Documents the resistance and struggle of people in the Lower East Side to exist as a community when faced with drastic gentrification in the late 1980s and early 1990s. It focuses on the park as a symbol and stronghold of the anti-gentrification movement, as riots proved a trigger to radicalise political movement. Living near the park, Q. Sakamaki witnessed the unravelling events that created one of New York's political movements, which he has captured in b/w photography.

A vibrant narrative history of three hallowed Manhattan blocks—the epicenter of American cool. St. Marks Place in New York City has spawned countless artistic and political movements. Here Frank O’Hara caroused, Emma Goldman plotted, and the Velvet Underground wailed. But every generation of miscreant denizens believes that their era, and no other, marked the street’s apex. This idiosyncratic work of reportage tells the many layered history of the street—from its beginnings as Colonial Dutch Director-General Peter Stuyvesant’s pear orchard to today’s hipster playground—organized around those pivotal moments when critics declared “St. Marks is dead.” In a narrative enriched by hundreds of interviews and dozens of rare images, St. Marks native Ada Calhoun profiles iconic characters from W. H. Auden to Abbie Hoffman, from Keith Haring to the Beastie Boys, among many others. She argues that St. Marks has variously been an elite address, an immigrants’ haven, a mafia warzone, a hippie paradise, and a backdrop to the film Kids—but it has always been a place that outsiders call home. This idiosyncratic work offers a bold new perspective on gentrification, urban nostalgia, and the evolution of a community.

That's A Crazy One is an inside look at the youth culture that dominated downtown NYC in the early 1990's. That same culture that helped spark the multi-million dollar industries of skateboarding and streetwear that exist now. The subjects were the inspiration for Larry Clark's cult classic film KIDS. In stark contrast to the storyline told in the film,it is the true capture of what life was like for the cast of KIDS prior to the film being made and released. Photographed by Mel Stones & High throughout 1991-1995, the two teenage girls used NYC public school darkrooms to develop and print these images. Shot by insiders, That's A Crazy One is a rare archival portrait of early NYC street skating and the intimate relationships that existed between this crew of kids. Shot in low light on 35mm film pushed to the max, the images are grainy and gritty and bring you back to Pre-Giuliani New York rawness. That's a Crazy One features images that run a wide gamut, from kids sleeping on the train, skateboarding through the streets, smoking weed and drinking 40's, to the abandoned buildings and roof that were their playgrounds. However it is the dedication of the book that sets the tone for the images that follow. Once read, you realize that many of the kids on these pages are no longer among the living. Often mistaken as a documentary film, KIDS left an aftershock amongst this group of teenagers long after the limelight faded, with no solid foundation many met tragic ends. These lives so superficially portrayed on screen were genuinely struggling and that struggle materialized in the deaths of many of them. The images evoke the painful truth of how one can feel alone and together at the same time.Too painful to face their losses, these images have remained archived for over 20 years. That's A Crazy One takes you through their cathartic journey. All profits from book sales will be donated to NYC Public Schools Photography Program in memorial to their departed.

A New York Times bestseller and People “Book of the Week”: This hilarious, charming road trip through canine-loving America is “essential reading for dog lovers and armchair travelers” (Library Journal, starred review). “I don’t think my dog likes me very much,” New York Times Magazine writer Benoit Denizet-Lewis confesses at the beginning of his cross-country journey with his nine-year-old Labrador-mix, Casey. Over the next four months, thirty-two states, and 13,000 miles in a rented motor home, Denizet-Lewis and his lovable, moody canine companion try—with humorous and touching results—to pay tribute to the most powerful interspecies bond there is, in the country with the highest rate of dog ownership in the world. On the way, Denizet-Lewis—“a master at effortlessly weaving bits of research into his narrative” (Los Angeles Times)—meets an irresistible cast of dogs and their dog-obsessed humans. Denizet-Lewis and Casey hang out with wolf-dogs in Appalachia, enter a dock-jumping competition in Florida, meet homeless teens and their dogs in Washington, sleep in a Beagle-shaped bed and breakfast in Idaho, and visit “Dog Whisperer” Cesar Millan in California. And then there are the really out there characters: pet psychics, dog-wielding hitchhikers, and two women who took their neighbor to court for allegedly failing to pick up her dog’s poop. Denizet-Lewis’s memoir “is a lot like Casey…fun, sweet, and a little neurotic” (Chicago Tribune)—a delightfully idiosyncratic blend of memoir and travelogue coupled with a sociological exploration of a dog-obsessed America. Travels With Casey is “a thoroughly engaging and often hilarious investigation of the therapeutic nature of our relationships with dogs” (Booklist).

Never before has wildlife narration been this bold and this hilarious. More than 40 million people have viewed Randall’s honey badger video, “The Crazy Nastyass Honey Badger.” “It has no regard for anyone or anything—it just takes what it wants! What a little badass!” When viewing wildlife footage, who hasn’t thought at times, “Ewww! What the hell is that?!” Randall thinks it — and says so! In Honey Badger Don’t Care, Randall examines and humorously informs on a dozen crazy, nasty animals of the wild kingdom employing his unique style of telling it like it is! His wildlife writing is refreshingly honest. If an animal scares Randall, he’s not afraid to share. Unlike most nature writers, Randall doesn’t deliver the sugarcoated or drab description. He “goes there” and shares his true feelings with his audience. Because of this, his readers feel that they can relate. Randall loves animals—even the ones that terrify him. He may not agree with how these animals conduct themselves in the world, but Randall wants everyone to know who they are. Just as he introduced the world to the honey badger, the Jesus lizard, and others, so will Randall shed light on twelve bizarre and interesting animals. Designed with callouts, sidebars, and more than fifty photos, Honey Badger Don’t Care presents a wildlife book for adults—hilarious, irreverent, profane, yet charming, chatty, and informative. Don’t be stupid—buy this book!

Cites successful examples of community-based policing.

Poet Bonny Finberg's textual images collages in Dadaist sensibility by New Media Artist Barbara Rosenthal.