Covering three generations of Hank Williams, Family Tradition is both unique and vast in scope. Beginning in the present day with Hank III – who gave the author unprecedented access – and time-traveling across the years, this examines just what kind of rebel mojo inspired this crazed family of country music, from Hank Sr. – often regarded as one of the most influential of American musicians – to Hank Jr., to this year's model, Hank III, who has somehow found a way to reconcile his legacy's deep-rooted twang and high-lonesome sound with particularly searing strains of punk and heavy metal, launching an all-out war with traditional Nashville in the process. Listen to Susan Masino live at Book Expo America on the BEA Podcast.

Mommieis a remarkable photographic portrait of three generations of women in the family of photographer Arlene Gottfried and an intimate story of the inevitable passage of time and aging. Pictured within, we are introduced to Gottfried's 100 year old immigrant grandmother, fragile mother, and reluctant sister over the breathtaking course of 35 years. An artist turning their eye on their own immediate family is a well explored theme, but Gottfried has achieved the sublime with a multi-decade long commitment to document the intimate lives of her nearest kin. Gottfried succeeds in creating a complete twentieth century portrait of four lives inextricably interwoven through relation, sickness, need, love, and the absence of her father-who passed away while Arlene was still young. Living as many mid-century Jewish New York families did, the Gottfrieds were not wealthy and lacked any trappings of luxury. Close examination of their world on Avenue A in Manhattan's Lower East Side reveals a dimly lit small apartment, cartons of budget saltines and groceries, chipped paint, damaged floor tiles, guarded loose change, and well worn clothes - details natural to the lives of many families of immigrants in New York. Mommieis testament to the passage of time, changes in the generations, losing loved ones and a familial experience at once both similar and unique to all.

Based on participant observation and in-depth interviews, this book describes the work women do in their homes, caring for children and partners, and maintaining the house. It shows how their lives are shaped by domestic responsibilities and challenges the ways in which their work is neither recognized nor valued. Arguing that the work they do is socially necessary and central to the economy, it calls for a transformation of current social and economic relations.

Three generations of women strive for real freedom in this startling, provocative novel exploring sexuality, gender, and maternal ambivalence, from the acclaimed author of The Best Kind of People. “In the best books, characters feel like my friends, but with the mothers of The Spectacular, they came to feel like my family.”—Torrey Peters, author of Detransition, Baby It’s 1997 and Missy is a cellist in an indie rock band on tour across America. At twenty-two years old, she gets on stage every night and plays the song about her absent mother that made the band famous. As the only girl in the band, she’s determined to party just as hard as everyone else, loving and leaving a guy in every town. But then she meets a tomboy drummer who is hard to forget, and a forgotten flap of cocaine strands her at the border. Fortysomething Carola is just surfacing from a sex scandal at the yoga center where she has been living when she sees her daughter, Missy, for the first time in ten years—on the cover of a music magazine. Ruth is eighty-three and planning her return to the Turkish seaside village where she spent her childhood. But when her granddaughter, Missy, winds up crashing at her house, she decides it’s time that the strong and stubborn women in her family find a way to understand one another again. In this sharply observed novel, Zoe Whittall captures three very different women who each struggle to build an authentic life. Definitions of family, romance, gender, and love will radically change as they seek out lives that are nothing less than spectacular.

Touted as one of Korea’s most important works of fiction, Three Generations (published in 1931 as a serial in Chosun Ilbo) charts the tensions in the Jo family in 1930s Japanese occupied Seoul. Yom’s keenly observant eye reveals family tensions withprofound insight. Delving deeply into each character’s history and beliefs, he illuminates the diverse pressures and impulses driving each. This Korean classic, often compared to Junichiro Tanizaki’s The Makioka Sisters, reveals the country’s situation under Japanese rule, the traditional Korean familial structure, and the battle between the modern and the traditional. The long-awaited publication of this masterpiece is a vital addition to Korean literature in English.

In this family memoir told in the voices of three generations, poet Natasha Tarpley sets her own migrations in the context of a long line of African-American stories. Both historical and personal, Girl in the Mirror traces her grandparents' move from Alabama to Chicago, her mother's relocation to Boston after her father's death, and her own trip to Africa and back. Tarpley emerges at the end reflected in the lives, struggles, and loves of those Black people who have traveled the road before her.

The Harrison family gathers as usual for Christmas in their big Sussex house. This year, however, outside realities are pressing hard: Pamela and John, married for four decades, know that time is catching up with them. And trouble is brewing in the lives of their four children. Cassie, the cossetted youngest, is in the throes of an affair with a married man; Elizabeth, her awkward older sister, is struggling with a faltering second marriage; Peter, the eldest and designated inheritor of Ashley House, is beginning to meet resistance to such a prospect from his career-orientated wife. Only Charlie, the charming and carefree younger son, and his wife Serena, seem truly content, with nothing to worry about except their adolescent twin girls and the simpler teething troubles of their toddler. Absorbed in their own lives, not one of them is prepared when real tragedy strikes, rocking their world to its core, changing them all forever. Praise for Amanda Brookfield: 'An engaging, emotionally-charged and intriguing story' Michelle Gorman 'No one gets to the heart of human relationships quite so perceptively as Brookfield.' The Mirror 'Unputdownable. Perceptive. Poignant. I loved it.' bestselling author Patricia Scanlan on Before I Knew You 'If Joanna Trollope is the queen of the Aga Saga, then Amanda Brookfield must be a strong contender for princess.' Oxford Times What readers are saying about Amanda Brookfield: ‘I’ve loved all Amanda Brookfield’s books and this latest one was excellent too. She writes so well, with insight and natural dialogue.’ ‘I could read it again, I read it so fast, I couldn't put it down. Very well written. I will definitely read more from this author in the future.’ ‘Brilliant book - just when I thought I knew what was going to happen, another twist popped up -had me picking it up whenever I had the chance.’ ‘A great story, great characters, vivid, immediate, so 'real', and such compassion. Every bit a page turner as Brookfield so gets you into her people. Only my second (Good Girls was a lucky dip first), but am hooked. If you like reading really well written real-life novels about your relationships, try this.’ ‘I enjoyed Amanda Brookfield’s writing style. She really taps into her characters and writes them warts and all, with some raw and honest emotions.’ ‘All of Amanda's books are well written. She certainly knows how to grab the reader's attention and draw them into what proves to be an enjoyable read.’