"Bianca; or, The Young Spanish Maiden" by Toru Dutt. Published by DigiCat. DigiCat publishes a wide range of titles that encompasses every genre. From well-known classics & literary fiction and non-fiction to forgotten−or yet undiscovered gems−of world literature, we issue the books that need to be read. Each DigiCat edition has been meticulously edited and formatted to boost readability for all e-readers and devices. Our goal is to produce eBooks that are user-friendly and accessible to everyone in a high-quality digital format.

Ancient Ballads and Legends of Hindustan (1882) is a collection of poems by Toru Dutt. Compiled after her death and published in London, Ancient Ballads and Legends of Hindustan is an invaluable work of art from a pioneering figure in Indian history and Bengali literature. Born in Calcutta to a family of Bengali Christians, Toru Dutt was raised at the crossroads of English and Indian cultures. In addition to her native Bengali, she became fluent in English, French, and Sanskrit as a young girl, eventually writing novels and poems in each language. Despite her limited body of work, Dutt’s legacy as a groundbreaking writer remains firm in India and around the world. “Savitri was the only child / Of Madra's wise and mighty king; / Stern warriors, when they saw her, smiled, / As mountains smile to see the spring.” In rhyming English verse, Bengali poet Toru Dutt presents some of the oldest and most sacred stories from ancient India. Translated from Sanskrit into the popular ballad form, Dutt introduces an English audience to the story of Savitri, originally from the epic Mahabharata, as well as the tale of Lakshman, which comes from the Hindu epic Ramayana. Alongside these poems appear Dutt’s versions of Bengali folklore—“Joghadhya Uma”—and poems written during her stay in Europe. “Near Hastings” is a particularly beautiful example of her original verse depicting an otherworldly encounter along the English seacoast: “Near Hastings, on the shingle-beach, / We loitered at the time / When ripens on the wall the peach, / The autumn's lovely prime.” With a beautifully designed cover and professionally typeset manuscript, this edition of Toru Dutt’s Ancient Ballads and Legends of Hindustan is a classic work of Bengali literature reimagined for modern readers.

Set in France in the second half of the nineteenth century, The Diary of Mademoiselle D'Arversis a novel of possibilities and limitations; of love, marriage and domesticity, and the heartaches and joys of growing up. Fifteen-year-old Marguerite, fresh from her convent education and extremely religious, returns to her family and experiences the first stirrings of love, only to find herself entangled in a complicated net of relationships. The story traces Marguerite's growth through adolescence to maturity and marital happiness. Written in secret and discovered by the author's father after her death, this poignant novel is a unique and unexpected outcome of the intellectual, linguistic, and cultural ferment of nineteenth-century colonial Bengal.

Poems of various French authors, translated into English, with notes, by Toru Dutt.

The first collection to make a comprehensive study of nineteenth-century women's poetry from late Romantic to late Victorian 'new woman' writers. Eighteen essays consider the gendered codes and genres developed by sophisticated poets. The feminine subject and marketing, a woman's tradition, lesbian desire, war, race, colonial experience, religion and science are themes of the collection, featuring, as well as the familiar Christina Rossetti and Elizabeth Barrett Browning, other poets such as 'L.E.L.', Felicia Hemans, Amy Levy and Augusta Webster.

Global and cosmopolitan since the late nineteenth century, anglophone South Asian women's writing has flourished in many genres and locations, encompassing diverse works linked by issues of language, geography, history, culture, gender, and literary tradition. Whether writing in the homeland or in the diaspora, authors offer representations of social struggle and inequality while articulating possibilities for resistance. In this volume experienced instructors attend to the style and aesthetics of the texts as well as provide necessary background for students. Essays address historical and political contexts, including colonialism, partition, migration, ecological concerns, and evolving gender roles, and consider both traditional and contemporary genres such as graphic novels, chick lit, and Instapoetry. Presenting ideas for courses in Asian studies, women's studies, postcolonial literature, and world literature, this book asks broadly what it means to study anglophone South Asian women's writing in the United States, in Asia, and around the world.