Aspen, Colorado: elevation 7900 feet, resident population 6000; America's largest ski resort; site of the prestigious Aspen Music Festival and School and the Aspen Institute of Humanistic Studies. Home of leading pop singer John Denver, leading outlaw- journalist Hunter S. Thompson, leading best-selling novelist Leon Uris, leading comedian Steve Martin, leading man Jack Nicholson. Described by national media as "the place of the seventies."Like New York and Hollywood, Aspen describes a state of mind and a way of life. In its 100-year history, the town has staged the birth, death, and resurrection of the "American Dream." It is the legend of that attainable dream that Peggy Clifford illuminates in her story of the growth of this American town.We see the dream take root and flower silver when Aspen is founded by a group of prospectors on a mother vein forty miles wide; we see it wither and die some ten years later. We see it manifest again as a Chicago industrialist comes to town in the 1940s with a host of co-big daddies including Albert Schweitzer and Mortimer Adler, and goes about making a place where America can turn from things to ideas, aiming for a "total synthesis of human life."But the directions of dreams are not always consistent. The town-out-of-time attracted innocents, dreamers and fugitives from the Land of Plenty, but the town of art and sport they created attracted others smart enough to know a good and profitable thing. Ski facilities were expanded, boutiques appeared, a wall of condominiums separated town from mountain. Once out of step, Aspen is in vogue, and a more modern version of the dream motivates the place: pleasure is business, and business is a pleasure.

What began as a small mining camp during the Colorado Silver Boom of the late nineteenth century has since become the preferred getaway of the world's elite. Treasured for what's above ground rather than below, Aspen, Colorado has a storied history almost as dense as the directory of A-listers who have adopted the jewel of Pitkin County as their second home, or who have settled in its slopes indefinitely. With an introduction from longtime resident Aerin Lauder, Aspen celebrates and pays homage to the stark glamour, the working-class history, and the romance of the virtually untouched landscape that gives the town the unique charisma that continues to draw new devotees with each season. Exploring the rustic-chic atmosphere of the Hotel Jerome, the architectural excellence of Herbert Bayer's restored Wheeler Opera House, and local culture found at Schlomo's Deli & Grill, to name a few, this deluxe volume is brought to life with stunning current and historical imagery capturing the prodigious evolution of this mountain town over the last century.

The West is popularly perceived as America's last outpost of unfettered opportunity, but twentieth-century corporate tourism has transformed it into America's "land of opportunism." From Sun Valley to Santa Fe, towns throughout the West have been turned over to outsiders—and not just to those who visit and move on, but to those who stay and control. Although tourism has been a blessing for many, bringing economic and cultural prosperity to communities without obvious means of support or allowing towns on the brink of extinction to renew themselves; the costs on more intangible levels may be said to outweigh the benefits and be a devil's bargain in the making. Hal Rothman examines the effect of twentieth-century tourism on the West and exposes that industry's darker side. He tells how tourism evolved from Grand Canyon rail trips to Sun Valley ski weekends and Disneyland vacations, and how the post-World War II boom in air travel and luxury hotels capitalized on a surge in discretionary income for many Americans, combined with newfound leisure time. From major destinations like Las Vegas to revitalized towns like Aspen and Moab, Rothman reveals how the introduction of tourism into a community may seem innocuous, but residents gradually realize, as they seek to preserve the authenticity of their communities, that decision-making power has subtly shifted from the community itself to the newly arrived corporate financiers. And because tourism often results in a redistribution of wealth and power to "outsiders," observes Rothman, it represents a new form of colonialism for the region. By depicting the nature of tourism in the American West through true stories of places and individuals that have felt its grasp, Rothman doesn't just document the effects of tourism but provides us with an enlightened explanation of the shape these changes take. Deftly balancing historical perspective with an eye for what's happening in the region right now, his book sets new standards for the study of tourism and is one that no citizen of the West whose life is touched by that industry can afford to ignore.

Winner of the Western Writers of America 2014 Spur Award for Best Western Nonfiction, Contemporary Mention the Colorado high country today and vacation imagery springs immediately to mind: mountain scenery, camping, hiking, skiing, and world-renowned resorts like Aspen and Vail. But not so long ago, the high country was isolated and little visited. Vacationland tells the story of the region's dramatic transformation in the decades after World War II, when a loose coalition of tourist boosters fashioned alluring images of nature in the high country and a multitude of local, state, and federal actors built the infrastructure for high-volume tourism: ski mountains, stocked trout streams, motels, resort villages, and highway improvements that culminated in an entirely new corridor through the Rockies, Interstate 70. Vacationland is more than just the tale of one tourist region. It is a case study of how the consumerism of the postwar years rearranged landscapes and revolutionized American environmental attitudes. Postwar tourists pioneered new ways of relating to nature, forging surprisingly strong personal connections to their landscapes of leisure and in many cases reinventing their lifestyles and identities to make vacationland their permanent home. They sparked not just a population boom in popular tourist destinations like Colorado but also a new kind of environmental politics, as they demanded protection for the aesthetic and recreational qualities of place that promoters had sold them. Those demands energized the American environmental movement-but also gave it blind spots that still plague it today. Peopled with colorful characters, richly evocative of the Rocky Mountain landscape, Vacationland forces us to consider how profoundly tourism changed Colorado and America and to grapple with both the potential and the problems of our familiar ways of relating to environment, nature, and place.

Welcome to Avalon, the gate to other worlds. Here, King Arthur, Merlin, and the evil enchantress Morgana Le Fey were real. They’re ancient history now, but the seeds of our government are based upon what they left behind. The wizard’s council makes sure the nobles, guilds, and clans play nice. Supporting them are the realm knights, sorcerers, and sorceresses of the realm. When I was young, I desperately wanted magic to find me, and pigs would fly too. Instead, two heralds tasked me with choosing a guide for the next Merlin and in return they gave me the gift of reading. I pushed myself and found a clan, a community, friends, and even love—but as I was finding some balance in my life, one of the first Merlin’s spell books began waking up. Now we have to dodge assassins, evil doctors, and necromancers. Some from the old Avalon don’t like the changes happening around them and they seem to see me as the problem. If they could drop me in a lake with a rock tied to my feet, they would probably walk away while whistling a tune. Through all of this I’m trying to figure out who I’m growing into and how to make sure I don’t drown. Even with the support of my friends and James, I’m not sure I will survive. This series is a continuing story and needs to be read in the following order: Book 1 Healer's Awakening Book 2 Healer's Journey Book 3 Healer's Love