A Union Brave A Rebel soldier killed his brother. Now the fires of revenge burn in the soul of Creek warrior Yellow Jacket as he prepares to join his tribe in battle against his sworn enemies. To keep their plans secret, Yellow Jacket is forced to take a nurse prisoner. He has nothing to fear from Twilight Dumont, a gentle Southern belle--except for the unexpected passion that could break down the walls between them. . .or keep them apart forever. . . A Rebel Warrior A lieutenant in the famed Cherokee Mounted Rifles, Jim Eagle has cast his lot with the Confederacy. After capturing a Union supply boat, he is shocked to find that one of the young soldiers is actually a stunning Cherokee woman--and a spy. Eastern-educated April Grant has come to Indian territory to root out a traitor. . .but on which side? Now, Jim Eagle is torn between a deadly desire for the courageous beauty--and his duty to the Rebel cause. . . A War Of Hearts As the country is torn by Civil War, two men have chosen sides--but they cannot choose their destinies. Their paths will cross, their loyalties will be tested--and love for two exceptional women will make their hearts beat faster than the drums of war. . .

Disparity and division in religion, technology and ideology have characterized relations between English-Canadian and Indian cultures through-out Canada's history. From the earliest declaration of white territorial ownership to the current debate on aboriginal rights, red man and white man have had opposing principles and perspectives. The most common 'solutions' imposed on these conflicts by white men have relegated the Indian to the fringes of white society and consciousness. This survey of English-Canadian literature is the first comprehensive examination of a tradition in which white writers turn to the Indian and his culture for standards and models by which they can measure their own values and goals; for patterns of cultural destruction, transformation, and survival; and for sources of native heroes and indigenous myths. Leslie Monkman examines images of the Indian as they appear in works raning from Robert Rogers' Ponteach, or The Savages of America (1766) to Robertson Davies' 'Pontiac and the Green Man' (1977), demonstrating how English-Canadian writers have illuminated their own world through reference to Indian culture. The Indian has been seen as an antagonist, as a superior alternative, as a member of a vanishing and lamented race, and as a hero and the source of the new myths. Although white/Indian tension often lies in apparently irreconcilable opposites, Monkman finds in the literature surveyed complementary images reflecting a common humanity. This is an important contribution to a hitherto unexplored area of Canadian literature in English which should give rise to further elaboration of this major theme.

"The Council of Nicaea in 325 AD marked the beginning of a new era in Christianity. For the first time, doctrines were organized into a single creed. The Nicene and Post-Nicene Fathers did most of their writing during and after this important event in Church history. Unlike the previous era of Christian writing, the Nicene and Post-Nicene era is dominated by a few very important and prolific writers. In Volume VI of the 14-volume collected writings of the Nicenes and Post-Nicenes (first published between 1886 and 1889), readers will find Saint Augustines exegesis on the Gospels and the Sermon on the Mount, which strove to interpret and draw meaning out of the text without incorporating the author's personal agenda or bias. Also included in this volume are a selection of Augustines sermons."