This is a short, powerful novel dealing with the complicities and accomodations of power within Italian politics.

This single volume introduces the reader to the most important methods of Biblical criticism by covering both traditional and more current methods, giving special attention to the way in which methods of criticism are applied to specific texts. The contributors, from a diverse background, demonstrate how their own method is applied.

This letter is your death sentence. To avenge what you have done you will die. But what has Manno the pharmacist done? Nothing that he can think of. The next day he and his hunting companion are both dead.The police investigation is inconclusive. However, a modest high school teacher with a literary bent has noticed a clue that, he believes, will allow him to trace the killer. Patiently, methodically, he begins to untangle a web of erotic intrigue and political calculation. But the results of his amateur sleuthing are unexpected—and tragic. To Each His Own is one of the masterworks of the great Sicilian novelist Leonardo Sciascia—a gripping and unconventional detective story that is also an anatomy of a society founded on secrets, lies, collusion, and violence.

This volume introduces the reader to the most important methods of biblical criticism. It serves as an indispensable handbook for the work of students approaching biblical studies for the first time and for the professional interpreter of scripture who wants to understand the latest currents in biblical scholarship.

There I was, an average middle-aged woman living and working on Canada’s west coast. How, then, did I come to be walking this ancient path, family and friends left behind, and everything I owned in a pack on my back? Exchanging my office pumps for hiking boots and my purse for a backpack, for forty days I followed the Camino de Santiago, a historic pilgrimage of almost eight hundred kilometres across northern Spain. During my journey to Santiago, I experienced climbs and descents that challenged my endurance, ancient towns and historical landmarks that excited my imagination, and endless plains and stretches of solitude that tested my soul. I bent against blinding snow and pummeling winds, endured drenching rains, and basked in brilliant sunshine. My steps led over rocky trails, through whispering forests, among dancing grasslands, and through bustling cosmopolitan cities and crumbling towns. A colourful, international cast of characters strolled through my days, from an irreverent Irishman, to a Polish political prisoner, to a young German couple packing their new baby, to a Tennessee twosome that was walking the world. Their stories were as varied as the landscapes through which we passed. Some sought spiritual renewal, some walked to exercise grief, and some in hope or gratitude for personal miracles. Others just enjoyed walking, seeing a new country, and meeting new people. Each experienced their own Camino in their own way. Ordinary people living ordinary lives, suddenly stepping out on an extraordinary journey, we shared food, wine, and bunk rooms. Through laughter and tears, we broke down barriers of language, religion, and nationality. Strangers became friends, and friends became family, some just for a day or two . . . and some for a lifetime.

Back in print for the first time in decades—and featuring a new interview with the author, in celebration of her centennial birthday—the delectable escapades of Hollywood legend Olivia de Havilland, who fell in love with a Frenchman—and then became a Parisian In 1953, Olivia de Havilland—already an Academy Award-winning actress for her roles in To Each His Own and The Heiress—became the heroine of her own real-life love affair. She married a Frenchman, moved to Paris, and planted her standard on the Left Bank of the River Seine. It has been fluttering on both Left and Right Banks with considerable joy and gaiety from that moment on. Still, her transition from Hollywood celebrity to parisienne was anything but easy. And in Every Frenchman Has One, her skirmishes with French customs, French maids, French salesladies, French holidays, French law, French doctors, and above all, the French language, are here set forth in a delightful and amusing memoir of her early years in the “City of Light.” Paraphrasing Caesar, Ms. de Havilland says, “I came. I saw. I was conquered.”

NATIONAL BESTSELLER • NATIONAL BOOK CRITICS CIRCLE WINNER • With music pulsing on every page, this startling, exhilarating novel of self-destruction and redemption “features characters about whom you come to care deeply as you watch them doing things they shouldn't, acting gloriously, infuriatingly human” (The Chicago Tribune). One of the New York Times’s 100 Best Books of the 21st Century • One of The Atlantic’s Great American Novels of the Past 100 Years Bennie is an aging former punk rocker and record executive. Sasha is the passionate, troubled young woman he employs. Here Jennifer Egan brilliantly reveals their pasts, along with the inner lives of a host of other characters whose paths intersect with theirs. “Pitch perfect.... Darkly, rippingly funny.... Egan possesses a satirist’s eye and a romance novelist’s heart.” —The New York Times Book Review