Doctor Who has always contained a rich current of religious themes and ideas. In its very first episode it asked how humans rationalize the seemingly supernatural, as two snooping schoolteachers refused to accept that the TARDIS was real. More recently it has toyed with the mystery of Doctor's real name, perhaps an echo of ancient religions and rituals in which knowledge of the secret name of a god, angel or demon was thought to grant a mortal power over the entity. But why does Doctor Who intersect with religion so often, and what do such instances tell us about the society that produces the show and the viewers who engage with it? The writers of Religion and Doctor Who: Time and Relative Dimensions in Faith attempt to answer these questions through an in-depth analysis of the various treatments of religion throughout every era of the show's history. While the majority of chapters focus on the television show Doctor Who, the authors also look at audios, novels, and the response of fandom. Their analyses--all written in an accessible but academically thorough style--reveal that examining religion in a long-running series such as Doctor Who can contribute to a number of key debates within faith communities and religious history. Most importantly, it provides another way of looking at why Doctor Who continues to inspire, to engage, and to excite generations of passionate fans, whatever their position on faith. The contributors are drawn from the UK, the USA, and Australia, and their approaches are similarly diverse. Chapters have been written by film scholars and sociologists; theologians and historians; rhetoricians, philosophers and anthropologists. Some write from the perspective of a particular faith or belief; others write from the perspective of no religious belief. All, however, demonstrate a solid knowledge of and affection for the brilliance of Doctor Who.

Doctor Who has always contained a rich current of religious themes and ideas. In its very first episode it asked how humans rationalise the seemingly supernatural, as two snooping school teachers refused to accept that the TARDIS was real. More recently it has toyed with the mystery of Doctor’s real name, perhaps an echo of ancient religions and rituals in which knowledge of the secret name of a god, angel or demon was thought to grant a mortal power over the entity.But why does Doctor Who intersect with religion so often, and what do such instances tell us about the society that produces the show and the viewers who engage with it? The writers of Time and Relative Dimensions in Faith attempt to answer these questions through an in-depth analysis of the various treatments of religion throughout every era of the show’s history. While the majority of chapters focus on televisual Doctor Who, the authors also look at audios, novels and the response of fandom. Their analyses – all written in an accessible but academically-thorough style – reveal that examining religion in a long-running series such as Doctor Who can contribute to a number of key debates within faith communities and religious history.Most importantly, it provides another way of looking at why Doctor Who continues to inspire, to engage and to excite generations of passionate fans, whatever their position on faith.The contributors are drawn from the UK, the USA and Australia, and their approaches are similarly diverse. Chapters have been written by film scholars and sociologists; theologians and historians; rhetoricians, philosophers and anthropologists. Some write from the perspective of a particular faith or belief; some write from the perspective of no religious belief. All, however, demonstrate a solid knowledge of and affection for the brilliance of Doctor Who.Chapter titles:‘Why Time Lords do not live forever’; ‘Pushing the Protest Button: Doctor Who’s Anti-Authoritarian Ethic’; ‘Divine and Human Nature: incarnation and kenosis in Doctor Who’; ‘Breaking the Faiths in “The Curse of Fenric” and ‘The God Complex”’; ‘The Doctor Working on God’s Time: Kairos and Intervention in “The Waters of Mars” and “A Christmas Carol”’; ‘“You’re this Doctor’s companion. What exactly do you do for him? Why does he need you?”: Doctor Who, Liminality and Martha the Apostle’; ‘“Humany-Wumany”: Humanity vs. Human in Doctor Who’; ‘The Monstrous and the Divine in Doctor Who: The Role of Christian Imagery in Russell T. Davies’s Doctor Who Revival’; ‘“With proof, you don’t have to believe”: Doctor Who and the Celestials’; ‘“Her Brain was full of Superstitious Nonsense”: Modernism and the Failure of the Divine in Doctor Who’; ‘Religion in Doctor Who: Cult Ethics’; ‘Mediating Between the Scientific and the Spiritual in Doctor Who’; ‘Karma, Conditionality, and Clinging to the Self: The Tennant Years as Seen Through a Tibetan Buddhist Lens’; '"There never was a Golden Age”: Doctor Who and the Apocalypse’; ‘Qui Quae Quod: Doctor Who and the History of Magic’; ‘The Church Militant? The Church of England, humanity and the future in Doctor Who’; ‘Bigger on the Inside? Doctoring the Concept of “Religion or Belief” under English Law’; ‘“Something Woolly and Fuzzy”: The Representation of Religion in the Big Finish Doctor Who Audio Adventures’; ‘Doctoring the Doctor: Midrashic Adventures in Text and Space’.

In Dimensions of Faith, cognitive scientist Steve Donaldson takes readers on a journey from the world of assumptions, set minds, widely varying beliefs, and popular misconceptions to an understanding of the true essence and role of faith as the natural and inevitable product of brains. Using numerous illustrations and examples, Donaldson shows how faith is necessitated by a variety of unavoidable limitations, exposes the myth of a divide between faith and critical thinking, provides practical advice for crafting coherent beliefs, and explains why there can never be such a place as "Factland." Along the way he takes a special look at religious faith--evaluating its attributes, exploring its relation to other manifestations of faith, investigating whether God has done his job well enough to warrant the faith placed in him, and pondering how truth seekers can sometimes end up in very different places.

What is the difference between a god and a powerful alien? Can an android have a soul, or be considered a person with rights? Can we imagine biblical stories being retold in the distant future on planets far from Earth? Whether your interest is in Christianity in the future, or the Jedi in the present--and whether your interest in the Jedi is focused on real-world adherents or the fictional religion depicted on the silver screen--this book will help you explore the intersection between theology and science fiction across a range of authors and stories, topics and questions. Throughout this volume, James McGrath probes how science fiction explores theological themes, and vice versa, making the case (in conversation with some of your favorite stories, TV shows, and movies) that the answers to humanity's biggest questions are best sought by science fiction and theology together as a collaborative effort.

After Star Trek: Enterprise concluded in 2005, Star Trek went on hiatus until the 2009 film Star Trek and its sequels. With the success of these films, Star Trek returned to the small screen with series like Discovery, Picard, and Strange New Worlds. These films and series, in different ways, reflect cultural shifts in Western society. Theology and Star Trek gathers a group of scholars from various religious and theological disciplines to reflect upon the connection between theology and Star Trek anew. The essays in part one, “These are the Voyages,” explore the overarching themes of Star Trek and the thought of its creator, Gene Roddenberry. Part two, “Strange New Worlds,” discusses politics and technology. Part three, “To Explore and to Seek,” focuses on issues related to practice and formation. Part four, “To Boldly Go,” contemplates the future of Star Trek.

Scholars have been arguing for years that Star Wars is more than light sabers, Wookies, Millennium Falcons, and troubling familial relationships. Star Wars is an exciting space fantasy that we can explore from multiple academic perspectives, such as philosophy and psychology. This volume adds to that conversation by asking, “what would it look like if we analyzed the Star Wars universe theologically?” In Theology and the Star Wars Universe, contributors from various theological traditions take on this task by exploring the nature of the Force, the spiritual role of the Jedi, nonviolent and liberationist readings of the Franchise, and the enduring power of hope. Written for the restless, curious academic but accessible to diehard fans, Theology and the Star Wars Universe is an exciting foray into the study of theology and popular culture.

The American Villain: Encyclopedia of Bad Guys in Comics, Film, and Television seeks to provide one go-to reference for the study of the most popular and iconic villains in American popular culture. Since the 1980s, pop culture has focused on what makes a villain a villain. The Joker, Darth Vader, and Hannibal Lecter have all been placed under the microscope to get to the origins of their villainy. Additionally, such bad guys as Angelus from Buffy the Vampire Slayer and Barnabas Collins from Dark Shadows have emphasized the desire for redemption—in even the darkest of villains. Various incarnations of Lucifer/Satan have even gone so far as to explore the very foundations of what we consider "evil." The American Villain: Encyclopedia of Bad Guys in Comics, Film, and Television seeks to collect all of those stories into one comprehensive volume. The volume opens with essays about villains in popular culture, followed by 100 A–Z entries on the most notorious bad guys in film, comics, and more. Sidebars highlight ancillary points of interest, such as authors, creators, and tropes that illuminate the motives of various villains. A glossary of key terms and a bibliography provide students with resources to continue their study of what makes the "baddest" among us so bad.