drew its vision from the psychological investigation of trauma and its consequences - among them hysteria and dissociation - made by French and American psychiatrists such as the great Pierre Janet, Alfred Binet, William James, Morton Prince, and W.E.B. Du Bois; the European and American «dissociationist culture» that developed around their work; and the resulting trauma of World War I. American dramatists' deep resistance to Freud's suppression of trauma challenges the equation of Freud and modernism that has become commonplace in modernist criticism.