Gentry presents two intertwined tales of Native American warriors on opposite sides of the Civil War who find their loyalties tested and their lives forever altered by rapturous love for two courageous women. Original.

In development as a television series from Reese Witherspoon’s Hello Sunshine production company and ABC Studios! This hilarious, poignant and true story of one teen's experience growing up in America as an undocumented immigrant from the Middle East is an increasingly necessary read in today's divisive world. Perfect for fans of Mindy Kaling and Trevor Noah's books. “Very funny but never flippant, Saedi mixes ‘90s pop culture references, adolescent angst and Iranian history into an intimate, informative narrative.” —The New York Times At thirteen, bright-eyed, straight-A student Sara Saedi uncovered a terrible family secret: she was breaking the law simply by living in the United States. Only two years old when her parents fled Iran, she didn't learn of her undocumented status until her older sister wanted to apply for an after-school job, but couldn't because she didn't have a Social Security number. Fear of deportation kept Sara up at night, but it didn't keep her from being a teenager. She desperately wanted a green card, along with clear skin, her own car, and a boyfriend. Americanized follows Sara's progress toward getting her green card, but that's only a portion of her experiences as an Iranian-"American" teenager. From discovering that her parents secretly divorced to facilitate her mother's green card application to learning how to tame her unibrow, Sara pivots gracefully from the terrifying prospect that she might be kicked out of the country at any time to the almost-as-terrifying possibility that she might be the only one of her friends without a date to the prom. This moving, often hilarious story is for anyone who has ever shared either fear. FEATURED ON NPR'S FRESH AIR A NYPL BEST BOOK OF THE YEAR A CHICAGO PUBLIC LIBRARY BEST OF THE BEST BOOK SELECTION A SCHOOL LIBRARY JOURNAL BEST BOOK OF THE YEAR FOUR STARRED REVIEWS! “A must-read, vitally important memoir. . . . Poignant and often LOL funny, Americanized is utterly of the moment.”—Bustle “Read Saedi’s memoir to push out the poison.”—Teen Vogue “A funny, poignant must read for the times we are living in today.”—Pop Sugar

She wants to forget him. He won't let her go.Remi Tanner was only supposed to be a pawn in my game. But I screwed up. I broke her. And now I have to find a way to fix it. I want her.I need her. In the end, I'll prove she's the only thing that matters.Ace Jagger wasn't supposed to imprint himself on my heart. But he did, before he tore it from my chest and hurt me in the worst possible way. He's possessive.Dangerous. In the end, I'm not sure I can resist. He might be the bad boy with no conscience, and I might the girl with nothing left to lose, but one thing's for sure... He won't stop until gets what he wants.Me.Tame Him is the second book in the Rebels at Sterling Prep series. It is a dark high school bully romance. If possessive, tattooed, motorcycle-riding alphaholes aren't your thing, you probably won't like this book!

When darkness descends, who will survive the Battle for Blackmoon Bay? The fight at the cemetery was hard won. But from the enemy’s perspective, the cemetery was just a minor outpost. Blackmoon Bay is ground zero for their entire operation, and it’s no longer simply the home we’re desperate to reclaim. It’s the spark that will eventually set the whole world on fire. If we fail, we will all die. Witches, shifters, vampires, demons, fae, and humankind. None will be left standing. Not one soul but the few who’ve masterminded the entire collapse. But my dark rebels and I have a weapon the enemy could never touch. We are the Silversbane Witches. The four of swords. And this is our destiny. Get ready for one hell of a fight.

In 1888 New York City, sixteen-year-old governess Verity Newton agrees to become a spy, whatever the risk, after learning that the man for whom she has feelings sympathizes with rebels developing non-magical sources of power, via steam engines, in hopes of gaining freedom from British rule.

Innovative and highly readable, this study traces George Herbert's and John Donne's development of a distinct poetics through close readings of their poems, references to their letters, sermons, and prose treatises, and to other contemporary poets and theorists. In demonstrating a relationship between poetics and religious consciousness in Donne's and Herbert's verse, Frances Cruickshank explores their attitudes to the cultural, theological, and aesthetic enterprise of writing and reading verse. Cruickshank shows that Donne and Herbert regarded poetry as a mode not determined by its social and political contexts, but as operating in and on them with its own distinct set of aesthetic and intellectual values, and that ultimately, verse mattered as a privileged mode of religious discourse. This book is an important contribution to the ongoing scholarly dialogue about the nature of literary and cultural study of early modern England, and about the relationship between the writer and the world. Cruickshank confirms Donne's reputation as a fascinating and brilliant poetic figure while simultaneously rousing interest in Herbert by noting his unique merging of rusticity and urbanity and tranquility and uncertainty, allowing the reader to enter into these poets' imaginative worlds and to understand the literary genre they embraced and then transformed.