'" After a man-made pathogen known as the K virus is accidentally released from Fieldwar Labs in the heart of Tokyo, the city is overrun by flesh-eating zombies. In the hopes of saving the last-remaining survivors of this apocalypse, an organization known as Madara sends out its rookie member in a last-ditch effort to find a cure. Young Itachi must survive the zombie-ravaged streets of Tokyo while searching for the missing key that''s integral to Japan''s survival! "'

'" After a man-made pathogen known as the K virus is accidentally released from Fieldwar Labs in the heart of Tokyo, the city is overrun by flesh-eating zombies. In the hopes of saving the last-remaining survivors of this apocalypse, an organization known as Madara sends out its rookie member in a last-ditch effort to find a cure. Young Itachi must survive the zombie-ravaged streets of Tokyo while searching for the missing key that''s integral to Japan''s survival! "'

Tokyo Undead is a story of zombie survival taking place in one of the most densely populated cities in the world—Tokyo, Japan! This omnibus edition tells the complete story of an organization putting its last hopes on one man to find the antidote they need to save the world. Originally released in Japan as two separate volumes, Seven Seas will compile both parts of Tokyo Undead in a four-hundred-page omnibus edition that includes several full-color illustrations. After a man-made pathogen known as the K virus is accidentally released from Fieldwar Labs in the heart of Tokyo, the city is overrun by flesh-eating zombies. In the hopes of saving the last remaining survivors of this apocalypse, an organization known as Madara sends out its rookie member in a last-ditch effort to find a cure. Young Itachi must survive the zombie-ravaged streets of Tokyo while searching for the missing key that’s integral to Japan’s survival!

This book explores the central role of the zombie in contemporary popular culture as they appear in video games. Moving beyond traditional explanations of their enduring appeal – that they embody an aesthetic that combines horror with a mindless target; that lower age ratings for zombie games widen the market; or that Artificial Intelligence routines for zombies are easier to develop – the book provides a multidisciplinary and comprehensive look at this cultural phenomenon. Drawing on detailed case studies from across the genre, contributors from a variety of backgrounds offer insights into how the study of zombies in the context of video games informs an analysis of their impact on contemporary popular culture. Issues such as gender, politics, intellectual property law, queer theory, narrative storytelling and worldbuilding, videogame techniques and technology, and man’s relation to monsters are closely examined in their relation to zombie video games. Breaking new ground in the study of video games and popular culture, this volume will be of interest to researchers in a broad range of areas including media, popular culture, video games, and media psychology.

Zombie Movies is an essential purchase for all those who love (or fear) horror cinema’s most popular and terrifying creation. This thorough and authoritative yet uproarious guide • reviews and rates nearly 300 zombie films—from Bela Lugosi’s White Zombie (1932) to George A. Romero’s Diary of the Dead (2008) • traces the evolution of the zombie over the decades, from voodoo slave to brain-eating undead to raging infected • lays out what makes a zombie a zombie, as opposed to a ghost, ghoul, vampire, mummy, pod person, rabid sicko, or Frankenstein’s monster • includes a detailed and chilling journal from the filming of Land of the Dead • lists the oddest and most gruesome things ever seen in undead cinema • covers not only mainstream American movies but also small independent productions, Spanish and Italian exploitation pictures, and bizarre offerings from Japan and Hong Kong • provides a detailed rundown of the 25 greatest zombie films ever made • features in-depth interviews with actors, directors, makeup effects wizards, and other zombie experts For serious fans and casual moviegoers alike, Zombie Movies will provide plenty of informative and entertaining brain food.

A fascinating read for anyone from general readers to hardcore fans and scholars, this encyclopedia covers virtually every aspect of the zombie as cultural phenomenon, including film, literature, folklore, music, video games, and events. The proliferation of zombie-related fiction, film, games, events, and other media in the last decade would seem to indicate that zombies are "the new vampires" in popular culture. The editors and contributors of Encyclopedia of the Zombie: The Walking Dead in Popular Culture and Myth took on the prodigious task of covering all aspects of the phenomenon, from the less-known historical and cultural origins of the zombie myth to the significant works of film and literature as well as video games in the modern day that feature the insatiable, relentless zombie character. The encyclopedia examines a wide range of significant topics pertaining to zombies, such as zombies in the pulp magazines; the creation of the figure of the zuvembie to subvert decades of censorship by the Comics Code of Authority; Humans vs. Zombies, a popular zombie-themed game played on college campuses across the country; and annual Halloween zombie walks. Organized alphabetically to facilitate use of the encyclopedia as a research tool, it also includes entries on important scholarly works in the expanding field of zombie studies.

The vampire and the zombie, the two most popular incarnations of the undead, are brought together for a forensic critical investigation in Screening the Undead. Both have a long history in popular fiction, film, television, comics and games; the vampire also remains central to popular culture today, from literary 'paranormal romance' to cult TV and movie franchises - by turns romantic, tortured, grotesque, countercultural, a goth icon or lonely outsider. The zombie can shamble or, nowadays, sprint with alarming velocity, and even dance. It frequently lends itself to metaphor and can stand in for fascism or ecological disaster, but is perhaps most frequently a harbinger and instrument of the apocalypse. Leading writers on Horror and cult media consider the sexy vampire and the grotesque zombie, as well as hybrid figures who do not fit neatly into either category. These are examined across a range of contexts, from the Swedish vampire to the Afro-American Blacula, from the lesbian vampire to the gay zombie, from the Spanish Knights Templar riding skeletal horses to dancing Japanese zombies. Screening the Undead sheds new light on these two icons of terror - and desire - whose popular longevity has taken them 'Beyond Life'.