Tin House is an award-winning literary magazine that publishes new writers as well as more established voices; essays as well as fiction, poetry, and interviews.

What is memory? How does it work? Reliable, unreliable, manipulated, historical, contradictory--from pure speculation to hard cognitive science, this issue brings you fiction, poetry, interviews, essays, and memoirs that explore memory.

"At an obscure South Carolina nursing home, a lost world reemerges as a disabled elderly woman undergoes newfangled brain-restoration procedures and begins to explore her environment with the assistance of strap-on robot legs. At a deluxe medical spa on a nameless Caribbean island, a middle-aged woman hopes to revitalize her fading youth with grotesque rejuvenating therapies that combine cutting-edge medical technologies with holistic approaches and the pseudo-religious dogma of Zen-infused self-help. And in a rinky-dink mill town, an adolescent girl is unexpectedly inspired by the ravings and miraculous levitation of her fundamentalist friend's weird grandmother. These are only a few of the scenarios readers encounter in Julia Elliott's debut collection, The Wilds. In these genre-bending stories, teetering between the ridiculous and the sublime, Elliott's language-driven fiction uses outlandish tropes to capture poignant moments in her humble characters' lives. Without abandoning the tenets of classic storytelling, Elliott revels in lush lyricism, dark humor, and experimental play. "--

In our increasingly mediated society, where joy is self-conscious and tweeted about as it is happening, is it possible for the genuinely ecstatic experience? From religious to chemically induced, from biochemical analysis to attempts to capture the ineffable, our issue on the ecstatic will feature poetry, fiction, and essays addressing the ecstatic and its counterparts ? the comedown and ecstasy thwarted, whether by internal or external means. "Tin House" is a beautifully designed periodical that features the best writers of our time alongside a new generation of talent poised to become the most important voices of the future. Content includes short stories, profiles, author interviews, poetry, essays, and unique departments such as Lost and Found, in which writers review overlooked or underrated books, and Blithe Spirits and Readable Feast, which present tales and recipes for drinks and food in a literary way.

Finalist for the PEN Open Book Award Longlisted for the PEN/Jean Stein Award A TIME, NPR, New York Public Library, Lit Hub, Book Riot, and Entropy Best Book of the Year "Beguiling and haunting. . . . Washuta's voice sears itself onto the skin." —The New York Times Book Review Bracingly honest and powerfully affecting, White Magic establishes Elissa Washuta as one of our best living essayists. Throughout her life, Elissa Washuta has been surrounded by cheap facsimiles of Native spiritual tools and occult trends, “starter witch kits” of sage, rose quartz, and tarot cards packaged together in paper and plastic. Following a decade of abuse, addiction, PTSD, and heavy-duty drug treatment for a misdiagnosis of bipolar disorder, she felt drawn to the real spirits and powers her dispossessed and discarded ancestors knew, while she undertook necessary work to find love and meaning. In this collection of intertwined essays, she writes about land, heartbreak, and colonization, about life without the escape hatch of intoxication, and about how she became a powerful witch. She interlaces stories from her forebears with cultural artifacts from her own life—Twin Peaks, the Oregon Trail II video game, a Claymation Satan, a YouTube video of Stevie Nicks and Lindsey Buckingham—to explore questions of cultural inheritance and the particular danger, as a Native woman, of relaxing into romantic love under colonial rule.

"Tin House" is a beautifully designed periodical that features the best writers of our time alongside a new generation of talent poised to become the most important voices of the future. For the special 50th issue, Tin House has some fun with the idea of beauty, providing personal takes on what is beautiful. The issue showcases fiction, poetry, and nonfiction that confront the notions of beauty across cultures, economic strata, genders, and races. What is beauty? What is art? Think of Francis Bacon: There is no excellent beauty that hath not some strangeness in the proportion. This new issue also includes pieces that look into the marketing of beauty, and how notions of beauty are used to create celebrity, and at the same time to marginalize and exclude. Content includes unique departments such as Lost and Found, in which writers review overlooked or underrated books, and Blithe Spirits and Readable Feast, which present tales and recipes for drinks and food in a literary way.

Expertly and sensitively selected by her granddaughter Bianca, The Essential Ruth Stone bears witness to a vivid fifty-year career of one of America’s most influential and pioneering poets. Distilling twelve books into a single volume―from the wild formalism of her early work to the science-filled cosmic intellect of her final collection―The Essential Ruth Stone shows a visionary poet with a physical grasp on language. Dazzling, humorous and grief-stricken poems explore the continuity of loss and love, in the spectral appearances of the dead husband, to portraits of an American childhood, life during wartime, and complex metaphysical inquiries into consciousness itself. Ruth Stone’s feminism, mysticism and overall fierceness shine through her wit and passion. Moving gracefully between the loneliness of grief and loss to the fullness of life and love, Stone approaches all her subjects with a profound humanity, an understanding born from her own lived experiences.