The story of one of the world s greatest cover artists told through his iconic 1960s and 1970s Agatha Christie paperback designs, which influenced a generation of readers and artists. Includes a variety of other art and illustration from his 50 year career. The Agatha Christie covers painted by Tom Adams constitutes probably the most famous body of paperback art ever produced by a single artist. Between A Murder Is Announced in 1962 and Miss Marple s Final Cases in 1979, Tom was commissioned by Fontana in the UK and Pocket Books in the USA to paint covers for almost every Agatha Christie book, most of them more than once, totalling around 150 different paintings over two decades. They have been reproduced in many languages all over the world, defining the style of paperback artwork throughout the sixties and seventies and influencing a generation of artists and designers ever since. Tom s unique interpretations of the themes and stories in the books, often hiding clues about the plots within his paintings, have left an indelible mark on those who read those editions, and they are now highly sought after by fans of both Agatha Christie and Tom Adams. And Agatha Christie is only half the story. Concurrent with this extraordinary achievement, Tom was also producing art for other publishers, including an iconic series of Raymond Chandler covers and some brilliant jackets for books by John Fowles (The Collector, The Magus and The French Lieutenant's Woman), Patrick White (The Vivisector), David Storey (Saville), Peter Straub (Ghost Story), and Kingsley Amis (his James Bond pastiche, Colonel Sun). Tom Adams Uncovered is a showcase of the artist s best work from a career spanning more than 50 years. In addition to his many cover paintings, it features examples of Tom s broader work, including award-winning advertising, portraits, album covers, poster prints, and his work on the films 2001, Flash Gordon and Lifeforce. With captions by Tom and a commentary by the Agatha Christie historian John Curran, and concluding with previously unpublished Agatha Christie paintings, this book is a treasure trove for both crime fans and art lovers, and a fitting celebration of one of the world s finest cover artists."

This is a collection of early short stories and an essay which gave the book its name. The latter is fairly short and its main idea is an argument for the virtues of a noir mystery as opposed to a traditional British one. Considering the fact that this comes from a guy who became a classic of the former even before his death and that he picked up some below the average examples of the latter, I agree. The stories themselves left me out cold for the most part. I can actually describe the plot in practically all of them at once. A trouble starts involving a damsel in distress. A tough guy emerges (usually a PI or a good cop) who gets involved, gets knocked out, and shot at. It turns out the damsel in distress is a minor culprit which makes her a femme fatale. Everybody and their brother meet at the main villain place, a big shootout is insured. Everybody dies except for the tough guy with a heard of gold and the femme fatale who emerge unscratched; the latter escapes. The end

As a favour to an old friend, Hercule Poirot finds himself at a summer fete in Devon, taking part not in a Treasure Hunt, but a Murder Hunt, in this never-before-published novella version of Dead Man’s Folly. Now released for the first time as an eBook exclusive publication.

Includes over 90 paperback cover illustrations.

Swigatha came about as the result of a re-read by me of all the books by Agatha Christie that I had first encountered as a child. These books were all in paperback editions, published by Fontana and Pan in the UK in the 1960s and 1970s, and most of them were second-hand. Swigatha contains a review in chronological order of each book, including a brief look at the plot, then the characters and the attitudes of the characters at the time, supported by many quotations from the text. Each one is given a totally subjective Swigatha rating, a what-happened-next item and a few notes about some of the on-screen adaptations. It Is designed to be either read In sequence or dipped into, with the result that some background autobiographical details that are relevant to more than one story are repeated. The review also considers the actual book itself: its front and back covers, its condition and so on.

"A dozen original poems on the `horrifying' subjects (ghouls, vampires, skeletons, etc.) so dear to many young hearts....Your steel-nerved patrons will appreciate both poems and pictures."--School Library Journal.