"Star City is known for its slopes and its powder. But nestled in the valley of this ski resort town is a side street full of shops that specialize in the simple charms of earlier eras. One of those shops is the Rescued Word, where Chester Henry and his adult granddaughter Clare lovingly repair old typewriters and restore old books. When a stranger to town demands they turn over an antique Underwood typewriter they're repairing for a customer, Clare fears "she" may need to be rescued. A call to the police scares the man off, but later Clare finds his dead body in the back alley. What about a dusty old typewriter could possibly be worth killing for?"--

A movie star is typecast as a killer in the second Dangerous Type Mystery from the New York Times bestselling author of To Helvetica and Back. It’s January, and the Star City Film Festival has taken the Utah ski resort town by storm. Movie stars are everywhere, carving fresh powder on the slopes and crossing the thresholds of Bygone Alley’s charming boutique shops—including The Rescued Word, where Clare Henry and her grandfather restore old typewriters and beloved books. When cinema’s hottest superhero, Matt Bane, enters their store to buy some personalized notecards, it’s hard not to be starstruck. But when Clare sees the police leading Matt out of The Fountain hotel in handcuffs only a few hours later, she can’t believe her eyes. The affable actor is accused of killing his sister, but Clare’s convinced he’s wrong for that role. Now it’s open call for suspects as Clare tries to reel in the killer before another victim fades to black...

In a career that has spanned more than forty years, Matthew Carter has designed many of the typefaces that we see every day in and on publications, books, signs, and screens. Carter's celebrated typefaces include such stalwarts as Galliard, Mantinia, and Verdana. In 1975, he created the now-pervasive Bell Centennial specifically for use in phone books. Publications including Sports Illustrated, the Daily News, Wired, and the Washington Post, along with cultural institutions such as the Walker Arts Center and The Victoria & Albert Museum, have all commissioned Carter fonts. Typographically Speaking: The Art of Matthew Carter entered the field in the days of hand-cut punches and hot-metal type, and has continued to innovate through the eras of photocomposition and digital design. Essays discuss the form of his work, his position and use of typographic history, and his technological innovation. All of his fonts are reproduced in full for reference, and illustrations place his designs in context. Published in conjunction with the University of Maryland Baltimore County.

For almost twenty years, and over sixty issues, Emigre has been a sourcebook of ideas, fonts, images, work, products, and even music for an entire generation of designers. Now, Emigre has transitioned into a new format, a return-to-roots series of "pocketbooks, " focusing on critical writing about the state of graphic design. Anyone interested in contemporary design will want to put a copy of Emigre in their pocket.

There are thousands of typefaces and more being produced monthly. It is a continual challenge for designers to select the exact typeface best suited for a project. In collaboration with the School of St. Martin, Art Center Pasadena, Rhode Island School of Design, Basel, and Yale Design School, 30 Essential Typefaces for a Lifetime defines 30 of the most useful and classic typefaces for all design needs and occasions. Neville Brody imagined "it takes 10 years for someone to master a typeface." This book contains "typefaces for a lifetime."

Cicero Clayton and his gal pal, Suzy Mack, have had plenty of adventures in their fictional version of Halifax. After all, life as a cartoon character should be nothing but fun and excitement, right? All things may be possible in the world of Cicero and Suzy, but the real adventure won't begin until their show is cancelled - and that's exactly what's about to happen. Please Don't Talk About Me When I'm Gone is David Perlmutter's follow-up to his previous life-of-cartoons short story release, Tooned Out.

Would you like to gather big datasets, analyze them, and visualize the results, all in one program? If this describes you, then Introduction to Python Programming for Business and Social Science Applications is the book for you. Authors Frederick Kaefer and Paul Kaefer walk you through each step of the Python package installation and analysis process, with frequent exercises throughout so you can immediately try out the functions you’ve learned. Written in straightforward language for those with no programming background, this book will teach you how to use Python for your research and data analysis. Instead of teaching you the principles and practices of programming as a whole, this application-oriented text focuses on only what you need to know to research and answer social science questions. The text features two types of examples, one set from the General Social Survey and one set from a large taxi trip dataset from a major metropolitan area, to help readers understand the possibilities of working with Python. Chapters on installing and working within a programming environment, basic skills, and necessary commands will get you up and running quickly, while chapters on programming logic, data input and output, and data frames help you establish the basic framework for conducting analyses. Further chapters on web scraping, statistical analysis, machine learning, and data visualization help you apply your skills to your research. More advanced information on developing graphical user interfaces (GUIs) help you create functional data products using Python to inform general users of data who don’t work within Python. First there was IBM® SPSS®, then there was R, and now there′s Python. Statistical software is getting more aggressive - let authors Frederick Kaefer and Paul Kaefer help you tame it with Introduction to Python Programming for Business and Social Science Applications.