My sister was magic. They killed her. They say we are magic too. Three sisters living together in their forties has its challenges. Life is humming along just fine if you overlook our clashing personalities, codependency issues and romances that fizzle out before they ignite. When our oldest sister’s personality changes overnight, we plan a boozy lunch to chase away the midlife blues. We find her in our kitchen, battling a troop of men dressed like Indian royalty. Sitara summons a tempest from the washing-up bowl to protect herself. But it’s not enough to save her life. There’s no time to work out if magic is real. Her killers whisk us away to a hidden kingdom ruled by a seductive raja. Here, we must prove we’re not witches. I may be from a sleepy English coastal town, but I can hold my own. I flirt with danger, hell-bent on uncovering the truth of my sister’s death. Will I find out what lurks beneath the golden silks and exotic colours of our kidnapper’s home before I lose another sister to this perilous, new world? To Save a Sister is the first novel in a Paranormal Women’s Fiction series. If you’re a fan of magic-wielding heroines in their midlife, mystery and a forbidden lovers subplot, you’ll love this book. Keywords: paranormal women's fiction, midlife, second chance, slow burn, found family, humor myths, diverse, witches, shifters, strong female leads, books written by diverse authors, empowerment, supernatural, N. Z. Nasser, London paranormal stories, magic, adventure, otherworldly, resilience, strength, survival, escapism, friendship, sisterhood, companionship, self-discovery, magical familiars, emotional, sentimental, wizards, strong female characters, romance, forbidden love, forbidden desire, spells, kingdoms, hidden worlds, magical creatures, gargoyles, secrets, fantasy set in small town, fantasy books for adults, books set in England.

Suzy and Nancy Goodman were more than sisters. They were best friends, confidantes, and partners in the grand adventure of life. For three decades, nothing could separate them. Not college, not marriage, not miles. Then Suzy got sick. She was diagnosed with breast cancer in 1977; three agonizing years later, at thirty-six, she died. It wasn’t supposed to be this way. The Goodman girls were raised in postwar Peoria, Illinois, by parents who believed that small acts of charity could change the world. Suzy was the big sister—the homecoming queen with an infectious enthusiasm and a generous heart. Nancy was the little sister—the tomboy with an outsized sense of justice who wanted to right all wrongs. The sisters shared makeup tips, dating secrets, plans for glamorous fantasy careers. They spent one memorable summer in Europe discovering a big world far from Peoria. They imagined a long life together—one in which they’d grow old together surrounded by children and grandchildren. Suzy’s diagnosis shattered that dream. In 1977, breast cancer was still shrouded in stigma and shame. Nobody talked about early detection and mammograms. Nobody could even say the words “breast” and “cancer” together in polite company, let alone on television news broadcasts. With Nancy at her side, Suzy endured the many indignities of cancer treatment, from the grim, soul-killing waiting rooms to the mistakes of well-meaning but misinformed doctors. That’s when Suzy began to ask Nancy to promise. To promise to end the silence. To promise to raise money for scientific research. To promise to one day cure breast cancer for good. Big, shoot-for-the-moon promises that Nancy never dreamed she could fulfill. But she promised because this was her beloved sister. I promise, Suzy. . . . Even if it takes the rest of my life. Suzy’s death—both shocking and senseless—created a deep pain in Nancy that never fully went away. But she soon found a useful outlet for her grief and outrage. Armed only with a shoebox filled with the names of potential donors, Nancy put her formidable fund-raising talents to work and quickly discovered a groundswell of grassroots support. She was aided in her mission by the loving tutelage of her husband, restaurant magnate Norman Brinker, whose dynamic approach to entrepreneurship became Nancy’s model for running her foundation. Her account of how she and Norman met, fell in love, and managed to achieve the elusive “true marriage of equals” is one of the great grown-up love stories among recent memoirs. Nancy’s mission to change the way the world talked about and treated breast cancer took on added urgency when she was herself diagnosed with the disease in 1984, a terrifying chapter in her life that she had long feared. Unlike her sister, Nancy survived and went on to make Susan G. Komen for the Cure into the most influential health charity in the country and arguably the world. A pioneering force in cause-related marketing, SGK turned the pink ribbon into a symbol of hope everywhere. Each year, millions of people worldwide take part in SGK Race for the Cure events. And thanks to the more than $1.5 billion spent by SGK for cutting-edge research and community programs, a breast cancer diagnosis today is no longer a death sentence. In fact, in the time since Suzy’s death, the five-year survival rate for breast cancer has risen from 74 percent to 98 percent. Promise Me is a deeply moving story of family and sisterhood, the dramatic “30,000-foot view” of the democratization of a disease, and a soaring affirmative to the question: Can one person truly make a difference?

When she is told that her parents are expecting a new addition to the family, the Little Princess immediately announces that she does not want a brother―they are smelly and rough, and they have all the wrong toys. But when her new baby brother arrives, the Little Princess is pleased. After all, there is only room for one Little Princess in the family!

The agency of this erasure is a heroic rescue of one sister by the other. In both arts the subject of female rescue is resisted and contested.

Anna is not sick, but she might as well be. By age 13, she has undergone countless surgeries, transfusions, and shots so that her older sister Kate can somehow fight the leukemia that has palgued her since childhood.

A cancer diagnosis is overwhelming for the entire family. Young children may feel scared and confused. Opening up dialogue about what to expect and some of the challenges that must be faced will help alleviate some fears that children may experience.

ONE OF PEOPLE MAGAZINE’S BEST NEW BOOKS “A searing and intimate memoir about love turned deadly.” —The BBC “An intimate illumination of sisterhood and loss.” —People When Sheila Kohler was thirty-seven, she received the heart-stopping news that her sister Maxine, only two years older, was killed when her husband drove them off a deserted road in Johannesburg. Stunned by the news, she immediately flew back to the country where she was born, determined to find answers and forced to reckon with his history of violence and the lingering effects of their most unusual childhood—one marked by death and the misguided love of their mother. In her signature spare and incisive prose, Sheila Kohler recounts the lives she and her sister led. Flashing back to their storybook childhood at the family estate, Crossways, Kohler tells of the death of her father when she and Maxine were girls, which led to the family abandoning their house and the girls being raised by their mother, at turns distant and suffocating. We follow them to the cloistered Anglican boarding school where they first learn of separation and later their studies in Rome and Paris where they plan grand lives for themselves—lives that are interrupted when both marry young and discover they have made poor choices. Kohler evokes the bond between sisters and shows how that bond changes but never breaks, even after death. “A beautiful and disturbing memoir of a beloved sister who died at the age of thirty-nine in circumstances that strongly suggest murder. . . . Highly recommended.” —Joyce Carol Oates