Marlene thinks the eighties are going to be stupendous. Her sister Joyce has her doubts. Her daughter Angie is just frightened. Since its premiere in 1982, Top Girls has become a seminal play of the modern theatre. Set during a period of British politics dominated by the presence of the newly elected Prime Minister Margaret Thatcher, Churchill's play prompts us to question our notions of women's success and solidarity. Its sharp look at the society and politics of the 1980s is combined with a timeless examination of women's choices and restrictions regarding career and family. This new Student Edition features an introduction by Sophie Bush, Senior Lecturer at Sheffield Hallam University, UK prepared with the contemporary student in mind. METHUEN DRAMA STUDENT EDITIONS are expertly annotated texts of a wide range of plays from the modern and classic repertoires. A well as the complete text of the play itself, this volume contains: · A chronology of the play and the playwright's life and work · an introductory discussion of the social, political, cultural and economic context in which the play was originally conceived and created · a succinct overview of the creation processes followed and subsequent performance history of the piece · an analysis of, and commentary on, some of the major themes and specific issues addressed by the text · a bibliography of suggested primary and secondary materials for further study.

Amanda Moss is a young hairstylist with ambitions to become a musician and play in a band. She was adopted at age three after her parents were killed in a car crash. At least that's what her adoptive mother Shelley has always told her. Shelley is also a hairdresser. But beyond that, mother and daughter don't see eye to eye on much. Then one day Amanda's life changes dramatically when a stranger shows up and tells her a very different story about her parents. Her real mother has just died of cancer while serving a life sentence for the murder of Amanda's father. Suddenly Amanda feels her whole life has been a lie. Was her mother really guilty? When she also discovers that her father was in a successful rock-and-roll band when he was killed, she goes looking for former band members to try to find out what really happened so many years before. In the process she learns some unpleasant truths about her family. She also learns that you can love and hate someone at the same time.

A deadly memoir about being bold, black and brave in work, life and love 'Sharing my story is important ... I think it is true that you don't aspire to be what you cannot see. I would like this book to show you that you can push yourself to do things you never dreamed you would do.' As a young Larrakia Tiwi girl Miranda Tapsell often felt like an outsider. Growing up, she looked for faces like hers on our screens. There weren't many. And too often there was a negative narrative around First Nation lives, and Aboriginal and Torres Strait Islander women especially. As she got older, Miranda stopped expecting others would help change things and set about doing something herself. Combining her pride in her Aboriginality and passion for romantic comedies with her love of Darwin, the Tiwi Islands and the Top End, Miranda co-wrote, produced and starred in the box office hit Top End Wedding. In this engaging memoir, Miranda shares the path she took to acting and how her role in The Sapphires and then in Love Child inspired her to create a film about coming back to family and culture. And, it would turn out, that as she was writing her romantic lead she was also conjuring up some magic that saw a real-life love ignite. This deadly, ballad-loving rom-com nerd also asks us all to open our minds and our hearts to the importance of country and culture, In doing so, Miranda shows us how we will all be richer for it. Funny, wise and thought-provoking, Top End Girl will have you at hello.

This edition contains a synopsis, commentary and notes.

2021 Schneider Family Book Award Young Children's Honor Book (American Library Association) Experience the true story of lifelong activist Jennifer Keelan-Chaffins and her participation in the Capitol Crawl in this inspiring autobiographical picture book. This beautifully illustrated story includes a foreword from Jennifer and backmatter detailing her life and the history of the disability rights movement. This is the story of a little girl who just wanted to go, even when others tried to stop her. Jennifer Keelan was determined to make a change—even if she was just a kid. She never thought her wheelchair could slow her down, but the way the world around her was built made it hard to do even simple things. Like going to school, or eating lunch in the cafeteria. Jennifer knew that everyone deserves a voice! Then the Americans with Disabilities Act, a law that would make public spaces much more accessible to people with disabilities, was proposed to Congress. And to make sure it passed, Jennifer went to the steps of the Capitol building in Washington DC to convince them. And, without her wheelchair, she climbed. ALL THE WAY TO THE TOP! A Rise: A Feminist Book Project Nominee A Junior Library Guild Selection All the Way to the Top is perfect for: Elementary school teachers looking for books to supplement disability rights curriculum and the history of the ADA (find a free Common-Core Aligned Educator Guide at www.sourcebooks.com) Parents looking for social justice picture books, books on activism and for young activists, and inspiring books for girls Parents, teachers, librarians, and guardians looking for beautifully illustrated, inspirational and educational books for young readers in their life

Caryl Churchill is widely considered to be one of the most innovative playwrights to haveemerged in post-war British theatre. Identified as a socialist feminist writer, she is one of the few British women playwrights to have been incorporated into the dramatic canon. Top Girls is one of Churchill's most well known and often studied works, using an all female cast to critique bourgeois feminism during the Thatcher era.

Joan's neighborhood is filled with kids of all ages, but even her closest friends don't know how violent Joan's dad is, or how difficult it is for her to navigate the troubled waters of her home life. Joan becomes adept at reading her dad's mood, and trying to prevent him from inflicting harm upon her mom. But, time and again, her dad succeeds in his mission. As the violence escalates, Joan is plagued with the constant fear that her mother may die. Repeatedly she asks the same questions: why is her dad so violent and why can't he be stopped? Throughout the course of her childhood, several heroes enter Joan's life. Readers will cheer for each as they offer Joan gifts of validation, acceptance and hope. Joan's exceptional yet frank storytelling brings the reader directly into her home, providing unembellished awareness of the multiple issues that encompass domestic violence. The Best Girl is a story of resilience and survival and, as the book concludes, readers are left with feelings of possibility and hope: it appears that sixteen-year old Joan is going to make it.