successful life is not built on your ability to add, but on your ability to remove.After spending years judging my success (and others') on the volume of shiny objects I had, I realised that attaching happiness to material things - or even to a specific outcome, in fact - is a recipe for disaster. Obsessively chasing that next promotion or collecting designer watches might seem like the mark of a winner, but if you need to have something in your life in order for you to be happy - if you are attaching your happiness to external factors - you will always be searching for that next hit of dopamine. It's like an addiction: you're always chasing that first-ever feeling of euphoria, and the satisfaction you derive becomes less and less every time. It wasn't until I lost what I thought was everything - until my career and my material possessions were stripped away - that I claimed back my true values and gained clarity, perspective and gratitude for all that I had. I was forced into a position that made me see the world through a different set of eyes and appreciate the small pleasures in life. As a result of my own experience, I now see that it's the simplicity and fundamentals of life that hold true beauty. You don't need more, you need less. I'm not just talking in terms of material possessions. In today's world most of us are searching for a new tool, a new skill, more information, more knowledge - but everything we need is already inside of us. Under all the layers of fear and self-doubt, our true potential is already there, waiting for us to uncover it. It's not until we remove what's not serving us that we can see clearly what truly matters.As I set out on my own journey, I soon came to realise that the best things in life aren't things at all. They are people. They are experiences. It's time to unlearn everything that is false and unhelpful and make way for the real you to shine

Over the last few decades, a rich and increasingly diverse practice has emerged in the art world that invites the public to touch, enter, and experience the work, whether it is in a gallery, on city streets, or in the landscape. Like architecture, many of these temporary artworks aspire to alter viewers' experience of the environment. An installation is usually the end product for an artist, but for architects it can also be a preliminary step in an ongoing design process. Like paper projects designed in the absence of "real" architecture, installations offer architects another way to engage in issues critical to their practice. Direct experimentation with architecture's material and social dimensions engages the public around issues in the built environment that concern them and expands the ways that architecture can participate in and impact people's everyday lives. The first survey of its kind, Installations by Architects features fifty of the most significant projects from the last twenty-five years by today's most exciting architects, including Anderson Anderson, Philip Beesley, Diller + Scofidio, John Hejduk, Dan Hoffman, and Kuth/Ranieri Architects. Projects are grouped in critical areas of discussion under the themes of tectonics, body, nature, memory, and public space. Each project is supplemented by interviews with the project architects and the discussions of critics and theorists situated within a larger intellectual context. There is no doubt that installations will continue to play a critical role in the practice of architecture. Installations by Architects aims to contribute to the role of installations in sharpening our understanding of the built environment.

Art Seen is the new publication from The Curator's Salon, bringing together over 50 contemporary artists from around the world to talk about their work, influences, purpose and everything else. This debut edition of Art Seen, The Curator's Salon Magazine, showcases some of the most talented contemporary artists to know right now, from painters, sculptors, and printmakers to collage artists working today. This publication presents: Conversations between artists and curators Stories behind the artworks and the artists practice including bold and stunning visuals The way different cultures and life experiences influence an artist's style and technique Studio spaces in their most natural form Inside the publication you will discover artists from around the world, working across a number of disciplines, and learn about contemporary art and artists. Art Seen is curated and edited by award winning art dealer, and independent curator, Gita Joshi. Scroll up and click the Buy Now button to get your copy of this debut edition of Art Seen

In this smart, funny, and wonderfully Southern novel, Jeanne Roth is forced to come to terms with a past filled with the shadows of her mother, a once-vibrant femme fatale now suffering from Alzheimer's.

Julietta Singh challenges the drive toward the mastery over self and others by showing how the forms of self-mastery advocated by anticolonial thinkers like Fanon and Gandhi unintentionally reproduced colonial logic, thereby leading her to argue for a more productive human subjectivity that is not centered on concepts of mastery.

“Ram Dass lived a full life and then some. His final statement is thorough and, yes, enlightening.” —Kirkus Reviews Perhaps no other teacher has sparked the fires of as many spiritual seekers in the West as Ram Dass. If you’ve ever embraced the phrase “be here now,” practiced meditation or yoga, tried psychedelics, or supported anyone in a hospice, prison, or homeless center—then the story of Ram Dass is also part of your story. From his birth in 1931 to his luminous later years, Ram Dass saw his life as just one incarnation of many. This memoir puts us in the passenger seat with the one-time Harvard psychologist and lifelong risk-taker Richard Alpert, who loved to take friends on wild rides on his Harley and test nearly every boundary—inner or outer—that came his way. Being Ram Dass shares his life’s odyssey in intimate detail: how he struggled with issues of self-identity and sexuality in his youth, pioneered psychedelic research, and opened the doorways to Eastern spiritual practices. In 1967 he trekked to India and met his guru, Neem Karoli Baba. He returned with a perspective on spirituality and psychology that changed millions. Featuring 64 pages of color photographs, this intimate memoir chronicles the cultural and spiritual transformations Ram Dass experienced that resonate with us to this day, a journey from the mind to the heart, from the ego to the soul. Before, after, and along these waypoints, readers will encounter many other adventures and revelations—each ringing with the potential to awaken the universal, loving divine that links us to this beloved teacher and all of us to each other.

Metalearning is the study of principled methods that exploit metaknowledge to obtain efficient models and solutions by adapting machine learning and data mining processes. While the variety of machine learning and data mining techniques now available can, in principle, provide good model solutions, a methodology is still needed to guide the search for the most appropriate model in an efficient way. Metalearning provides one such methodology that allows systems to become more effective through experience. This book discusses several approaches to obtaining knowledge concerning the performance of machine learning and data mining algorithms. It shows how this knowledge can be reused to select, combine, compose and adapt both algorithms and models to yield faster, more effective solutions to data mining problems. It can thus help developers improve their algorithms and also develop learning systems that can improve themselves. The book will be of interest to researchers and graduate students in the areas of machine learning, data mining and artificial intelligence.