Reproduction of the original. The publishing house Megali specialises in reproducing historical works in large print to make reading easier for people with impaired vision.

Cautious Grace Singleton, uncertain of her place in an intimidating world. Outspoken Hannah Parrish, harboring private fear that may change her life. Fragile Ameila Declose, shattered by devastating grief. Circumstance has brought these disparate women of "a certain age" to a Pennsylvania boardinghouse where three square meals and a sagging bed is the most any of them can look forward to. But friendship will take them on a starting journey to a rundown North Carolina farmhouse where the unexpected suddenly seems not only welcome, but delightfully promising. And with nothing more than a bit of adventure in mind, each woman will be surprised to find that they years they've reclaimed from the shadow of twilight will offer something far more rare: confidence, competence, and even another chance at love... The Tampa Tribune calls Joan A Mendicott's The Ladies of Covington Send Their Love "A must-read for women of all ages."

"For twenty-eight years, Pamela Paul has been keeping a diary that records the books she reads, rather than the life she leads. Or does it? Over time, it's become clear that this Book of Books, or Bob, as she calls him, tells a much bigger story. For Paul, as for many readers, books reflect her inner life--her fantasies and hopes, her dreams and ideas. And her life, in turn, influences which books she chooses, whether for solace or escape, diversion or self-reflection, information or entertainment. My Life with Bob isn't about what's in those books; it's about the relationship between books and readers"--

Written by Europe’s first professional woman writer, The Treasure of the City of Ladies offers advice and guidance to women of all ages and from all levels of medieval society, from royal courtiers to prostitutes. It paints an intricate picture of daily life in the courts and streets of fifteenth-century France and gives a fascinating glimpse into the practical considerations of running a household, dressing appropriately and maintaining a reputation in all circumstances. Christine de Pizan’s book provides a valuable counterbalance to male accounts of life in the middle ages and demonstrates, often with dry humour, how a woman’s position in society could be made less precarious by following the correct etiquette.

I hate you. I heard those words so many times from his mouth that they lost their meaning. His "three loving words" is how I mockingly referred to them. It didn't bother me, though, because I hated him, too. He was gorgeous, with dark tousled hair, full lips, a strong jaw, and a body deserving of a magazine cover. He was rich and cared for his mother deeply. On paper, he was the perfect husband. The problem? He was my husband. I dreamed of a fairytale love story for as long as I could remember. I dreamed of a boy to fall head over heels for me and treat me like the sun rose and set at my feet, especially after living in the shadow of my perfect sister and never feeling good enough for my family. When I decided to earn my parents' love in a dramatic fashion, I'll admit that I never imagined marrying him would end up part of the bargain. The kicker? Enzo Faust didn't want to marry me, either. And yet, here we are, a man that I both fear and loathe is my "I do...for better or worse." I just didn't anticipate that it'd be more 'worse' than 'better.' I'm Paige Stiles, and here's my story.

What Wild at Heart did for men, Captivating is doing for women. Setting their hearts free. This groundbreaking book shows readers the glorious design of women before the fall, describes how the feminine heart can be restored, and casts a vision for the power, freedom, and beauty of a woman released to be all she was meant to be.

A sweeping story of three generations of women, crossing from London to Ireland and back again, and the enduring effort to retrieve the secrets of the past It’s London, 1960, and Aoife Kelly—once the sparkling object of young men’s affections—runs pubs with her brusque, barking husband, Cash. Their courtship began in wartime London, before they returned to Ireland with their daughters in tow. One of these daughters—fiery, independent-minded Rosaleen—moves back to London, where she meets and begins an affair with the famous sculptor Felix Lehmann, a German-Jewish refugee artist over twice her tender eighteen years. When Rosaleen finds herself pregnant with Felix’s child, she is evicted from her flat, dismissed from her job, and desperate to hide the secret from her family. Where, and to whom, can she turn? Meanwhile, Kate, another generation down, lives in present-day London with her young daughter and husband, an unsuccessful musician and destructive alcoholic. Adopted and floundering to find a sense of herself in the midst of her unhappy marriage, Kate sets out to track down her birth mother, a search that leads her to a Magdalene Laundry in Ireland and the harrowing history that it holds. Stirring and nostalgic at moments, visceral and propulsive at others, I Couldn’t Love You More is a tender, candid portrait of love, sex, motherhood, and the enduring ties of family. It is impossible not to fall under the spell of this tale of mothers and daughters, wives and muses, secrets and outright lies.