Li Li Wang is enjoying Chinese New Year with her family when her grandparents ask her to sit with them. Before giving Li Li her holiday gift, they tell her the story of Ting Ting Wang, Li Li’s ancestor, and how she became a Chinese hero. Li Li carefully listens as her grandparents tell her about Ting Ting, the monster Nian, and the origin of the Chinese New Year celebration. Ting Ting, the Girl Who Saved China provides insight into China’s biggest holiday, gives a sense of its culture, and shows that girls are just as strong and brave as boys.

Li Li Wang is enjoying Chinese New Year with her family when her grandparents ask her to sit with them. Before giving Li Li her holiday gift, they tell her the story of Ting Ting Wang, Li Li's ancestor, and how she became a Chinese hero. Li Li carefully listens as her grandparents tell her about Ting Ting, the monster Nian, and the origin of the Chinese New Year celebration. Ting Ting, the Girl Who Saved China provides insight into China's biggest holiday, gives a sense of its culture, and shows that girls are just as strong and brave as boys.

Deep China investigates the emotional and moral lives of the Chinese people as they adjust to the challenges of modernity. Sharing a medical anthropology and cultural psychiatry perspective, Arthur Kleinman, Yunxiang Yan, Jing Jun, Sing Lee, Everett Zhang, Pan Tianshu, Wu Fei, and Guo Jinhua delve into intimate and sometimes hidden areas of personal life and social practice to observe and narrate the drama of Chinese individualization. The essays explore the remaking of the moral person during China’s profound social and economic transformation, unraveling the shifting practices and struggles of contemporary life.

One of the best ways to understand history is through eye-witness accounts. Ting-Xing Ye’s riveting first book, A Leaf in the Bitter Wind, is a memoir of growing up in Maoist China. It was an astonishing coming of age through the turbulent years of the Cultural Revolution (1966 - 1974). In the wave of revolutionary fervour, peasants neglected their crops, exacerbating the widespread hunger. While Ting-Xing was a young girl in Shanghai, her father’s rubber factory was expropriated by the state, and he was demoted to a labourer. A botched operation left him paralyzed from the waist down, and his health deteriorated rapidly since a capitalist’s well-being was not a priority. He died soon after, and then Ting-Xing watched her mother’s struggle with poverty end in stomach cancer. By the time she was thirteen, Ting-Xing Ye was an orphan, entrusted with her brothers and sisters to her Great-Aunt, and on welfare. Still, the Red Guards punished the children for being born into the capitalist class. Schools were being closed; suicide was rampant; factories were abandoned for ideology; distrust of friends and neighbours flourished. Ting-Xing was sent to work on a distant northern prison farm at sixteen, and survived six years of backbreaking labour and severe conditions. She was mentally tortured for weeks until she agreed to sign a false statement accusing friends of anti-state activities. Somehow finding the time to teach herself English, often by listening to the radio, she finally made it to Beijing University in 1974 as the Revolution was on the wane — though the acquisition of knowledge was still frowned upon as a bourgeois desire and study was discouraged. Readers have been stunned and moved by this simply narrated personal account of a 1984-style ideology-gone-mad, where any behaviour deemed to be bourgeois was persecuted with the ferocity and illogic of a witch trial, and where a change in politics could switch right to wrong in a moment. The story of both a nation and an individual, the book spans a heady 35 years of Ye’s life in China, until her eventual defection to Canada in 1987 — and the wonderful beginning of a romance with Canadian author William Bell. The book was published in 1997. The 1990s saw the publication of several memoirs by Chinese now settled in North America. Ye’s was not the first, yet earned a distinguished place as one of the most powerful, and the only such memoir written from Canada. It is the inspiring story of a woman refusing to “drift with the stream” and fighting her way through an impossible, unjust system. This compelling, heart-wrenching story has been published in Germany, Japan, the US, UK and Australia, where it went straight to #1 on the bestseller list and has been reprinted several times; Dutch, French and Turkish editions will appear in 2001.

From the bestselling, award-winning author of You Can't Drink All Day If You Don't Start In The Morning, comes another collection of hilarious observations that will resonate with women, mothers, and girlfriends everywhere In her newest wickedly irreverent humor collection, Celia Rivenbark cracks up while getting her downward facing dog on, pines for a world in which every mom gets to behave like Betty Draper and wonders why everybody's so excited about the Science Fair when there aren't even any rides. In it you'll find essays on such topics as: - Menopause Spurs Thoughts of Death and Turkey - I Dreamed a Dream That My Lashes Were Long - Twitter Woes: I've Got Plenty of Characters, Just No Character - Movie To-Do List: Cook Like Julia, Adopt Really Big Kid - Charlie Bit Your Finger? Good! And other thoughts on the virus that is YouTube And much more! For any woman who longs for the good old days when Jane Fonda in legwarmers was the only one who saw you exercise, YOU DON'T SWEAT MUCH FOR A FAT GIRL is comfort food in book form.

A text book of notes on China and the Chinese.