Welcome to the thought-provoking realm of Eugène Brieux's Three Plays by Brieux, where powerful narratives collide with social issues, challenging the conventions of early 20th-century theatre. Prepare to delve into a world where the personal meets the political, sparking conversations that resonate with modern audiences. This collection features three compelling plays that explore themes of morality, societal norms, and the human condition. Through intricate character development and poignant dialogue, Brieux crafts narratives that shine a light on the struggles of individuals against oppressive societal expectations. In Maternity, Brieux examines the complexities of motherhood and the societal pressures that dictate women’s roles, prompting readers to reflect on gender dynamics and the value of choice. The Affairs of State tackles political corruption and the ethical dilemmas faced by those in power, showcasing Brieux's unflinching critique of society's moral compass. Finally, in The Awakening, the playwright delves into the theme of personal liberation, inviting audiences to question the constraints placed upon them by tradition.

A Sourcebook on Naturalist Theatre provides essential primary sources which document one of the key movements in modern theatre. Christopher Innes has selected three writers to exemplify the movement, and six plays in particular: * Henrik Ibsen - A Dolls House and Hedda Gabler * Anton Chekhov - The Seagull and The Cherry Orchard * George Bernard Shaw - Mrs Warren's Profession and Heartbreak House. Innes' introduction provides an overview of naturalist theatre. Key themes include: the representation of women, significant contemporary issues and the links between theory, play writing and stage practice. The primary sources explore many aspects of naturalism, giving information on: * the playwrights' intentions when writing plays * contemporary reviews * literary criticism * political and social background * production notes from early performances of the plays.