The book examines the nature and significance of women's roles in communities in which fishing is a primary mode of subsistence. The contributions present a diversity in the sexual division of labour and in the extent to which gender ideology appears to be a dominating factor in organizing the relationship between family, community and occupation

On February 14, 1996, Stephen Hill preached at Brownsville Assembly of God in Florida and that night a powerful spirit of repentance fell upon the congregation. Since that night over 50,000 people have made their way down to Brownsville for a renewing experience of God's love, grace and forgiveness. In his new book, A Time to Weep, Stephen Hill writes about his experiences with the manifestations of this powerful revival and how it is changing lives through repentance. From historical examples and magnificent testimonies from this current revival, the author shows the importance of allowing God to touch our lives and, if warranted, to cause us to shed tears of change.

William Shakespeare is credited with inventing how many words?* Answering Shakespeare trivia comes with the job description for library director Lindsey Norris. But when the Briar Creek Community Theater mounts their newest production of the Bard, she has no intention of leaving the stacks for the stage. Unfortunately a villain is waiting in the wings… Former Broadway actress Violet La Rue is holding auditions for A Midsummer Night’s Dream—and everyone from the sour spinster librarian Ms. Cole to Lindsey’s youthful library pages are trying out for parts. Brought in to play the mischievous Puck is the flirtatious professional actor Robbie Vine, who seems to have eyes for Lindsey. Before her blush has faded, the Bard’s dream turns into a nightmare—when one of the cast is poisoned. Now Lindsey and her crafternooners must take center stage to unmask the culprit before the final curtain call… *Over 17,000

When lives are dominated by hunger, what becomes of love? When assaulted by daily acts of violence and untimely death, what happens to trust? Set in the lands of Northeast Brazil, this is an account of the everyday experience of scarcity, sickness and death that centres on the lives of the women and children of a hillside "favela". Bringing her readers to the impoverished slopes above the modern plantation town of Bom Jesus de Mata, where she has worked on and off for 25 years, Nancy Scheper-Hughes follows three generations of shantytown women as they struggle to survive through hard work, cunning and triage. It is a story of class relations told at the most basic level of bodies, emotions, desires and needs. Most disturbing - and controversial - is her finding that mother love, as conventionally understood, is something of a bourgeois myth, a luxury for those who can reasonably expect, as these women cannot, that their infants will live.

Today, racial wounds from three hundred years of slavery and a history of Jim Crow laws continue to impact the church in America. Martin Luther King Jr. captured this reality when he said: “The most segregated hour of Christian America is eleven o’clock on Sunday.” Equipped with the gospel, the evangelical church should be the catalyst for reconciliation, yet it continues to cultivate immense pain and division. Weep with Me by Mark Vroegop is a timely resource that presents lament as a bridge to racial reconciliation in the world today. In the Bible, lament is a prayer that leads to trust, which can be a starting point for the church to “weep with those who weep” (Rom. 12:15). As Vroegop writes: “Reconciliation in the church starts with tears and ends in trust.”

"Icouldn't imagine a finer or livelier guide through the world of opera. . . . [Levine] distills a lifetime of passion and insight into this immenselyenjoyable survey, and with the right comic touch to make you wonder how operaever seemed intimidating." —Thomas May, author of Decoding Wagner Despitethe popular success of the Metropolitan Opera’s “Live in HD” series, opera’s grandworld of soaring sopranos and breathtaking baritones—of tragic Rigoletto, triumphal Sigmund, and desperate Orfeo, of faithful Figaro, heartbroken Pagliacci,and lusty Don Giovanni—remains wrapped in an aura of impenetrable esotericism.Piercing this veil of opera’s perceived inaccessibility, acclaimed classicalmusic critic Robert Levine extends a witty and insightfulinvitation to enjoy opera in Weep, Shudder, Die, offering a newgeneration of aficionados a priceless way to access to music’s greatest achievement.

This beautiful and moving poem, by an unknown author, was left by a soldier killed in Ulster "to all my loved ones". This special edition, sensitively illustrated with delicate drawings by Paul Saunders, is intended as a lasting keepsake for those mourning a loved one.