Professor Jaynie Anderson is an internationally recognised scholar, renowned for her research and publications on the Italian masters. On this occasion she has concentrated on one painting, the National Gallery of Victorias famous Banquet of Antony and Cleopatra by Giambattista Tiepolo. This glorious work of art, considered a centre-piece of the collection has recently undergone restoration in preparation for the re-opening of the National Gallery on St. Kilda Road in December 2003. Jaynie Anderson has collected together a previously under-examined range of Tiepolos drawings and studies - and other versions of the theme by Tiepolo and other Italian artists. She has woven them into the spectacular history of the painting, its production and its various owners prior to coming to Australia (including the Hermitage in St. Petersburg) - not to mention the fascinating stories of Antony and Cleopatra and their suicides, which the author has researched and retells in great detail and considerable passion. The book concludes with a chapter written by the National Gallery of Victorias conservators, John Payne and Carl Villis.

The full-length treatment in English of Tiepolo's life and career. Examining in detail the genesis and the achievement of Tiepolo's major accomplishments, and presenting a rich array of illustrations-some never before reproduced - Michael Levey presents the evidence for a deeper understanding and enjoyment of the great Italian artist.

Volume Five: This catalogue of a private collection includes works by such artists as Vermeer, Rubens, Renoir, La Tour, the Tiepolos, El Greco, Canaletto, and Van Dyck. -- Metropolitan Museum of Art website.

"Hodgdon's work should be required reading for anyone concerned with Shakespeare's cultural capital at the end of the twentieth century."—South Atlantic Review

Published in conjunction with an exhibit which opened in Venice in 1996 and at the Metropolitan Museum of Art in New York during the first part of 1997. The exhibit organizers aimed to show Tiepolo as one of the presiding geniuses of the European imagination. In essays and entries on every work shown, the text illuminates his formation; his mastery of mythological and poetic subjects; his religious pictures; his excursions into portraiture and studies of ideal heads; and the process by which he proceeded from initial ideas--small- scale sketches--to large canvases and frescoes. Beautifully produced, the volume makes a stunning impact, and will have to suffice for those who can't make it to the exhibit itself. Distributed by Abrams. 10x12"Annotation copyrighted by Book News, Inc., Portland, OR

This volume comprises of papers by analysts and members of the Freudian School of Melbourne. It addresses the question what difference Lacan's teaching has made in the field of psychoanalysis. The paper demonstrates the possibility of moving from the origin to originality in an antipodean place.