This Limited Edition of Thug Shorts provides raw, uncut letters and diary entries from the flawed cast of the Wahida Clark’s infamous Thug Series. These Shorts take you inside the mind of the characters, allowing for insight into their views and hidden emotions—a way for the readers to fully connect with the characters. Spoiler Alert: If you have not read all six books in the Thug Series, in this order: Thugs and the Women Who Love Them, Every Thug Needs A Lady, Thug Matrimony, Thug Lovin’, Justify My Thug, and Honor Thy Thug, then do not embark on this wild ride into the complicated and often twisted drama-filled life of Wahida’s Thugs and the women who love them as these real-to-life characters crash their way into your mind.

In a world where Meter Maids are our best heroes, Renardd, the protagonist embarks on a dramatic mission to save the only woman he ever loved, Pamela Houston. With the clock counting down Pamela is about to be the 26th victim of a Mass Murderer who goes by the name of Mad Beast, but not without a little help.. "Kid who gets the short end of the stick ends up partnering with what he believed to be a man at first, he soon discovers that Renardds infamy borders the supernatural of the phenomenon. Some say he is the definition of all paranormal activities. Religion and Science can't explain the impossible feats Renardd has done. Can Renardd save Pamela in time from the sadistic Mad Beast and unravel the mysteries that pulls them down deeper into the rabbit whole?

The author of Conflagration! now presents a selection of his best short fiction and poetry. Included are a few presenting his best character, magician-detective Bill Sirclient, a cross between Sherlock Holmes and Harry Houdini, as well as Blackburn's Pill, a prequel to Conflagration! Also included are selections of his best poetry.

Meet Maya Hope. Double-dipped in cocoa with brick-house curves, she's a lover of jazz, a political poet, and a sociologist. Her best friend and roommate, Athena Jackson, is her opposite in every way -- a petite ex-cheerleader who's always blaring rap, grinding out rhymes, and ready to take the next man home. When Maya is forced to pinch-hit in an audition and bust Athena's rhymes, she finds herself on an undercover escapade in the wild world of hip-hop as the raw, sexy, roughneck Jezebel. After striking a deal with her own personal devil, Maya sets off on the tempting roller-coaster ride of a lifetime -- finding music, more fun than she's ever had, and even a man or two...but not without consequences. Brimming with electric sensuality, Dare is an unforgettable, envelope-pushing odyssey of two gutsy women playing by their own rules.

On holiday in Las Vegas, literary agent Charlie Greene and a policeman witness the murder of a man thrown out of a casino. When the policeman is murdered in turn, Charlie goes to work.

THUG-ADDICT: The Evolution is an urban story of Devon Mays. He went from a child to an adult where he experience the trials of life. He was raise in the Housing projects of Brooklyn, East New York where he grew up watching the fast-life, and was intrigued by the sinful desires. He went to jail at a young age for shooting a bully, and he seek revenge. His mother and father was an addict. He experience the responsibilities of life with his childhood girlfriend Tamika, by producing a family. Where he then venture from a thug to an addict. THUG-ADDICT: The Evolution is a page turner. It is a story to learn from. It is vivid, and a book on its own term and style.

Filling a major gap in the critical canon, Keaton’s Classic Shorts: Beyond the Laughter chronicles the rapid growth in the filmmaker’s understanding of what makes both comedy and film successful. Keaton developed his major themes in these nineteen silent short films shot between 1920 and 1923, creating his persona “Buster” with his trademark stone face. These short films clearly indicate Keaton’s love of the camera and his concern for composition, symmetry, and images that delight the eye and startle the mind. Oldham reconstructs each of these rarely seen films to enable the reader to “watch” Keaton’s performance, devoting a separate chapter to each. She analyzes each film’s strengths, weaknesses, and prevalent themes and threads. She also enables readers to plumb the depths of what seems to be surface comedy through philosophical, biographical, historical, and critical commentary, thus linking the shorts together into a cohesive study of Buster Keaton’s growth through his three-year independent venture as a filmmaker. Beyond the laughter and beyond the great stone face, Oldham presents a treasure of cinema comedy and a unique philosophy of life as captured by a great filmmaker.