More than sixty years ago, author Dr. Frank G. Moody began treating patients as a second-year medical student at Dartmouth Medical School-Mary Hitchcock Clinic in Hanover, New Hampshire. He was an academic surgeon for the next fifty-five years. In his memoir, Frank Reflections, he offers both a personal and professional overview of his life-his birth in 1928 in New Hampshire; his childhood during the Great Depression; his extensive schooling, both academic and medical; his military service; his experiences serving the sick as a surgical educator; the challenges of his profession; his personal joys of raising three grown children; and his love of skiing and hiking. Recalling a wide range of place, including New York, California Alabama, Utah, and Texas, this memoir communicates Moody's dedication to his craft. Recapping a long and productive, but sometimes winding and turbulent career, Frank Reflections shares insights into Moody's world, in which he tried to enjoy life while helping others get well from their illnesses.

Prior to his departure to serve as a Family History missionary in Salt Lake City, Frank wrote a poem about both the wonderment of his "call" and of what lay in wait for him. His concerns about his age and poor health were soon dismissed upon his arrival in the mission field when Frank noticed that there were many who suffered far more than he, thus inspiring a poem about the willingness of others to serve God despite major obstacles in their lives. He recited this poem as part of his three minute introduction and arrival speech to his missionary group, many of whom requested a copy. Working in the Genealogy Library, Frank helped in the restoration of books and assisted his wife as lab photographer. He continued to write poems as missionaries entered and departed the mission and was quickly dubbed the "lab poet." Instead of writing a traditional daily journal, his wife suggested that he write his feelings and thoughts through poetry. This challenge helped Frank occupy his mind in a positive direction while struggling with daily health trials and his poetry journal evolved into this book, a compilation of heartfelt, inspired and jovial poems.

Shrouded in the lore of legendary Indians, Mt. Timpanogos beckons the urban populace of Utah. And yet, no “Indian” legend graced the mount until Mormon settlers conjured it—once they had displaced the local Indians, the Utes, from their actual landmark, Utah Lake. On Zion’s Mount tells the story of this curious shift. It is a quintessentially American story about the fraught process of making oneself “native” in a strange land. But it is also a complex tale of how cultures confer meaning on the environment—how they create homelands. Only in Utah did Euro-American settlers conceive of having a homeland in the Native American sense—an endemic spiritual geography. They called it “Zion.” Mormonism, a religion indigenous to the United States, originally embraced Indians as “Lamanites,” or spiritual kin. On Zion’s Mount shows how, paradoxically, the Mormons created their homeland at the expense of the local Indians—and how they expressed their sense of belonging by investing Timpanogos with “Indian” meaning. This same pattern was repeated across the United States. Jared Farmer reveals how settlers and their descendants (the new natives) bestowed “Indian” place names and recited pseudo-Indian legends about those places—cultural acts that still affect the way we think about American Indians and American landscapes.