The winning volume in the 1987 Yale Series of Younger Poets competition is To the Place of Trumpets. As James Merrill, distinguished poet and judge of the competition, has said: Brigit Pegeen Kelly's poems suggest a kind of folk art-their clay washed of narrative grit, serviceably turned and fancifully decorated, fired, then filled at the creative instinct's oldest well. It is a pleasure to drink form this fine local pottery.

"Supremely humane.... Kay leaves us with a broad landscape of sweet tolerance and familial love." —The New York Times Book Review In her starkly beautiful and wholly unexpected tale, Jackie Kay delves into the most intimate workings of the human heart and mind and offers a triumphant tale of loving deception and lasting devotion. The death of legendary jazz trumpeter Joss Moody exposes an extraordinary secret, one that enrages his adopted son, Colman, leading him to collude with a tabloid journalist. Besieged by the press, his widow Millie flees to a remote Scottish village, where she seeks solace in memories of their marriage. The reminiscences of those who knew Joss Moody render a moving portrait of a shared life founded on an intricate lie, one that preserved a rare, unconditional love.

Just as the Trumpets, summer creatures who live in a world of warmth and sunshine, prepare to hibernate, the Grumpets, winter creatures who live in the dark, frozen mountains of the north prepare to take over their land.

Farewell the Trumpets: An Imperial Retreat traces the momentous decline and fall of the greatest of empires - from Queen Victoria's Diamond Jubilee to the death of Winston Churchill in 1965. With characteristic balance, this masterpiece of narrative history describes the long retreat and final dissolution of the British Empire. The Pax Britannica Trilogy includes Heaven's Command: An Imperial Progress and Pax Britannica: The Climax of an Empire. Together these three works of history trace the dramatic rise and fall of the British Empire, from the accession of Queen Victoria in 1837 to the death of Winston Churchill in 1965. Jan Morris is also world-renowned for her collection of travel writing and reportage, spanning over five decades and including such titles as Venice, Coronation Everest, Hong Kong, Spain, A Writer's World and most recently, Contact! 'The British Empire is fortunate in having found in Morris a chronicler and memorialist who can do it justice. . . Morris writes with inspired gusto, firmly rooted in erudition, which carries the book into the realms of literature.' Sunday Telegraph 'One of our finest writers on Empire - alive to its glory, yet with a beady eye for the corruptions and failures which were at its heart, along with the dreams.' Observer

In the first major book devoted to the trumpet in more than two decades, John Wallace and Alexander McGrattan trace the surprising evolution and colorful performance history of one of the world's oldest instruments. They chart the introduction of the trumpet and its family into art music, and its rise to prominence as a solo instrument, from the Baroque "golden age," through the advent of valved brass instruments in the nineteenth century, and the trumpet's renaissance in the jazz age. The authors offer abundant insights into the trumpet's repertoire, with detailed analyses of works by Haydn, Handel, and Bach, and fresh material on the importance of jazz and influential jazz trumpeters for the reemergence of the trumpet as a solo instrument in classical music today. Wallace and McGrattan draw on deep research, lifetimes of experience in performing and teaching the trumpet in its various forms, and numerous interviews to illuminate the trumpet's history, music, and players. Copiously illustrated with photographs, facsimiles, and music examples throughout, The Trumpet will enlighten and fascinate all performers and enthusiasts [Publisher description].

A swinging cultural history of the instrument that in many ways defined a century The twentieth century was barely under way when the grandson of a slave picked up a trumpet and transformed American culture. Before that moment, the trumpet had been a regimental staple in marching bands, a ceremonial accessory for royalty, and an occasional diva at the symphony. Because it could make more noise than just about anything, the trumpet had been much more declarative than musical for most of its history. Around 1900, however, Buddy Bolden made the trumpet declare in brand-new ways. He may even have invented jazz, or something very much like it. And as an African American, he found a vital new way to assert himself as a man. Hotter Than That is a cultural history of the trumpet from its origins in ancient Egypt to its role in royal courts and on battlefields, and ultimately to its stunning appropriation by great jazz artists such as Louis Armstrong, Dizzy Gillespie, Miles Davis, and Wynton Marsalis. The book also looks at how trumpets have been manufactured over the centuries and at the price that artists have paid for devoting their bodies and souls to this most demanding of instruments. In the course of tracing the trumpet's evolution both as an instrument and as the primary vehicle for jazz in America, Krin Gabbard also meditates on its importance for black male sexuality and its continuing reappropriation by white culture.