This elegant notebook has 108 tian zi ge ruled papers. It is specially designed for beginners to learn Mandarin Chinese. There are spaces for both character and Pin yin. You can write Chinese character in the tian zi ge and Pinyin in the space above the tian zi ge. The square size is not too big and not too small. It's a perfect size to write in. We made it easy to practice Chinese!

Chinese Characters Practice Notebook For Beginners Pīn Yīn Tián Zì Gé Běn 拼音田字格本: Cool Black Soft Matte Paperback Cover with Classic Chinese Dragon Image and Characters 1st Page with Sayings in English, Chinese Characters and Pinyin for: "Nothing is impossible to a willing heart." 2st Page with Sayings in English, Chinese Characters and Pinyin for: "A journey of a thousand miles begins with a single step." Interior Page Design Layout: classic Chinese Pīn Yīn Tián Zì Gé - Pinyin + Field Grid Style, the grid resembles Chinese character for field, 田 tián. one top line for date and subject with classic inspirational Chinese quotes with pinyin on each page bottom with page numbers 10 x 7 Field Cells + 10 x 7 Pinyin Cells Per Page 120 Pages Page Size: 8.5 x 11 inches (21.59 x 27.94 cm) A4 Paper Quality: Standard Amazon White Thick Book Paper Printing Feature: black and white, double-sided printing Perfect Book for : Mandarin Chinese beginners Cantonese Chinese beginners Chinese Handwriting Learners Learning Chinese Pinyin, Alphabets, Letters, Characters, Calligraphy , Words, Phrases and Sectences. Chinese Grammar Practice Chinese Vocabulary Building, Self-Study Chinese HSK (1,2) Test Preparation Confucius Institute Courses Notebooks and Homework Workbooks Chinese Handwriting and Calligraphy Practice Traditional Chinese Characters Writing Practice (Taiwan and Hong Kong) Simplified Mandarin Chinese Characters Writing Pracice (Mainland China) Unique Cool Gifts for Loved Ones Who is learning Chinese, Cantonese Language and culture.

This user-friendly book is aimed at helping students of Mandarin Chinese learn and remember Chinese characters. At last--there is a truly effective and enjoyable way to learn Chinese characters! This book helps students to learn and remember both the meanings and the pronunciations of over 800 characters. This otherwise daunting task is made easier by the use of techniques based on the psychology of learning and memory. key principles include the use of visual imagery, the visualization of short "stories," and the systematic building up of more complicated characters from basic building blocks. Although Learning Chinese Characters is primarily a book for serious learners of Mandarin Chinese, it can be used by anyone with interest in Chinese characters, without any prior knowledge of Chinese. It can be used alongside (or after, or even before) a course in the Chinese language. All characters are simplified (as in mainland China), but traditional characters are also given, when available. Key features: Specially designed pictures and stories are used in a structured way to make the learning process more enjoyable and effective, reducing the need for rote learning to the absolute minimum. The emphasis throughout is on learning and remembering the meanings and pronunciations of the characters. Tips are also included on learning techniques and how to avoid common problems. Characters are introduced in a logical sequence, which also gives priority to learning the most common characters first. Modern, simplified characters are used, with pronunciations given in pinyin. Key information is given for each character, including radical, stroke-count, traditional form, compounds, and guidance on writing the character. This is a practical guide with a clear, concise and appealing layout, and it is well-indexed with easy lookup methods. The 800 Chinese characters and 1,033 compounds specified for the original HSK Level A proficiency test are covered.

Serialized television drama (dianshiju), perhaps the most popular and influential cultural form in China over the past three decades, offers a wide and penetrating look at the tensions and contradictions of the post-revolutionary and pro-market period. Zhong Xueping’s timely new work draws attention to the multiple cultural and historical legacies that coexist and challenge each other within this dominant form of story telling. Although scholars tend to focus their attention on elite cultural trends and avant garde movements in literature and film, Zhong argues for recognizing the complexity of dianshiju’s melodramatic mode and its various subgenres, in effect "refocusing" mainstream Chinese culture. Mainstream Culture Refocused opens with an examination of television as a narrative motif in three contemporary Chinese art-house films. Zhong then turns her attention to dianshiju’s most important subgenres. "Emperor dramas" highlight the link between popular culture’s obsession with emperors and modern Chinese intellectuals’ preoccupation with issues of history and tradition and how they relate to modernity. In her exploration of the "anti-corruption" subgenre, Zhong considers three representative dramas, exploring their diverse plots and emphases. "Youth dramas’" rich array of representations reveal the numerous social, economic, cultural, and ideological issues surrounding the notion of youth and its changing meanings. The chapter on the "family-marriage" subgenre analyzes the ways in which women’s emotions are represented in relation to their desire for "happiness." Song lyrics from music composed for television dramas are considered as "popular poetics." Their sentiments range between nostalgia and uncertainty, mirroring the social contradictions of the reform era. The Epilogue returns to the relationship between intellectuals and the production of mainstream cultural meaning in the context of China’s post-revolutionary social, economic, and cultural transformation. Provocative and insightful, Mainstream Culture Refocused will appeal to scholars and students in studies of modern China generally and of contemporary Chinese media and popular culture specifically.

Chinese Characters Practice Notebook For Beginners Pīn Yīn Tián Zì Gé Běn 拼音田字格本: Cool Black Soft Matte Paperback Cover with Classic Chinese Dragon Image and Characters 1st Page with Sayings in English, Chinese Characters and Pinyin for: "Nothing is impossible to a willing heart." 2st Page with Sayings in English, Chinese Characters and Pinyin for: "A journey of a thousand miles begins with a single step." Interior Page Design Layout: classic Chinese Pīn Yīn Tián Zì Gé - Pinyin + Field Grid Style, the grid resembles Chinese character for field, 田 tián. one top line for date and subject with classic inspirational Chinese quotes with pinyin on each page bottom with page numbers 10 x 7 Field Cells + 10 x 7 Pinyin Cells Per Page 120 Pages Page Size: 8.5 x 11 inches (21.59 x 27.94 cm) A4 Paper Quality: Standard Amazon White Thick Book Paper Printing Feature: black and white, double-sided printing Perfect Book for : Mandarin Chinese beginners Cantonese Chinese beginners Chinese Handwriting Learners Learning Chinese Pinyin, Alphabets, Letters, Characters, Calligraphy , Words, Phrases and Sectences. Chinese Grammar Practice Chinese Vocabulary Building, Self-Study Chinese HSK (1,2) Test Preparation Confucius Institute Courses Notebooks and Homework Workbooks Chinese Handwriting and Calligraphy Practice Traditional Chinese Characters Writing Practice (Taiwan and Hong Kong) Simplified Mandarin Chinese Characters Writing Pracice (Mainland China) Unique Cool Gifts for Loved Ones Who is learning Chinese, Cantonese Language and culture.

This beautiful notebook makes studying a pleasure! Each double page spread has squared paper on the right-hand side for practicing formation of the Chinese characters, and lined paper on the left-hand side for note-taking. A ten-page reference section at the back of the notebook gives Mandarin character charts, key vocabulary, and basic grammar tips. Contents: Pages 1-118 Alternate pages of lined and squared paper for note-taking and handwriting practice Pages 119-120 Chinese Character charts Pages 121-124 Key vocabulary lists Pages 125-128 Basic grammar tips

Andy Kirkpatrick and and Zhichang Xu offer a response to the argument that Chinese students’ academic writing in English is influenced by “culturally nuanced rhetorical baggage that is uniquely Chinese and hard to eradicate.” Noting that this argument draws from “an essentially monolingual and Anglo-centric view of writing,” they point out that the rapid growth in the use of English worldwide calls for “a radical reassessment of what English is in today’s world.” The result is a book that provides teachers of writing, and in particular those involved in the teaching of English academic writing to Chinese students, an introduction to key stages in the development of Chinese rhetoric, a wide-ranging field with a history of several thousand years. Understanding this important rhetorical tradition provides a strong foundation for assessing and responding to the writing of this growing group of students.