Proposes that we can best understand literature’s relationship to sex through a renewed focus on masochism. In a series of readings that engage American and European works of fiction, drama, and theory from the late nineteenth through the early twenty-first centuries, critic and playwright Julia Jarcho argues that these works conceive writing itself as masochistic, and masochism as sexuality enacted in writing. Throw Yourself Away is distinctive in its sustained focus on masochism as an engine of literary production across multiple authors and genres. In particular, Jarcho shows that theater has played a central role in modern erotic fantasies of the literary. Jarcho foregrounds writing as a project of distressed subjects: When masochistic writing is examined as a strategy of response to injurious social systems, it yields a surprisingly feminized—and less uniformly white—image of both masochism and authorship. Ultimately, Jarcho argues that a retheorized concept of masochism helps us understand literature itself as a sex act and shows us how writing can tend to our burdened, desirous bodies. With startling insights into such writers as Henry James, Henrik Ibsen, Mary Gaitskill, and Adrienne Kennedy, Throw Yourself Away furnishes a new masochistic theory of literature itself.

The following story, called in the original "Ut de Franzosentid", was published in 1860, and rapidly passed through several editions. It is one of a series to which Reuter has given the name of "Olle Kamellen" literally "old camomile-flowers", by which he means "old tales, old recollections, useful as homely remedies." It is one of the most popular of his works, and perhaps also the most translatable. Hence the reason for bringing it first before the English public. The scene of the story is laid in Stavenhagen, or Stemhagen as it is called in Plattdeutsch, Reuter's native town. The characters introduced were all real people; and even their names have been retained. The story opens at the moment when the German people were at length beginning to rise against Napoleon, and it gives a vivid picture of the state of feeling which then prevailed in Germany towards the French. The Germans were in the galling position of being forced to treat the French as allies, whilst hating them with an intense and unconquerable hatred. And this hatred, wide-spread over the whole country, is shown in the expressions of detestation ever bursting forth at the mention of the French name.

"Take Time to Be Holy contains classic selections from Samuel Logan Brengle--a man whose writings on personal holiness have been touching hearts and inspiring believers for over a century. This daily devotional will inspire you to take time each day to deepen and enrich your understanding of holiness and how it is available to each of us. Not because we are perfect . . . but because God welcomes our obedient hearts and infuses them with His almighty power and boundless grace. Then we can consistently be and do just what God wants us to be and do. That's holiness." --

BIRTH LIFE MURDER, is an invocation of poetry, philosophies, and short stories, which pertain to the unfolding circumstances within our lives. We are born into this world, we live through our life, and sometimes we murder parts of ourselves in the process. All men are created equal, but not all men live equally. Staying true to one's own ideals and life's purpose, will be violently ripped away, if an unrelenting hold to them is not maintained. Do you remember who you really are? Did you lose your identity meandering down your life's path? In order to understand life, you must first understand its language. How long can you live not knowing who or what you are? How long can you meander through your life until you realize your truth? What will it take for you to become your truth?

Margaret Oliphant achieved fame during the Victorian era for her masterpieces of domestic realism, historical novels and spellbinding tales of the supernatural. This eBook presents a comprehensive range of Oliphant’s works, with the complete Chronicles of Carlingford, the complete Stories of the Seen and Unseen, numerous illustrations, rare texts appearing in digital print for the first time, informative introductions and the usual Delphi bonus material. (Version 2) * Beautifully illustrated with images relating to Oliphant’s life and works * Concise introductions to the novels and other texts * 79 novels, with individual contents tables * Rare novels available in no other collection, including Oliphant’s first novels MARGARET MAITLAND and CHRISTIAN MELVILLE * Rare supernatural novels appearing in digital publishing for the first time: DIES IRAE and THE LADY’S WALK * Images of how the books were first published, giving your eReader a taste of the original texts * Excellent formatting of the texts * The complete ‘Chronicles of Carlingford’ series, inspired by Trollope’s Barsetshire books, with special index and links – includes the very rare short story ‘The Executor’ * Special chronological and alphabetical contents tables for the short stories * Features the complete Stories and Novels of the Seen and Unseen – first time in digital print * Includes a selection of Oliphant’s non-fiction * Features a bonus biography * Scholarly ordering of texts into chronological order and literary genres * UPDATED with 60 more books – including 56 novels, 2 short story collections, 1 non-fiction work and an autobiography CONTENTS: The Chronicles of Carlingford Stories of the Seen and Unseen The Novels Passages in the Life of Mrs. Margaret Maitland (1849) Merkland (1850) The Quiet Heart (1854) Christian Melville (1855) The Athelings (1857) The Days of My Life (1857) The Laird of Norlaw (1858) The House on the Moor (1861) The Doctor’s Family (1861) The Last of the Mortimers (1862) Salem Chapel (1862) Heart and Cross (1863) The Perpetual Curate (1863) A Son of the Soil (1865) Miss Marjoribanks (1865) Madonna Mary (1867) Brownlows (1868) The Minister’s Wife (1869) The Three Brothers (1870) John (1870) Squire Arden (1871) Ombra (1872) At His Gates (1872) May (1873) A Rose in June (1874) For Love and Life (1874) Whiteladies (1875) The Story of Valentine and His Brother (1875) The Curate in Charge (1876) Phoebe, Junior (1876) Mrs. Arthur (1877) Young Musgrave (1877) The Primrose Path (1878) A Beleaguered City (1879) Within the Precincts (1879) He That Will Not When He May (1880) The Greatest Heiress in England (1880) Harry Joscelyn (1881) In Trust (1881) The Ladies Lindores (1883) The Lady’s Walk (1883) Sir Tom (1883) Hester (1883) It was a Lover and His Lass (1883) Madam (1884) The Wizard’s Son (1884) Old Lady Mary (1884) The Prodigals and Their Inheritance (1885) Oliver’s Bride (1886) Effie Ogilvie (1886) The Son of His Father (1886) A Poor Gentleman (1886) A House Divided Against Itself (1886) A Country Gentleman and His Family (1886) Joyce (1888) Cousin Mary (1888) Lady Car (1889) The Mystery of Mrs. Blencarrow (1890) Sons and Daughters (1890) The Duke’s Daughter (1890) Kirsteen (1890) The Fugitives (1890) The Railway Man and His Children (1891) The Story of a Governess (1891) The Heir Presumptive and the Heir (1891) The Marriage of Elinor (1891) The Cuckoo in the Nest (1892) Diana Trelawny (1892) The Sorceress (1893) A House in Bloomsbury (1894) Lady William (1894) Who Was Lost and Is Found (1894) Sir Robert’s Fortune (1894) Old Mr. Tredgold (1895) Two Strangers (1895) Dies Irae (1895) The Unjust Steward (1896) The Two Marys (1896) The Ways of Life (1897) The Shorter Fiction The Executor (1861) The Rector (1861) The Land of Darkness (1888) Neighbours on the Green (1889) A Widow’s Tale and Other Stories (1898) Complete Stories of the Seen and Unseen The Short Stories List of Short Stories in Chronological Order List of Short Stories in Alphabetical Order The Non-Fiction Royal Edinburgh (1890) Historical Characters in the Reign of Queen Anne (1894) The Makers of Modern Rome (1895) Jeanne d’Arc (1896) The Sisters Brontë (1897) The Autobiography The Autobiography and Letters of Mrs. M. O. W. Oliphant (1899) The Biography Margaret Oliphant (1901) by Richard Garnett