Marilyn Waring probes the 'world behind the mask' in these three remarkable essays on women in politics, economics and work, and human rights. First, she pulls away the masks that women who are elected to parliamentary office are forced to wear. How do we women find ourselves trapped in the institution's games? How does that affect our ability to make progress on issues of primary importance to us? What does that do to our self-image? Can we even afford to be aware of this? The second essay continues Waring's powerful writing on economics and the concept of work. She updates the international situation described in her bestseller Counting for Nothing. Based on her project experience with the United Nations, she exposes the gap between rhetoric and consequence: you wash your pig: this is work; you wash your child: this is welfare... it has no value. The last essay unmasks the rhetoric of human rights. Waring shows how nation states exploit United Nations conventions, while also explaining the opportunities the conventions provide for political action.

The fiction of Rachel Ingalls has haunted me for years. The plots are dramatic, even exaggerated, but the books are quiet and short. The language is plain but curious. I’ve gathered here three works of hers. Two of these are frightening and one less so, although I sometimes change my mind about which one that is. —from the Introduction by Daniel Handler Daniel Handler assembled this collection from Rachel Ingalls’ wide selection of novellas as a perfect introduction to her beguiling talent. I See a Long Journey and On Ice, novellas Mr. Handler considers basically perfect, originally appeared with a third, Blessed Art Thou, a story he considers to be in an entirely different tone. He felt that Friends in the Country from Ms. Ingalls’ later collection, The End of Tragedy, was a more natural companion to the two earlier works. The author happily agreed.

From Nigerian author Pemi Aguda comes "Masquerade Season," a Tor.com Original short story Pauly is a good son. When he brings home three beautiful Masquerades, he's expecting that his mother will be proud of him. But when his mother begins asking favors of his Masquerades, he realizes that being a good son sometimes means disobeying. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.

From being a priest in the kingdom of darkness to an evangelist in the kingdom of light—this true story will shock and amaze you! Jesus Christ appeared to Joshua Blahyi as a blinding light and told him that he would die unless he repented of his sins. Joshua Blahyi grew up in Africa, became a powerful pagan priest in a local tribe, and then became one of the most feared warlords in Liberia. Under demonic influence, General Butt Naked fought and killed while he was naked; he personally sacrificed men, women, and babies, and forced children to abandon their families and fight with him. Then, in a radical transformation like that of Paul on the road to Damascus, Joshua met Jesus face to face. His mission now is to reach out to others who are under evil’s delusions and reform the lives of his former soldiers, enemies of Jesus Christ, and anyone in need of hope and love. Joshua Blahyi’s incredible story has been told in documentaries on PBS, CNN, BBC, and other media including the New York Times. His story appeals to everyone interested in foreign affairs, Africa’s mysterious spiritual culture, civil wars, Christianity, and child soldiers.

"This volume has much to recommend it -- providing fascinating and stimulating insights into many arenas of material culture, many of which still remain only superficially explored in the archaeological literature." -- Archaeological Review "... a vivid introduction to the topic.... A glimpse into the unique and changing identities in an ever-changing world." -- Come-All-Ye Fourteen interdisciplinary essays open new perspectives for understanding African societies and cultures through the contextualized study of objects, treating everything from the production of material objects to the meaning of sticks, masquerades, household tools, clothing, and the television set in the contemporary repertoire of African material culture.

This book focuses on the city of St Petersburg, the capital of the Russian empire from the early eighteenth century until the fall of the Romanov dynasty in 1917. It uses the Russian court as a prism through which to view the various cultural changes that were introduced in the city during the eighteenth century.

This volume contains key articles and chapters which represent both seminal and innovative scholarship on European theatre performance practice from 1750 to 1900. The selected topics focus on acting and performance, staging (including set design and lighting), and audiences, and are approached with a broad perspective as well as with in-depth, focussed analysis. The volume captures the rich, dynamic and variegated nature of European theatre throughout the late-eighteenth and nineteenth centuries and provides a carefully selected body of significant texts on this important period of theatre history.