Time and Tune

Time and Tune
Title Time and Tune PDF eBook
Author Ransom H. Randall
Publisher
Pages 196
Release 1901
Genre Elocution
ISBN

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Time and Tune in the Elementary School

Time and Tune in the Elementary School
Title Time and Tune in the Elementary School PDF eBook
Author John Hullah
Publisher BoD – Books on Demand
Pages 214
Release 2024-01-30
Genre Fiction
ISBN 3385248779

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Reprint of the original, first published in 1875.

Trig Trog

Trig Trog
Title Trig Trog PDF eBook
Author Douglas Coombes
Publisher
Pages 71
Release 1987
Genre Children's songs
ISBN 9780193302228

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This book is arranged around topics, and compiled by Douglas Coombes who was associated with the BBC Time and Tune programmes. Suggestions for selected art and craft work are given as well as percussion and accompaniments.

The Sabbath Hymn and Tune Book

The Sabbath Hymn and Tune Book
Title The Sabbath Hymn and Tune Book PDF eBook
Author Lowell Mason
Publisher
Pages 492
Release 1859
Genre Baptists
ISBN

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Voice and Song

Voice and Song
Title Voice and Song PDF eBook
Author Joseph Smith
Publisher
Pages 212
Release 1909
Genre Singing
ISBN

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The Puritan Hymn and Tune Book

The Puritan Hymn and Tune Book
Title The Puritan Hymn and Tune Book PDF eBook
Author Congregational Board of Publication
Publisher
Pages 124
Release 1859
Genre Congregational churches
ISBN

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The Time Is Out of Joint

The Time Is Out of Joint
Title The Time Is Out of Joint PDF eBook
Author Agnes Heller
Publisher Rowman & Littlefield Publishers
Pages 385
Release 2002-07-23
Genre Fiction
ISBN 1461715431

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The Time Is Out of Joint handles the Shakespearean oeuvre from a philosophical perspective, finding that Shakespeare's historical dramas reflect on issues and reveal puzzles which were taken up by philosophy proper only in the centuries following them. Shakespeare's extraordinary handling of time and temporality, the difference between truth and fact, that of theory, and that of interpretation and revelatory truth are evaluated in terms of Shakespeare's own conjectural endeavors, and are compared with early modern, modern, and postmodern thought. Heller shows that modernity, which recognized itself in Shakespeare only from the time of Romanticism, found in Shakespeare's work a revelatory character which marked the end of both metaphysical system-building and a tragic reckoning with the inaccessibility of an absolute, timeless truth. Heller distinguishes the four stages found in constantly unique relation in Shakespeare's work (historical, personal, political, and existential) and probes their significance as time comes to fall 'out of joint' and may be again set aright. Rather than initially bestowing upon Shakespeare the dubious honorary title of philosopher, Heller probes the concretely situated reflections of characters who must face a blind and irrational fate either without taking responsibility for the discordance of time, or with a responsibility which may both transform history into politics, and set right the time which is out of joint. In the ruminations and undertakings of these characters, Shakespeare's dramas present a philosophy of history, a political philosophy, and a philosophy of (im)moral personality. Heller weighs each as distinctly modern confrontations with the possibility of truth and virtue within a human historical condition no less multifarious for its momentariness.