From Cole's downfall and Phoebe's somewhat questionable fashion sense to the power of three in history and literature and a magical tourist's guide to the Halliwells's hometown of San Francisco, this clever, lighthearted essay collection offers a fun and funny look at the world of the WB hit series Charmed. Edited by New York Times bestselling author Jennifer Crusie, these accessible and entertaining essays apply the wit and insight of one of today's leading romance authors to the stylish, occasionally campy fan favorite known for its scandalous outfits, revolving door of love interests, and the magical mayhem of three otherwise normal sisters who must fight against evil as they deal with the challenges of everyday life.

The Power of Three returns in this original storybook starring the very first Charmed Ones in a never-before-told tale from their childhood. Prue, Piper, and Phoebe were the first sisters to be called the Charmed Ones, the most powerful witches the world has ever known. But before they were charmed, they were just three little girls living with their Grams, and no idea of the power within them. When their constant bickering threatens the future unity of the Charmed Ones, their magic awakens to send the three young witches on an adventure that could change their destiny forever. THE OG P3 ARE BACK: Revisit the original Power of Three with an all-new story from a time before Prue, Piper, and Phoebe knew they were charmed. NEXT GEN FANS: Parents, grandparents and cool aunts and uncles can introduce young readers to Charmed. A STORY OF SISTERHOOD: Enjoy a timeless family tale of sisterhood mixed with magic. A SECRET HERSTORY: This unknown adventure from the Charmed Ones’ past reveals a secret herstory in their tale. BEAUTIFULLY ILLUSTRATED: See Charmed Ones in a whole new way with vibrant, original illustrations. TOTALLY TUBULAR TALE: Set in the 1980s, this blast from the Charmed Ones’ past is a retro adventure from a bewitching time.

A fascinating deep-dive into how shows from Buffy the Vampire Slayer to The Equalizer have changed the way women are portrayed on television. The last three decades of television have been a formative and progressive time for female characters, as stronger, more independent women have appeared on screen to guide a new generation of viewers into their own era of power. These characters battle vampires, demons, corrupt government officials, and scientific programs all while dealing with the same real-world concerns their audiences face every day. In Fierce Females on Television: A Cultural History, Nicole Evelina examines ten shows from the past thirty years to unveil the enormous impact they have had on the way women are portrayed on television. She reveals how Buffy the Vampire Slayer, Charmed, Alias, Nikita, Agent Carter, Jessica Jones, Homeland, House of Cards, Orphan Black, and The Equalizer feature extraordinary lead characters who are at the same time utterly relatable, facing surprisingly familiar questions in their everyday lives regarding sexuality, gender, and how to fight back in a patriarchal world. Fierce Females on Television shows how, even with their captivating mix of melodrama, mystery, magic, and martial arts, these shows nevertheless represent the audience’s own desires and fears. Finally, viewers of science fiction, fantasy, spy, and political shows have strong, modern women to watch, admire, and emulate.

Jessica Darling’s in college! Things are looking up for Jessica Darling. She has finally left her New Jersey hometown/hellhole for Columbia University in New York City; she’s more into her boyfriend, Marcus Flutie, than ever (so what if he’s at a Buddhist college in California?); and she’s making new friends who just might qualify as stand-ins for her beloved best friend, Hope. But Jessica soon realizes that her bliss might not last. She lands an internship at a snarky Brooklyn-based magazine, but will she fit in with the überhip staff (and will she even want to)? As she and Marcus hit the rocks, will she end up falling for her GOPunk, neoconservative RA . . . or the hot (and married!) Spanish grad student she’s assisting on a summer project . . . or the oh-so-sensitive emo boy down the hall? Will she even make it through college now that her parents have cut her off financially? And what do the cryptic one-word postcards from Marcus really mean? With hilarious insight, the hyperobservant Jessica Darling struggles through her college years—and the summers in between—while maintaining her usual mix of wit, cynicism, and candor.

The Literary Agenda is a series of short polemical monographs about the importance of literature and of reading in the wider world and about the state of literary education inside schools and universities. The category of 'the literary' has always been contentious. What is clear, however, is how increasingly it is dismissed or is unrecognised as a way of thinking or an arena for thought. It is sceptically challenged from within, for example, by the sometimes rival claims of cultural history, contextualized explanation, or media studies. It is shaken from without by even greater pressures: by economic exigency and the severe social attitudes that can follow from it; by technological change that may leave the traditional forms of serious human communication looking merely antiquated. For just these reasons this is the right time for renewal, to start reinvigorated work into the meaning and value of literary reading. The Novel: A Survival Skill is the fruit of a lifetime's search for a different, more immediate, but again systematic and serious way of talking about literature. Developed over many years, it offers a completely new account of the relationship between a writer, his or her work, and the reader. As such it radically undermines traditional literary criticism and the various criteria used for evaluating a work of fiction. Drawing on ideas from systemic psychology, Tim Parks suggest that both the content and style of a novelist's work, the kind of stories told and the way in which they are told, form part of a more general strategy or simply habit of communication that the novelist has learned within his or her family of origin. The reader reacts to these in very much the same way he or she would react to the same communicative strategy in a real life encounter, different readers reacting differently depending on their own backgrounds and habits of communication. Looking at the different value structures that can dominate in any family—good/evil, independence/dependence, success/failure, belonging/exclusion—this book looks at how a number of major writers position themselves within these value structures, how this positioning is manifest in their writing, and how readers have responded to this depending on their own positioning in the same semantics. Thomas Hardy, for example, a man eager to believe himself courageous but terrified of the consequences of any socially 'unacceptable' behaviour, constructs stories which are courageous in their willingness to debate difficult issues, but which constantly suggest that any attempt to behave courageously is condemned to disaster. Hardy as it were imprisons himself in a world where it is folly to take risks. He is thus exceedingly conservative in his life, while at the same time able to think of himself as courageous in his writing. The Novel: A Survival Skill looks at the way different readers in different periods respond to this depending on their own position with regard to fear, courage, social convention and so on.

War hero, Matt McCormick has earned a respectable badass reputation in Afghanistan; but his enemy has moved west. Having special skills useful to the fight, he goes undercover; not for the military, but for the feds. The audacious, self-sacrificing hero escapes, and heads home to NEK Vermont, to his ill-fitting reputation for good looks and moral conduct; but his life has changed forever. Under capricious circumstances, he’s surprisingly catapulted into a new investigation, where his two diametrically-opposed worlds collide, and he finds himself, once again, in the presence of his enemy. Lives get shattered and lost as yesterday’s failures chafe the day. Surprises abound, and winning this battle will take, not only his badass training, but his blood, guts and grit. Faint-hearted, but savvy journalist, Andrea Daye is any editor’s dream; but her personal life has gone sideways. Oblivious to her new husband’s past, she’s abhorred to find agents, lurking in shadows as evidence of his corruption rises to the surface. Trusting no one, her innocent, but sassy equivocations set her free-falling, not only into criminal charges, but into the arms of love. The Other Side of Fear is a story to savor.

The New York Times bestselling author of The Jane Austen Book Club introduces a middle-class American family that is ordinary in every way but one in this novel that won the PEN/Faulkner Award and was a finalist for the Man Booker Prize. Meet the Cooke family: Mother and Dad, brother Lowell, sister Fern, and Rosemary, who begins her story in the middle. She has her reasons. “I was raised with a chimpanzee,” she explains. “I tell you Fern was a chimp and already you aren’t thinking of her as my sister. But until Fern’s expulsion...she was my twin, my funhouse mirror, my whirlwind other half and I loved her as a sister.” As a child, Rosemary never stopped talking. Then, something happened, and Rosemary wrapped herself in silence. In We Are All Completely Beside Ourselves, Karen Joy Fowler weaves her most accomplished work to date—a tale of loving but fallible people whose well-intentioned actions lead to heartbreaking consequences. “A gripping, big-hearted book...through the tender voice of her protagonist, Fowler has a lot to say about family, memory, language, science, and indeed the question of what constitutes a human being.”—Khaled Hosseini