Of the many large-scale sculpture and art parks in the world, including Marfa, Storm King, Tickon, Yorkshire, Ekebergparken, Hakone, and Foundation Maeght, none is more ambitious in vision, nor in a more spectacular setting, than Tippet Rise, a 10,260-acre arts venue in south-central Montana. Nestled in the mountains north of Yellowstone National Park, the sprawling arts venue, opened in 2016 by philanthropists Peter and Cathy Halstead, celebrates the union of land, art, architecture, and music, bringing concerts by world-renowned musicians and large-scale sculpture by artists like Alexander Calder, Patrick Dougherty, Mark di Suvero, Ensamble Studio, and Stephen Talasnik to a breathtaking destination. Tippet Rise Art Center is the first book on this unique arts venue: with over two hundred stunning color plates, itís the next best thing to an actual visit, which should be on the to-do list of every art, architecture, and music lover. This landmark monograph includes essays by the founders, statements by the featured artists, and poems by Peter Halstead.

Radical Logic is a publication that explores the work of the award-winning architecture office Ensamble Studio led by Antón García-Abril and Débora Mesa. The book documents the first twenty years of the Boston- and Madrid-based office at a key moment in their career. After having designed and built a series of remarkable structures, such as the Hemeroscopium House in Madrid, the SGAE Central Office in Santiago de Compostela, The Truffle in Costa da Morte, and Structures of Landscape for Tippet Rise Art Center in Montana, their projects Ca'n Terra House in Menorca and the Ensamble Fabrica in Madrid mark the next phase of the office. Through specially commissioned interviews with the architects, essays, and photographic documentation of their work by photographer James Florio, the book provides unique insight into the ideas that drive the studio, the ambitions behind their key projects, and their ongoing explorations.

A collection of essays on music and life by the famed classical pianist and composer Stephen Hough is one of the world’s leading pianists, winning global acclaim and numerous awards, both for his concerts and his recordings. He is also a writer, composer, and painter, and has been described by The Economist as one of “Twenty Living Polymaths.” Hough writes informally and engagingly about music and the life of a musician, from the broader aspects of what it is to walk out onto a stage or to make a recording, to specialist tips from deep inside the practice room: how to trill, how to pedal, how to practice. He also writes vividly about people he’s known, places he’s traveled to, books he’s read, paintings he’s seen; and he touches on more controversial subjects, such as assisted suicide and abortion. Even religion is there—the possibility of the existence of God, problems with some biblical texts, and the challenges involved in being a gay Catholic. Rough Ideas is an illuminating, constantly surprising introduction to the life and mind of one of our great cultural figures.

Using minimal tools and a simple technique of bending, interweaving, and fastening together sticks, artist Patrick Dougherty creates works of art inseparable with nature and the landscape. With a dazzling variety of forms seamlessly intertwined with their context, his sculptures evoke fantastical images of nests, cocoons, cones, castles, and beehives. Over the last twenty-five years, Dougherty has built more than two hundred works throughout the United States, Europe, and Asia that range from stand-alone structures to a kind of modern primitive architecture--every piece mesmerizing in its ability to fly through trees, overtake buildings, and virtually defy gravity. Stickwork, Dougherty's first monograph, features thirty-eight of his organic, dynamic works that twist the line between architecture, landscape, and art. Constructed on-site using locally sourced materials and local volunteer labor, Dougherty's sculptures are tangles of twigs and branches that have been transformed into something unexpected and wild, elegant and artful, and often humorous. Sometimes freestanding, and other times wrapping around trees, buildings, railings, and rooms, they are constructed indoors and in nature. As organic matter, the stick sculptures eventually disintegrate and fade back into the landscape. Featuring a wealth of photographs and drawings documenting the construction process of each remarkable structure, Stickwork preserves the legend of the man who weaves the simplest of materials into a singular artistic triumph.

Two stars of contemporary architecture explore the unique handling of light and heat in the architecture of Burkina Faso Across the African continent, but especially in the sub-Saharan regions, the light has a particularly stark quality, which becomes most apparent in relation to older buildings. Before electricity, architecture was required to make use of the sun as a light source within a building, while also protecting its inhabitants from the heat. This resulted in vernacular architecture that features very few or small openings, which consequently render the inside of a building near pitch black, while the outside is illuminated by sunshine that bears down mercilessly. On the initiative of the lighting technology company Zumtobel Group, photographer Iwan Baan (born 1975) and architect Francis Kéré (born 1965) set out to capture how the sun's natural light cycle shapes vernacular architecture in Burkina Faso with little to no artificial light sources. They traveled to three exemplary locations: communal compounds in Gando; the main mosque of Bobo Dioulasso; and the terraced houses in Dano. Baan's pictures are accompanied by architectural sketches by Francis Kéré, who himself grew up in this light environment and whose architecture is inspired by it. The stunning photographs are printed using a special technique, to give a sense of being immersed in the very light conditions documented here.

In Beauty of the Wild, Darrel Morrison shares six decades of experience as a teacher and a designer of nature-inspired landscapes. In native plant gardens at the University of Wisconsin Arboretum, New York Botanical Garden, and Brooklyn Botanic Garden, as well as at the Storm King Art Center, Morrison's ever-evolving compositions were designed to reintroduce ecological diversity, natural processes, and naturally occurring patterns--the "beauty of the wild"--into the landscape.

"Hart Crane's long poem The Bridge has steadily grown in stature since it was published in 1930. This book is a guide to the poem. It's detailed and far-reaching annotations make [the poem] fully accessible, for the first time, to its readers"--Jacket flap.