The culture of the Eastern Church, to many, is alien. Yet there are recognizable family resemblances. This book aims to start to get to know one another again from a Reformed Protestant perspective.

In the last decade, Eastern Orthodoxy has moved from being virtually unknown to Western Christians to being a significant presence on the religious scene in North America and Great Britain. In light of Orthodoxy's growing presence, this book will introduce Western Christians to the Eastern Orthodox vision of the Christian life by examining Orthodox theology and worship and will also alert readers to the cultural and historical factors that shape any interpretation of the Christian faith.

Brandon O'Brien and Randy Richards shed light on the ways that Western readers often misunderstand the cultural dynamics of the Bible. Identifying nine areas where commonplaces of modern Western thought diverge with the text, the authors ask us to reconsider long-held opinions about our most beloved book.

Political turmoil convulses 19th-century Russia, as Razumov, a young student preparing for a career in the czarist bureaucracy, unwittingly becomes embroiled in the assassination of a public official. Asked to spy on the family of the assassin -- his close friend -- he must come to terms with timeless questions of accountability and human integrity.

The Bible was written within collectivist cultures, and it's easy for Westerners to misinterpret—or miss—important elements. Combining the expertise of a biblical scholar and a missionary practitioner, this essential guidebook explores the deep social structures of the ancient Mediterranean, stripping away individualist assumptions and helping us read the Bible better.

A dazzling work of intellectual history by a world-renowned scholar, spanning the years from Peter the Great to the fall of the Soviet Union, this book gives us a clear and sweeping view of Russia not as an eternal barbarian menace but as an outermost, if laggard, member in the continuum of European nations.

From the Ancient Greeks' obsession with the armies of the Persians, Westerners have been irresistibly drawn to the exotic nature of "Oriental" warfare and have sought either to emulate their enemies' imagined ways of fighting or to incorporate Eastern warriors and "martial races," such as the Sikhs and Gurkhas, in their own forces. The alluring yet terrifying prospect of Samurai warriors, obedient to an ancient code of chivalry, or of the Mongol cavalry thundering across the steppes, continue to grip our imagination, while the courage and fighting prowess of today's "Eastern" warriors, the Taliban and Hezbollah, have been grudgingly acknowledged by the high tech armies of NATO in Afghanistan and the IDF in Lebanon. Such romantic notions are based on a highly questionable premise, namely that race, culture and tradition are separate and primordial, and that they determine how societies fight. But how far does culture shape war? Do non-Westerners approach strategy, combat, or death in ways intrinsically different from their Eastern neighbours? This debate can be tracked through time, from Herodotus onwards, and features in innumerable histories and literary works as well as in poetry, art and oral epics. Yet there are few histories of the idea itself. Military Orientalism argues that viewing culture as a script that dictates warfare is wrong, and that our obsession with the exotic can make it harder, not easier, to know the enemy. Culture is powerful, but it is an ambiguous repertoire of ideas rather than a clear code for action. To divide the world into western, Asiatic or Islamic ways of war is a delusion, one whose profound impact affects contemporary war and above all the War on Terror. Porter's fascinating book explains why the "Oriental" warrior inspires fear, envy and wonder and how this has shaped the way Western armies fight.