Anthony McGowan is the Carnegie Medal 2020 winning author of Lark. He is coming to kill me. Now would be a good time to run. I cannot run. I am too afraid to run. Paul Varderman could be at any normal school - bullies, girls and annoying teachers are just a part of life. Unfortunately 'normal' doesn't apply when it comes to the school's most evil bully, Roth, a twisted and threatening thug with an agenda quite unlike anyone else. When Paul ends up delivering a message from Roth to the leader of a gang at a nearby school, it fuels a rivalry with immediate consequences. Paul attempts to distance himself from the feud, but when Roth hands him a knife it both empowers him and scares him at the same time . . . This thought-provoking and original novel highlights the terrible consequences of peer pressure and violence, and casts a spotlight on the worrying rise in knife crime among teenagers.

When Caryl Chessman appeared on the cover of Time's March 21, 1960 issue, he was the most famous prisoner in America and arguably the best-known in the world. He not only put a face on the issue of capital punishment, he made one of the most remarkable transformations by any American writer. Through access to the papers and letters of his attorneys, George T. Davis and Rosalie Asher, the unpublished manuscripts and papers held by Joseph Longstreth; reminiscences with those who knew him, like Mr. Davis, Mr. Longstreth, his agent and executor; and country music legend Merle Haggard, the first definitive portrait of the enigmatic Caryl Chessman emerges.

The fairy tale lives again in this book of forty new stories by some of the biggest names in contemporary fiction, science fiction, fantasy, and magical realism. Neil Gaiman, “Orange” Aimee Bender, “The Color Master” Joyce Carol Oates, “Blue-bearded Lover” Michael Cunningham, “The Wild Swans” These and more than thirty other stories by Francine Prose, Kelly Link, Jim Shepard, Lydia Millet, and many other extraordinary writers make up this thrilling celebration of fairy tales—the ultimate literary costume party. Spinning houses and talking birds. Whispered secrets and borrowed hope. Here are new stories sewn from old skins, gathered by visionary editor Kate Bernheimer and inspired by everything from Hans Christian Andersen’s “The Snow Queen” and “The Little Match Girl” to Charles Perrault’s “Bluebeard” and “Cinderella” to the Brothers Grimm’s “Hansel and Gretel” and “Rumpelstiltskin” to fairy tales by Goethe and Calvino and from China, Japan, Vietnam, Russia, Norway, and Mexico. Fairy tales are our oldest literary tradition, and yet they chart the imaginative frontiers of the twenty-first century as powerfully as they evoke our earliest encounters with literature. This exhilarating collection restores their place in the literary canon.

"There's a dead man at the end of Toby's bed. He says that Toby killed him. Did he? Thrilling ghost story. Len Grimsby is dead and he blames Toby. When Len's ghost appears at the end of his bed, Toby is taken back in time to see the repercussions of his actions and unravel the series of events that led to Len's death. Can he save Len from being killed? And can he manage not to screw everything else up in the process? Gripping ghost story from a critically acclaimed writer."--Publisher description.

This bracing new nonfiction book by the young superstar E´douard Louis is both a searing j’accuse of the viciously entrenched French class system and a wrenchingly tender love letter to his father This bracing new nonfiction book by the young superstar Édouard Louis is both a searing j’accuse of the viciously entrenched French class system and a wrenchingly tender love letter to his father. Who Killed My Father rips into France’s long neglect of the working class and its overt contempt for the poor, accusing the complacent French—at the minimum—of negligent homicide. The author goes to visit the ugly gray town of his childhood to see his dying father, barely fifty years old, who can hardly walk or breathe:“You belong to the category of humans whom politics consigns to an early death.” It’s as simple as that. But hand in hand with searing, specific denunciations are tender passages of a love between father and son, once damaged by shame, poverty and homophobia. Yet tenderness reconciles them, even as the state is killing off his father. Louis goes after the French system with bare knuckles but turns to his long-alienated father with open arms: this passionate combination makes Who Killed My Father a heartbreaking book.

“[A] graceful and brilliant novel . . . leads the reader on a journey through childhood autism that proves enlightening as well as fascinating.” —ForeWord Magazine Burton Rembrandt has the sort of perspective on life that is almost impossible for adults to understand: the perspective of an eight-year-old. And to Burt, his parents and teachers seem to be speaking a language he cannot understand. This is Burt’s story as written in pencil on the walls of the Quiet Room in the Children’s Trust Residence Center, where he lands after expressing his ardent feelings for a classmate. It begins: When I was five I killed myself . . . In this rediscovered modern classic from “one of France’s best-loved contemporary writers,” Howard Buten renders with astounding insight and wry language the tale of a troubled—or perhaps just perfectly normal—young boy testing the boundaries of love and life (Time). “Buten uses his wit like a whip to get at the heart of this boy’s own story . . . bringing some shock and some power to that delicate line between youth and the rest of the world.” —The Austin Chronicle “This psychologically intense tale moves quickly, and the difficult task of creating a child’s voice with authenticity and depth proves Buten a gifted stylist and storyteller . . . [an] imaginative and provocative book.” —Publishers Weekly, starred review “Certainly Buten offers some insight into a troubled child’s mind.” —The New York Times Book Review

The classic graphic novel collaboration from the minds behind LADY KILLER returns in a new softcover format! Antonio Mercer is a private eye by trade, a man bad luck seems to follow, as evidenced by his newest client—the sister of his former lover, Julie Roman, who's now disappeared. And Julie's sister, Jessica, is a real piece of work. Still, Mercer takes the case, getting entangled in the same family drama that drove him away. Well, maybe not exactly the same, because the Romans have made some... unsavory connections. As the bodies start piling up, Mercer has no choice but to see the case through to its end—or become one of its casualties.