An essential historical, stylistic and technological guide to the art of custom gun-making which has been an important part of European and American decorative arts with its unique combination of woodcarving, silver and gold work, ornamental ironwork and inlay. Will be the standard work on the subject.

This book traces the development of wedding attire from the silver and white brocades of eighteenth-century formal, aristocratic weddings to the elegant crinoline revival of the late 1950s. Whenever possible, Shelley Tobin focuses on gowns and accessories where she can trace the provenance of the wearer, or the maker, to provide a social history of the past 300 years. The accoutrements of the brides reflected the luxury trades of the eighteenth and nineteenth centuries, but it was not until the 1850s that the white wedding became an established tradition. Even then, it was not available to everyone. Although formal, the wedding gown followed fashion and was often recycled as a suitable dress for the first presentation at court as a married woman. Wedding veils, if not passed down through the family, might also be used in another form, particularly as christening robes during the early twentieth century. The trend for producing costume dramas for stage and screen (e.g., Sense and Sensibility directed by Ang Lee, 1995) has seen the recreation of a number of period styles, and these in turn have influenced today's deigners.

Published to commemorate the 300th anniversary of the Sikh Brotherhood, this is a collection of over 100 images depicting Sikh prowess in war - photographs covering the last 150 years, together with early prints and paintings.

Samuel Eliot Morison sat down to tell the whole story of Harvard informally and briefly, with the same genial humor and ability to see the human implications of past events that characterize his larger, multi-volume series on Harvard.

Ishi in Three Centuries brings together a range of insightful and unsettling perspectives and the latest research to enrich and personalize our understanding of one of the most famous Native Americans of the modern era?Ishi, the last Yahi. After decades of concealment from genocidal attacks on his people in California, Ishi (ca. 1860?1916) came out of hiding in 1911 and lived the last five years of his life in the University of California Anthropological Museum in San Francisco. ø Contributors to this volume illuminate Ishi the person, his relationship to anthropologist A. L. Kroeber and others, his Yahi world, and his enduring and evolving legacy for the twenty-first century. Ishi in Three Centuries features recent analytic translations of Ishi?s stories, new information on his language, craft skills, and his personal life in San Francisco, with reminiscences of those who knew him and A. L. Kroeber. Multiple sides of the repatriation controversy are showcased and given equal weight. Especially valuable are discussions by Native American writers and artists, including Gerald Vizenor, Louis Owens, and Frank Tuttle, of how Ishi continues to inspire the creative imagination of American Indians.

Sticks and Stones: Three Centuries of North Carolina Gravemarkers

A discussion of the work of feminist thinkers from the last three hundred years, which features contributions from contemporary writers such as Ann Oakley and Alix Kates Shulman on the feminist intellectual tradition pioneered by the likes of Aphra Benn, Christabel Pankhurst and Virginia Woolf.